Michael Torregrossa
Founder, The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
The Medieval in American Popular Culture at Home and
Abroad: Reflections in Commemoration of the 80th Anniversary of Prince Valiant
Sponsored by the Association for the Advancement of
Scholarship and Teaching of the Medieval in Popular Culture
Organizer and Chair: Michael A. Torregrossa, Independent
Scholar
1. “ ‘My White
Knight’: American Medievalism 1890-1920 and the Power of Whiteness,” Faye
Ringel, U.S. Coast Guard Academy
2. “Tilting
Down the List, Tilting Down the Ages: The Revival of Jousting at the Turn of
the 21st Century,” Karli Grazman, University of Connecticut
3. “Medieval Marvels
and Marvel Superheroes,” Rex Barnes, Columbia University
4. “American Medievalism in Post-Soviet
Fairy-Tale Films,” Kate Koppy, Marymount University
Audio-visual equipment required: projector and screen
The Association for the Advancement of Scholarship and
Teaching of the Medieval in Popular Culture seeks to facilitate the spread of
information about the representations of the medieval in contemporary popular
culture. In commemoration of the eightieth anniversary of the Prince Valiant comic strip, this session
explores both how Americans have received the medieval and how American-made
medievalisms have influenced new works across the globe. First, Faye Ringel
explores some uses that Americans made of the medieval at the turn of the
twentieth century, works that might have influenced the creation of the comic. Then,
Karli Grazman directs our attention to Americans’ continued interest in the
medieval through our recreation of the jousting tournament, a prominent event
featured in the strip. Next, Rex Barnes turns our attention towards a different
group of comic book heroes and suggests a medieval background for the
superheroes of the Marvel Cinematic Universe. Finally, Kate Koppy highlights
how the medievalisms of the Walt Disney Studio, perhaps one of the country’s foremost
producers of medievalesque texts, have (like Prince Valiant) in turn inspired new works of medievalism in Russia.