Showing posts with label International Society for the Study of Medievalism. Show all posts
Showing posts with label International Society for the Study of Medievalism. Show all posts

Sunday, September 7, 2025

CFP ISSM Sponsored Sessions List for Kalamazoo 2026 (proposals by 9/15/2025)

ISSM at ICMS 2026


Source: https://medievalisms.org/issm-at-icms-2026/

ISSM will be sponsoring four online sessions during the 61st ICMS (May 14-16, 2026). Submissions for possible inclusion on one of our panels listed below need to be made in ICMS’s Confex System by Friday, September 15. For questions on any of the topics, please email the contact person listed after the session description. And feel free to share widely with anyone who might be interested in these topics!

1: Political Medievalisms 

(Michael Evans: michaelevans@delta.edu )

Medievalism continues to play a significant role in the world of politics. This session seeks to reach beyond the many discussions of the Alt-Right to consider other forms of medievalisms in politics, including modern monarchies, real or imagined; the use of medievalism, new feudalism, and historical claims in labor and worker’s rights movements; the Papal Conclave and election of Pope Leo XIV; medieval imagery, language, or claims in political campaigns; recollections of the medieval past in government’s self-constructions or as justifications for actions, etc.

II: Medievalisms in Space 

(Angela Weisl: angela.weisl@shu.edu for now)

Building on several successful sessions on Science Fiction Medievalisms, this session seeks to consider specifically what happens when the Middle Ages turns up in Outer Space. How is the past created in the future, and to what end? How is the Middle Ages imagined disconnected from the planet on which it took place? How does Medieval space get negotiated in Outer Space?

III: Global Medievalisms 

(Angela Weisl: angela.weisl@shu.edu)

This session seeks to consider medievalisms outside of Europe and North America. We are particularly interested in papers on medievalism in the Global South and how European implanted cultures have left their medieval mark far from home, as well as how these non-European cultures make use of, understand, and imagine their own pasts to contrast, combat, or reject colonial medievalisms. We are also particularly interested in how Catholic medievalisms function and create continuity (or discontinuity) in places where the Church has played an instrumental part of colonial implantation of Western culture, and what about its current function might reflect its medieval past.

IV: Medievalism and Costume 

 (Angela Weisl: angela.weisl@shu.edu )

This session seeks to investigate the medieval in clothing, costume, and ritual. How does the medieval influence fashion? What is the rhetoric of clothing at Renaissance Fairs? In LARPing and Reenactment? In Academic Regalia? Papers might consider popular figures, such as Chappell Roan, who inflect the medieval in their costuming, and what it says about how they understand themselves and their public position.


Friday, May 2, 2025

Job Posting: Assistant Editor of Year's Work in Medievalism (apply by 5/16/2025)

Sharing on behalf of the Internation Society for the Study of Medievalism:

The Year’s Work in Medievalism is seeking applications for the position of Assistant Editor. The selected individual will work alongside the current editors on future issues of the journal, undertaking administrative and editing tasks as needed and directed. While this is not a paid position, it is one that offers considerable insight into and experience with the operations of an academic journal. It is also an excellent opportunity for displaying service to the field.

Prior experience in the areas of editing and publishing is an asset, as is familiarity with MS software and the Chicago Manual of Style, though neither is required. Candidates for this position should have a strong interest in, and hopefully some prior experience with, researching the reception of medieval culture in post-medieval times. Experience in asynchronous collaboration, synthesizing reports, and providing constructive feedback on writing would all also be most welcome.

The average weekly workload for the position varies based on the publishing cycle. The appointment will be for a two-year period.

Please send a concise "letter of interest" and CV in PDF to Renée Ward (rward@lincoln.ac.uk) and Valerie Johnson (vjohnso6@montevallo.edu). The deadline for applications is 16 May 2025.


Wednesday, February 21, 2024

UPDATE - CFP Games of Medievalism - International Society for the Study of Medievalism Annual Conference (3/08/2024; New Jersey 07/09-11/2024)

Call for Papers: The Games of Medievalism

International Society for the Study of Medievalism Annual Conference


Montclair and South Orange, NJ, July 9-11, 2024


Abstracts are welcomed for the thirty-seventh annual conference of the International Society for the Study of Medievalism, co-sponsored by Montclair State and Seton Hall Universities, located in northern New Jersey, 14 miles from New York City (accessible by public transit). Abstracts for in-person and virtual papers and panels are welcome. To propose a panel, please include all abstracts in a single file submitted by the organizer. This file should also include the names and contact information for all participants.  


Celebrating games and sport in this Olympic summer and considering the various kinds of play inherent in Medievalism, the conference will consider the discipline’s many layers. We will arrange local visits (as interest permits) for those participating in person: to the New Jersey branch of Medieval Times, the Yogi Berra Museum, the Montclair Art Museum, and/or The Cloisters branch of the Metropolitan Museum of Art. 


Housing options will include low-cost single or double accommodations on the campus of Montclair State University (circa $50-60/night) and room blocks in local hotels. 


We welcome papers and presentations on all topics of Medievalism, not limited to the conference theme.  We enthusiastically welcome proposals from presenters in (or addressing topics related to) regions outside North American, Western Europe, and the Anglophone World.  



Keynote

“A ‘Carnival of Architecture’: Race, Place, and Play in Oblivion and the Elder Scrolls Franchise," Kevin and Brent Moberly, Old Dominion University and Indiana University



Suggested Topics

  • Medievalism in Video Games
  • Gaming the System (Medievalism in Geo-Politics, Economics)
  • Medievalism in Sports and Sports Culture
  • Games in Medieval Film
  • The Interplay of Medieval and Modern
  • Games in Medievalist Narratives
  • Jousts, Tournaments, Bohorts
  • Disguise, Cosplay, and Cross-Dressing
  • Games of Chance, Gambling, and Tavern Pursuits
  • Medievalism in Tabletop Games
  • Poetry Competitions or Challenges
  • The Play(s) of Medievalism
  • Playing with Medieval Medicine and other Techniques in the Modern World
  • Medievalist Musicals: Spamalot, Six, Pippin, Camelot, etc.
  • Games in the Construction of Medievalism
  • Medieval games in medievalist art or generative AI
  • Medievalism as Game
  • Chivalry, Courtesy, and other codes in Medievalism


Submission Instructions

Please submit your 200 to 250-word abstracts on the following Google Form by March 8 (date extended):

https://forms.gle/KCmquR8VungYzEoz9



Questions

Please contact conference organizers Elizabeth Emery and Angela Weisl:

gamesissm@gmail.com


Friday, February 16, 2024

CFP The Games of Medievalism (2/20/2024; ISSM 7/9-11/2024)

Source: https://sites.google.com/view/thegamesofmedievalism/home

Call for Papers: The Games of Medievalism


International Society for the Study of Medievalism Annual Conference

Montclair and South Orange, NJ, July 9-11, 2024


Abstracts are welcomed for the thirty-seventh annual conference of the International Society for the Study of Medievalism, co-sponsored by Montclair State and Seton Hall Universities, located in northern New Jersey, 14 miles from New York City (accessible by public transit). Abstracts for in-person and virtual papers and panels are welcome. To propose a panel, please include all abstracts in a single file submitted by the organizer. This file should also include the names and contact information for all participants.


Celebrating games and sport in this Olympic summer and considering the various kinds of play inherent in Medievalism, the conference will consider the discipline’s many layers. We will arrange local visits (as interest permits) for those participating in person: to the New Jersey branch of Medieval Times, the Yogi Berra Museum, the Montclair Art Museum, and/or The Cloisters branch of the Metropolitan Museum of Art.


Housing options will include low-cost single or double accommodations on the campus of Montclair State University (circa $50-60/night) and room blocks in local hotels.


We welcome papers and presentations on all topics of Medievalism, not limited to the conference theme. We enthusiastically welcome proposals from presenters in (or addressing topics related to) regions outside North American, Western Europe, and the Anglophone World.


Keynote

“A ‘Carnival of Architecture’: Race, Place, and Play in Oblivion and the Elder Scrolls Franchise," Kevin and Brent Moberly, Old Dominion University and Indiana University


Suggested Topics

  • Medievalism in Video Games
  • Gaming the System (Medievalism in Geo-Politics, Economics)
  • Medievalism in Sports and Sports Culture
  • Games in Medieval Film
  • The Interplay of Medieval and Modern
  • Games in Medievalist Narratives
  • Jousts, Tournaments, Bohorts
  • Disguise, Cosplay, and Cross-Dressing
  • Games of Chance, Gambling, and Tavern Pursuits
  • Medievalism in Tabletop Games
  • Poetry Competitions or Challenges
  • The Play(s) of Medievalism
  • Playing with Medieval Medicine and other Techniques in the Modern World
  • Medievalist Musicals: Spamalot, Six, Pippin, Camelot, etc.
  • Games in the Construction of Medievalism
  • Medieval games in medievalist art or generative AI
  • Medievalism as Game
  • Chivalry, Courtesy, and other codes in Medievalism




Submission Instructions

Please submit your 200 to 250-word abstracts on the following Google Form by February 20:

https://forms.gle/KCmquR8VungYzEoz9


Questions

Please contact conference organizers Elizabeth Emery and Angela Weisl:

gamesissm@gmail.com

Wednesday, August 30, 2023

CFP Political Medievalism: A Global View (virtual) (9/15/2023; ICMS 2024)

Cross-posted from the ISSM listserv:



Dear Friends and colleagues,
Please consider submitting an abstract to our virtual session at ICMS 2024. The deadline for abstract submission is September 15. The link for submissions is: https://icms.confex.com/icms/2024/cfp.cgi





POLITICAL MEDIEVALISM: A GLOBAL VIEW (#4923)


In 2017, with white supremacists sporting shields and standards containing medieval-like heraldry, Charlottesville shocked the mainstream world. Not long after, in 2019, Christchurch in New Zealand followed a similar pattern, when Christian terrorist Brenton Tarrant attacked two mosques and murdered 51 people, using (amongst other weapons) an assault rifle riddled with inscriptions alluding to medieval themes, characters, and events. Despite not being a new phenomenon (let us not forget that painting of Adolf Hitler as a medieval knight) twenty-first century political (neo)medievalism seems to be finally showing its more brutal impulses; once confined to the ends of the internet and other restricted underworlds, it is now crawling its way into the public scene and even gaining relevance in places and countries where it was previously unknown. Email Luiz Guerra (anchietaguerra@gmail.com) with questions.


Best,

Luiz Felipe Anchieta Guerra
International Liaison - ISSM

Tuesday, August 8, 2023

New Scholarship - The Year’s Work in Medievalism 35-36

Issues 35 and 36 of YWIM are out!

Posted on July 27, 2023 by lhaught

source: https://medievalisms.org/issues-35-and-36-of-ywim-are-out/.

The editors of The Year’s Work in Medievalism are delighted to announce the publication of volume 35.36 (2020-2021), a double issue. YWiM is the ISSM’s own peer-reviewed open access scholarly journal. The new volume represents work completed during the COVID-19 lockdown years, and so YWiM 35.36 contains: a pedagogy cluster; articles that discuss form, media, and medievalism; and a posthumous article by Alicia McKenzie (1976-2022), which we hope serves as a lasting memorial to her life and work. We encourage you to visit https://ywim.net/ to read and enjoy innovative medievalism scholarship.

CFP ISSM Sponsored Kalamazoo 2024 Sessions (9/15/2023; ICMS 5/9-11/2024)

CFP: ISSM Sponsored Kalamazoo 2024 Sessions


The 59th International Congress on Medieval Studies will be held in Hybrid Format on May 9-11, 2024.

All ISSM sponsored sessions will be remote and submissions are due by 9/15/23.



YOUNG ADULT MEDIEVALISMS (#4924): PAPER PANEL


This virtual/remote session considers the function of the Medieval in Young Adult Literature and Media. Whether retellings of Arthurian or other medieval stories, stories set in the Real or Fantasy Middle Ages, or stories working in Medieval narrative modes, the universe of YA media seems deeply engaged with the past. This is particularly interesting since the idea of “adolescence” certainly post-dates the Middle Ages. Papers will consider any aspect of the Medieval in YA Media focusing on how the medieval is defined or created and used within the narrative. What it the purpose of setting a YA story in the medieval past? What happens when Medieval characters are reconstituted as contemporary (or futuristic) young adults? How do medieval genres work to tell stories that speak to the present moment? And what is the relationship of the past and the present in these stories? Email Angela Weisl (angela.weisl@shu.edu) with questions; abstracts must be submitted through the ICMS website for consideration.


POLITICAL MEDIEVALISM: A GLOBAL VIEW(#4923): PAPER PANEL


In 2017, with white supremacists sporting shields and standards containing medieval-like heraldry, Charlottesville shocked the mainstream world. Not long after, in 2019, Christchurch in New Zealand followed a similar pattern, when Christian terrorist Brenton Tarrant attacked two mosques and murdered 51 people, using (amongst other weapons) an assault rifle riddled with inscriptions alluding to medieval themes, characters, and events. Despite not being a new phenomenon (let us not forget that painting of Adolf Hitler as a medieval knight) twenty-first century political (neo)medievalism seems to be finally showing its more brutal impulses; once confined to the ends of the internet and other restricted underworlds, it is now crawling its way into the public scene and even gaining relevance in places and countries where it was previously unknown. Email Luiz Guerra (anchietaguerra@gmail.com) with questions.


MEDIEVALISM AND CONTEMPORARY ROMANCE (#4925): PAPER PANEL


The romance genre emerges in the Middle Ages but has shown no intention of going anywhere. How do contemporary forms of romance (whether novels, films, television shows, etc.) engage with medieval tropes and narrative elements? While there are certain obvious elements that have changed, what remains the same? And what about the genre allows it to maintain the same status it had in the Middle Ages as the most popular (secular) genre? Papers for this virtual/remote session may look at any contemporary examples from any media. Email Angela Weisl (angela.weisl@shu.edu) with questions; abstracts must be submitted through the ICMS website for consideration.


INCLUSIVE MEDIEVALISMS IN FILM AND TELEVISION (# 4296): ROUNDTABLE


Medievalisms in Film and Television show no sign of slowing down, every season brings new examples. Whether purely fantasy or based in some kind of historical reality, these instantiations suggest an ongoing preoccupation with the medieval past. But to what end? More specifically, how do diverse casting choices (or the lack thereof) impact popular conceptions of the “premodern” past? This virtual roundtable will investigate different visions of medieval society put forth recently on film and tv in an attempt to determine how they might reflect the use and abuse of the Middle Ages in contemporary discourses on diversity and inclusion. Considerations of fan reactions to casting choices are welcome alongside analyses of the impact of these choices on the world building and messaging of the show or film in question. Email Leah Haught (lhaught@westga.edu) with questions; abstracts must be submitted through the ICMS website for consideration.

SCIENCE FICTION MEDIEVALISMS (#4922): PAPER PANEL

After the success of last year’s four sessions on Science Fiction Medievalisms, this virtual/remote session seeks to continue the conversation. How is the Medieval used in a genre that is supposedly about the future? How do medieval elements interact with the technological, scientific, and cyber elements of the genre? Why do “past” stories continue to be told in the imagined future, and what does this suggest about our present? Email Chrissie DeClerck-Szilagyi (christinaszilagyi@delta.edu) or Angela Weisl (angela.weisl@shu.edu) with questions; abstracts must be submitted through the ICMS website for consideration.


If you have friends or colleagues who you think would be interested in these sessions, please encourage them to submit!

Sunday, August 6, 2023

Upcoming Conference Deadlines

Please note immanent deadlines for submissions:


The 2023 Annual Conference of the Northeast Popular Culture Association is virtual from October 12-14, if you’re looking for somewhere to present ideas. The deadline is 8/14. Registration fee is $50 + $5.20 Eventbrite fee, but there are waivers available, Submit proposals at https://nepca.blog/2023-annual-conference/. 


If you're in the Northeast, the 2023 America Conference on Irish Studies New England & Mid-Atlantic Regional Conference will take place at Boston College, Chestnut Hill, MA on October 13-15. Further details are available at https://events.bc.edu/event/2023_acis_new_england_mid-atlantic_regional_conference. The deadline is 30 August, 


The 2023 International Conference for the Study of Medievalism s also virtual from 26-28 October. The proposal deadline is 8/15. We're trying for another panel on comics; send us your ideas. Anything else goes to the organizers at https://medievalisms.org/conferences/.


Thursday, August 19, 2021

CFP Medievalism and Genre: Science Fiction, Fantasy, and Historical Fiction (9/15/21; Kalamazoo 2022)

Posted on behalf of the organizers (from the ISSM list):


Session Title: Medievalism and Genre: Science Fiction, Fantasy, and Historical Fiction (Session ID: 2862)

ISSM-sponsored session at ICMS 2022

The “flavor” of many creative medievalisms shifts radically from genre to genre, yet these changes have largely been considered within the home genre and mode of the text in question – for example, a historical romance novel might be explored within the contexts of historical fiction or the romance novel genre, but not as a subset of medievalism. This panel seeks to upend those norms by considering medievalism as the broad umbrella category and exploring texts that play with genre, or texts working within a specific genre, for example the forthcoming film Sir Gawain and the Green Knight (2021). 

We invite proposals that explore the influence of the genres of science fiction, fantasy, and historical fiction upon medievalism, whether the field overall or in specific works (of any medium or mode). For example, how might romances like Sir Gawain and the Green Knight change meaning in a new genre, such as science fiction or fantasy? Proposals might consider specific texts, or ask broader questions including: how do speculative genres influence, restrict, or expand the potential of medievalism, or change the types of stories told? Where does genre cross over with medievalism?

Submissions of 250-300 WORDS should be made via the ICMS Confex system https://icms.confex.com/icms/2022am/cfp.cgi no later than Wednesday 15 September 2021.  If you have questions, please contact vjohnso6@montevallo.edu.


Friday, June 5, 2020

CFP Intersections (Spec Issue of Year's Work in Medievalism) (8/31/2020)

Call for Submissions

The Year’s Work in Medievalism 34 (2019): Intersections
(PDF version accessible at https://drive.google.com/file/d/1Sy_4ZE-eV8kiz1bo9Rw8gjRy-FlXdpUv/view)

The thematic focus for Issue 34 (2019) of The Year’s Work in Medievalism is intersections.
Medievalism studies sit at numerous crossroads; many works of medievalism bridge multiple
traditional boundaries, whether of discipline, genre, historicism, medium, mode, and more. We
therefore invite submissions, both scholarly and creative, that address, explore, contextualize, or
otherwise grapple with intersections and intersectionality within the field. Contributions arising
from the 2019 meeting of the International Society for the Study of Medievalism are also welcome.
The Year’s Work in Medievalism is a peer-reviewed open access journal providing codisciplinary
and interdisciplinary communication for scholars interested in the reception of medieval culture in
post-medieval times. We welcome submissions in English covering all aspects of medievalism,
including traditional essay-style submissions that are 3,000-4,000 words (including notes) in
length, as well as creative works.

Deadline for submissions: August 31, 2020.

Submissions and inquiries regarding submissions should be directed to both Renée Ward
(rward@lincoln.ac.uk) and Valerie Johnson (vjohnso6@montevallo.edu). Please follow the
journal style sheet when preparing your submission for consideration.

Style sheet accessible at https://docs.google.com/document/d/19xf8jLunL5KHP7YjtdDf2ml3LvADNZe_ZmpFdrm4LeY/edit?usp=sharing.


Thursday, June 4, 2020

The Year's Work in Medievalism 33 (2018)

The latest volume of The Year's Work in Medievalism has been released. It can be accessed at https://sites.google.com/site/theyearsworkinmedievalism/all-issues/33-2018.


Full contents as follows:


The Year's Work in Medievalism 33 (2018)

Edited by Valerie Johnson & Renée Ward, with Laura Harrison


Valerie Johnson & Renée Ward: Introduction

Alexandra Sterling-Hellenbrand: East Meets West? Heritage, Medievalism, and the Nibelungenlied on the Danube

Sarah J. Sprouse: From ides aglæcwif to “shebeast”: The Loss of the Wrecend in Thomas Meyer’s Translation of Beowulf

Loredana Teresi: Jo Nesbø’s The Snowman and the Myth of Týr: Addressing Contemporary Issues through Literary Tradition

Karl Fugelso: A Mickey Mouse Inferno: Medievalist Legacies and the Marketing of the Middle Ages

Alicia McKenzie: A Patchwork World: Medieval History and World-Building in Dragon Age: Inquisition

Scott Manning: Warriors “Hedgehogged” in Arrows: Crusaders, Samurai, and Wolverine in Medieval Chronicles and Popular Culture

Adam Debosscher: #ForTheThrone: A Study of the Emphasis on the Medievalism in the Paratext of G. R. R. Martin’s A Song of Ice and Fire in HBO’s Game of Thrones

Call For Submissions

Wednesday, August 21, 2019

International Conference on Medievalism 2019 News

The website for the 34th International Conference on Medievalism has been launched. The conference will run from 20-21 September 2019 at Georgia Tech. The theme is Global Medievalisms.

Check it out at https://issm2019.lmc.gatech.edu/.

Tuesday, August 20, 2019

CFP Politically-Varied Medievalisms of Separatist/Statehood/Independence Movements (9/15/19; Kalamazoo 2020)

The Politically-Varied Medievalisms of Separatist/Statehood/Independence Movements at ICMS Kalamazoo 2020
https://call-for-papers.sas.upenn.edu/cfp/2019/07/29/the-politically-varied-medievalisms-of-separatiststatehoodindependence-movements-at

deadline for submissions:
September 15, 2019
full name / name of organization:
International Society for the Study of Medievalism
contact email:
medievalismconferences@gmail.com

The right-wing medievalisms of Brexit and other Eurosceptic movements have been well-studied in the past few years. But not all separatist/independence/autonomy/statehood movements use medievalism in the same ways. This session seeks papers that examine the medievalisms of other such movements, including those (Scottish independence, Basque nationalism) that identify with more leftist politics, as well as those that engage with a range of political ideologies. How are appeals to the historical or fictional Middle Ages used by such movements or those who oppose them?

Preference will be given to papers that address the complexity of the relationship between medievalism and modern or contemporary politics, and to those proposals received by Sept 1.


Last updated July 29, 2019

Saturday, June 16, 2018

CFP Studies in Medievallism 28 (8/1/2018)

From the International Society for the Study of Medievalism site (http://medievalism.net/?page_id=55):

CALL FOR SUBMISSIONS:
Studies in Medievalism XXVIII

Though scholars have addressed many examples of medievalist discrimination, much work remains to be done on the treatment of systematically underrepresented and/or disenfranchised communities in postmedieval responses to the Middle Ages. Moreover, the recent, highly public exchange between Rachel Fulton Brown and Dorothy Kim suggests we, as scholars of medievalism, need to examine discrimination among our own ranks. What biases are suggested by our choice of topics, our approaches to them, and the fora in which we discuss them? How are those conversations shaped by publishers, universities, and other institutions that represent the Establishment? If we wish to expose, subvert, or avoid such prejudices, how can we best do so? Studies in Medievalism, a peer-reviewed print and on-line publication, is seeking 3,000-word (including notes) essays on these and related questions about medievalism and about the scholarship on it, as well as 6,000 to 12,000-word (including notes) articles on any postmedieval responses to the Middle Ages. Please send all submissions in English and Word to Karl Fugelso (kfugelso@towson.edu) by August 1, 2018. CLICK HERE for the Style Sheet.

Studies in Medievalism is the oldest academic journal dedicated entirely to the study of post-medieval images and perceptions of the Middle Ages. It accepts articles on both scholarly and popular works, with particular interest in the interaction between scholarship and re-creation. Its aim is to promote the interdisciplinary study of medievalism as a contemporary cultural phenomenon. Originally published privately, Studies in Medievalism is currently published by Boydell & Brewer, Ltd.. Click on the below links to Back Volumes for details and to order online.


Submissions and inquiries regarding submissions should be directed to Karl Fugelso (kfugelso@towson.edu).  Please follow the Style Sheet when preparing your submission for consideration.

Sunday, May 6, 2018

More Medievalism at Kalamazoo

I am still program-less for this week's Medieval Congress but have been gathering bits and pieces of programming. The International Society of the Study of Medievalism has just posted their list of sessions. Unfortunately, their offering conflicts with our own (ours on Saturday at 1:30and 3:30 in Schneider 1160), including an Arthurian film panel opposite our Arthurian monsters session. 


Saturday 10am Session 348 FETZER 1005
Medievalism, Racism, and the Academy (A Roundtable)
Sponsor: International Society for the Study of Medievalism and the Medievalists of Color
Organizer: Amy S. Kaufman, Independent Scholar; Usha Vishnuvajjala, American Univ.
Presider: Wan-Chuan Kao, Washington and Lee Univ.
A roundtable discussion with Colleen C. Ho, Univ. of Maryland; Ilan Mitchell-Smith, Center for Medieval and Renaissance Studies, California State Univ.–Long Beach; Matthew Vernon, Univ. of California–Davis; Kavita Mudan Finn, Independent Scholar; and Pamela J. Clements, Siena College.


Saturday 1:30 Session 424 SCHNEIDER 1280
King Arthur 2017 (A Roundtable)
Sponsor: International Society for the Study of Medievalism
Organizer: Amy S. Kaufman, Independent Scholar; Usha Vishnuvajjala, American Univ.
Presider: Ann F. Howey, Brock Univ.
A roundtable discussion with Susan Aronstein, Univ. of Wyoming; Kathleen Kelly, Northeastern Univ.; Martin B. Shichtman, Eastern Michigan Univ.; Christine Neufeld, Eastern Michigan Univ.; Abby Ang, Indiana Univ.–Bloomington; and Ann Martinez, Kent State Univ.–Stark.


Saturday 3:30 p.m. session 476 SCHNEIDER 1280
The New “Dark Ages”
Sponsor: International Society for the Study of Medievalism
Organizer: Amy S. Kaufman, Independent Scholar; Usha Vishnuvajjala, American Univ.
Presider: Usha Vishnuvajjala
Religion, Science, and Conspiracy Theories: The Flat Earth in the Middle Ages and Today, Shiloh Carroll, Tennessee State Univ.
Not as Sexy as We Thought: Echoes of the Dark Ages in Modern Sexual Conduct for Women, Amy Burge, Cardiff Univ.
Medievalism, Medievalists, and Conditional Reproductive Justice, Rebecca Huffman, Univ. of Michigan–Ann Arbor
A Dark Stage for the Dark Ages: Medieval Theatre as Protest (Then and Now), Carol L. Robinson, Kent State Univ.–Trumbull


I also recommend, selfishly:


Friday, May 11, 7:30pm, Fetzer 1005
Juggling the Middle Ages (A Screening and Roundtable Discussion)
Sponsoring Organization(s)
Dumbarton Oaks Research Library and Collection; Medieval Institute, Western Michigan Univ.
Organizer: Jan M. Ziolkowski, Harvard Univ./Dumbarton Oaks Research Library and Collection
Presider: Jan M. Ziolkowski
Discussants: Elizabeth Emery (Montclair State U); Richard Utz (Georgia Tech)
This session features screenings of two versions of the juggler of Notre-Dame story dating from the early 1950s: R. O. Blechman’s animated “The Juggler of Our Lady” and a performance featuring Nadine Gae that aired on The Fred Waring Show, followed by a roundtable discussion on medievalism.


Sunday, May 13, 8:30, Valley III Eldridge 309
Medievalism: A Manifesto (A Panel Discussion)
Organizer & Presider: Daniel T. Kline (Univ. of Alaska-Anchorage)
Panelists: Michael Evans (Delta College); Usha Vishnuvajjala (American Univ.); Jane Glaubman (Cornell Univ.); Lauryn S. Mayer (Washington & Jefferson College); Richard Utz (Georgia Institute of Technology)

Monday, August 7, 2017

CFP ISSM at Kalamazoo (9/1/2017; Kalamazoo 2018)

The International Society for the Study of Medievalism (ISSM) has recently announced its sessions for next year's International Congress on Medieval Studies at Kalamazoo. Please support their endeavors.

Here are the details:

ISSM is now seeking papers for three sessions at the International Congress on Medieval Studies, May 10-13, 2018. Please see our calls for papers below for details. For more information about the conference itself, please visit the Congress website.

http://medievalism.net/conference/issm-at-kalamazoo
 

Medievalism, Racism, and the Academy: A joint round table with Medievalists of Color (MOC)

Students often come to Medieval Studies through video games, fantasy novels, tabletop D&D, movies, and other popular medievalisms. But this can present a skewed picture of the Middle Ages as racially homogenous. Unfortunately, some traditional approaches to teaching Medieval Studies can perpetuate this problem. Following recent ISSM sessions on race, anti-Semitism, and xenophobia, and building on professional conversations launched at this year’s MOC workshop on Whiteness in Medieval Studies, our round table will consider how medievalism encountered both within and outside the classroom or embedded in academic structures might propagate racial bias. Participants might critique existing structures and/or offer suggestions for how research, teaching, administration, and academic social structures in both Medieval Studies and Medievalism Studies can be transformed to address these issues. Possible topics could include: diversity and the medieval curriculum, racial discourses in contemporary geopolitics or popular media, ethnonationalism and alt-right discourses on college campuses, medievalism and Islamophobia, the shifting demographics of medievalist scholars or enthusiasts, etc. Please send abstracts for papers of no more than ten minutes to Amy S. Kaufman (skaufmana at gmail) by September 1, 2017.




The New “Dark Ages”

The “Dark Ages” are back in the news, or at least the term is: the label has been applied to everything from the increasing erosion of women’s rights across the globe to the dystopian television worlds of The Handmaid’s Tale and Into the Badlands. Many people seem afraid that the world is inevitably returning to a “medieval” past of patriarchy, superstition, religious homogeny, censorship, and even monarchy. Medievalists, meanwhile, leap at these dim portraits of the Middle Ages to defend it from oversimplification. But sometimes, we dispel popular misconceptions without addressing continuities between the present and the past. For this panel, we’re seeking both papers that trace strong connections between the worst aspects of the Middle Ages and our possible futures and papers that interrogate contemporary anxieties and illusions about the past in light of real medieval history, literature, science, and art. Please send abstracts to Amy S. Kaufman (skaufmana at gmail) by September 1, 2017.


King Arthur 2017: A Round Table

Reviews have poured in for Guy Ritchie’s 2017 King Arthur, and some of them are pretty scathing. Chief among audience complaints is the film’s lack of authenticity: the story deviates so radically from medieval literature that Arthurian legend is barely recognizable. However, authenticity has always been a problematic way to evaluate Arthurian retellings. Sometimes called the “original fan-fiction,” medieval Arthurian legend is always revised and recreated to fit the political or cultural needs of a given period. And in fact, Ritchie’s film has been much better received among scholars of the Middle Ages. Participants in this round table will discuss the 2017 cinematic King Arthur and might answer some of the following questions: How do Ritchie’s changes fit into the canon of Arthurian revisions? How does the 2017 film inform meta-theoretical questions of authenticity surrounding Arthur himself? What do Ritchie’s changes tell us about our own cultural moment? Please send abstracts for papers of no more than ten minutes to Amy S. Kaufman (skaufmana at gmail) by September 1, 2017.



Sunday, May 17, 2015

CFP SIM for 2015

Call for Submissions:
Studies in Medievalism XXIV (2015)

http://medievalism.net/sim.html

Studies in Medievalism, a peer-reviewed print and on-line publication, seeks 3,000-word essays on how medievalism supports, parallels, resists, complicates, disrupts, denies, or otherwise relates to modernity. How, if at all, do postmedieval responses to a middle ages intersect with the respondent’s and/or our assumptions about absolute and/or relative modernity? How have the terms “medievalism” and “modernity” come to be defined in relationship to each other? Authors are encouraged to structure their essays around one or more examples and to consider not only whether medievalism could exist without modernity but also whether modernity could exist without medievalism. Please remember that our wide-ranging audience comprises generalists as well as specialists, and please send submissions in English and Word to Karl Fugelso (kfugelso@towson.edu) by August 1, 2015.  Please follow the Style Sheet (http://medievalism.net/2014SIMStyleSheet.pdf) when preparing your submission for consideration.


Studies in Medievalism is the oldest academic journal dedicated entirely to the study of post-medieval images and perceptions of the Middle Ages. It accepts articles on both scholarly and popular works, with particular interest in the interaction between scholarship and re-creation. Its aim is to promote the interdisciplinary study of medievalism as a contemporary cultural phenomenon. Originally published privately, Studies in Medievalism is currently published by Boydell & Brewer, Ltd..

CFP ICoM 2015

This is a hard one to track down. This version comes from the organization's Facebook page (https://www.facebook.com/pages/International-Society-for-the-Study-of-Medievalism/154554307982921?fref=nf).

Call for Papers: Mapping Medievalisms
The 30th Annual Conference on Medievalism
International Society for Studies in Medievalism
October 2nd - 4th , 2015
at the Doubletree Hotel in Pittsburgh, PA

Plenary Address by Susan Aronstein, University of Wyoming, author of Hollywood Knights: Arthurian Cinema and the Politics of Nostalgia, Medieval British Arthurian Narrative, and co-author of The Disney Middle Ages: A Fairy Tale and Fantasy Past.

Each day we are flooded with increasingly dire predictions for the death of the humanities and the corporatization of the university, as politicians slash education funding and rail about the uselessness of the liberal arts. How, in this rapidly-shifting landscape, do we plot a course for medievalism studies, a (relatively) new but recently thriving field that depends so much on the institutions and ideas currently under attack?
The 30th anniversary of the International Conference on Medievalism is a perfect opportunity for investigation, self-reflection, and ‘mapping’ our field: assessing where we have been and plotting new courses and new territories to explore. Although we welcome all contributions on medievalism, we are especially interested in proposals that imagine redrawing the map of the university, the liberal arts, or the humanities through Medievalism Studies as well as those that forge new paths for Medievalism Studies through an alchemical mixture of old and new, combining the traditions of humanities research with the innovations that will help it to survive.

Possibilities include (but are not limited to):
• Digital medievalisms
• Medievalism and the university
• Ecomedievalisms
• Interdisciplinary medievalisms
• Medievalism and iconic symbolism
• Multi-genre medievalisms
• A new ethics for medievalism
• Medievalism and globalization
• Geographical medievalisms
• Medievalism and the new oligarchy
• Serf's Up! Medievalism and contingent faculty

We welcome both abstracts for 15-20 minute papers and proposals for sessions both traditional and innovative. Session proposals or abstracts of no more than 300 words should be sent before June 5, 2015 to Lauryn Mayer at lmayer@washjeff.edu.

Sunday, August 31, 2014

Ethics and Medievalism Now Available

Studies in Medievalism XXIII 

Ethics and Medievalism
Edited by Karl Fugelso
http://www.boydellandbrewer.com/store/viewItem.asp?idProduct=14536

Details
First Published: 15 May 2014
13 Digit ISBN: 9781843843764
Pages: 264
Size: 23.4 x 15.6
Binding: Hardback
Imprint: D.S.Brewer
Series: Studies in Medievalism
Subject: Medieval Literature

Details updated on 31 Aug 2014

Ethics in post-medieval responses to the Middle Ages form the main focus of this volume. The six opening essays tackle such issues as the legitimacy of reinventing medieval customs and ideas, at what point the production and enjoyment of caricaturizing the Middle Ages become inappropriate, how medievalists treat disadvantaged communities, and the tension between political action and ethics in medievalism. The eight subsequent articles then build on this foundation as they concentrate on capitalist motives for melding superficially incompatible narratives in medievalist video games, Dan Brown's use of Dante's Inferno to promote a positivist, transhumanist agenda, disjunctures from medieval literature to medievalist film in portrayals of human sacrifice, the influence of Beowulf on horror films and vice versa, portrayals of war in Beowulf films, socialism in William Morris's translation of Beowulf, bias in Charles Alfred Stothard's Monumental Effigies of Great Britain, and a medieval source for death in the Harry Potter novels. The volume as a whole invites and informs a much larger discussion on such vital issues as the ethical choices medievalists make, the implications of those choices for their makers, and the impact of those choices on the world around us.

Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland.


Contents
1  Editorial Note / Karl Fugelso
2  The Dangers of the Search for Authenticity?: The Ethics of Hallowe'en / M.J. Toswell
3  Living Memory and the Long Dead: The Ethics of Laughing at the Middle Ages / Louise D'Arcens
4  Justice Human and Divine: Ethics in Margaret Frazer's Medievalist Dame Frevisse Series / Lisa Hicks and Lesley E. Jacobs
5  The Song Remains the Same: Crossing Intersections to Create an Ethical World via an Adaptation of Everyman for Everyone / Carol L. Robinson, Daniel-Raymond Nadon, and Nancy M. Resh,
6  Bringing Elsewhere Home: A Song of Ice and Fire's Ethics of Disability / Pascal J. Massie and Lauryn S. Mayer
7  The Ethical Movement of Daenerys Targaryen / Christopher Roman
8  What if the Giants Returned to Albion for Vengeance?: Crusade and the Mythic Other in the Knights of the Nine Expansion to The Elder Scrolls IV: Oblivion / Jason Pitruzello
9  The Dark Ages of the Mind: Eugenics, Amnesia, and Historiography in Dan Brown's Inferno / Kevin Moberley and Brent Moberley
10  Plastic Pagans: Viking Human Sacrifice in Film and Television / Harry Brown
11  Meat Puzzles: Beowulf and Horror Film / Nickolas Haydock
12  Words, Swords, and Truth: Competing Visions of Heroism in Beowulf on Screen / Mary R. Bowman
13  Socialism and Translation: The Folks of William Morris's Beowulf / Michael R. Kightley
14  "We Wol Sleen this False Traytor Deeth": The Search for Immortality in Chaucer's Pardoner's Tale and J. K. Rowling's The Deathly Hallows / Alison Gulley
15  Intention or Accident? Charles Alfred Stothard's Monumental Effigies of Great Britain / Phillip Lindley


Tuesday, April 22, 2014

CFP Medievalism on the Margins (for Studies in Medievalism) (8/1/14)

Sorry for the belated posting. It looks like this was first listed in January:

Call for Submissions: Studies in Medievalism XXIII (2014)

Studies in Medievalism, a peer-reviewed print and on-line publication, seeks 3,000-word essays about medievalism on the margins. Submissions may concentrate on the borders of the field and its relationship to neighboring disciplines, such as medieval studies, on the traditional geography of its focus and its relationship to other territory, particularly outside of Europe, on the relationship of medievalism to traditionally marginalized groups, such as the LBGTIQ community, or on some combination of the three.  Contributors are welcome to give examples but should focus on the theoretical implications of those examples rather than the examples themselves.  Authors should also anticipate a wide-ranging audience comprising generalists as well as specialists, including non-academics, and submissions should be sent in English and Word as an e-mail attachment on or before August 1, 2014 to the editor, Karl Fugelso (kfugelso@towson.edu). Please follow the Style Sheet when preparing your submission for consideration.