CFP Globalizing Joan of Arc: Positioning the Maid in a Transnational Landscape (9/10/19; Kalamazoo 2020)

Globalizing Joan of Arc: Positioning the Maid in a Transnational Landscape
https://call-for-papers.sas.upenn.edu/cfp/2019/07/11/globalizing-joan-of-arc-positioning-the-maid-in-a-transnational-landscape

deadline for submissions:
September 10, 2019
full name / name of organization:
Scott Manning / International Joan of Arc Society
contact email:
scottmanning13@gmail.com

Call for Papers sponsored by The International Joan of Arc Society/Société Internationale de l’étude de Jeanne d’Arc

International Congress on Medieval Studies (ICMS 2020)
May 7 to 10, 2020
Western Michigan University

If Joan of Arc’s story has circulated well beyond its hexagonal borders of origin, it remains strangely entangled with euro-nationalism and white supremacy as indicated by the backlash over the 2018 choice of Mathilde Edey Gamassou, a biracial teenager of Polish and Beninois parentage to play the Maid in Orléans’ Fêtes de Jeanne d’Arc. This panel seeks presentations that consider Joan of Arc as multicultural or transnational perspective, with particular interest in non-Western interpretations of Joan.

To what effect has Joan of Arc been transplanted to other (especially non-Western) cultural contexts? Why is Joan often the lens for understanding women leaders, such as Lalla Fatma N'Soumer dubbed an “Algerian Joan of Arc” by media outlets. Under what circumstances is Joan evoked to comment on transnational politics? Given that Joan of Arc’s story circulates through the world in “haphazard, unpredictable trajectories,” to what extent can we understand it as “global” as McDonald and Suleiman define it? When does Joan act as a “positioning system” via which interconnected users “situate and navigate themselves” in an ever-shifting transnational landscape?

Please submit a 250-word proposal for a 15-minute presentation. Proposals should have an abstract format written in Word doc and be accompanied by a brief academic bio (or a CV), including email address, current affiliation, and title/name. Please submit all relevant documents by September 10, 2019 to Scott Manning (scottmanning13@gmail.com) and Tara Beth Smithson (tbsmithson@manchester.edu).

Preliminary inquiries and expressions of interest are welcome.


Last updated July 12, 2019

CFP Performing Joan: Interpreting the Maid on Screen, on Stage, and in the Streets (9/10/19; Kalamazoo 2020)

Performing Joan: Interpreting the Maid on Screen, on Stage, and in the Streets
https://call-for-papers.sas.upenn.edu/cfp/2019/07/11/performing-joan-interpreting-the-maid-on-screen-on-stage-and-in-the-streets

deadline for submissions: September 10, 2019
full name / name of organization: Scott Manning / The International Joan of Arc Society
contact email: scottmanning13@gmail.com

Call for Papers sponsored by The International Joan of Arc Society/Société Internationale de l’étude de Jeanne d’Arc


International Congress on Medieval Studies (ICMS 2020)
May 7 to 10, 2020
Western Michigan University

Joan of Arc continues to captivate filmmakers, most recently Bruno Dumont, whose headbanging heroine mixes medieval and metal in Jeannette: The Childhood of Joan of Arc (2017) and Joan of Arc (2019). Joan has also made a Broadway comeback via three recent productions: David Byrne’s rock musical Joan of Arc: Into the Fire (2017) the 2018 revival of Shaw’s Saint Joan, and Jane Anderson’s Mother of the Maid(2018). Participatory street theater such as Orléans’ yearly Fêtes de Jeanne d’Arc or the procession’s campier New World cousin, a Joan-themed carnival parade in New Orleans, also shape the Maid’s evolving legacy.

This panel seeks papers that explore the origins, processes, and reception of Joan in performance. What performative aspects characterize the primary documents that inspired subsequent retellings of Joan’s story? Why do certain patterns emerge in Joan’s onstage and onscreen afterlives? And how do different authors and actors approach the creative task of communicating Joan’s relevance to new audiences? What purposes do these performances serve for those who conceive of or take part in them? Finally, how are the productions that Joan inspires received?

Please submit a 250-word proposal for a 15-minute presentation. Proposals should have an abstract format written in Word doc and be accompanied by a brief academic bio (or a CV), including email address, current affiliation, and title/name. Please submit all relevant documents by September 10, 2019 to Scott Manning (scottmanning13@gmail.com) and Tara Beth Smithson (tbsmithson@manchester.edu).

Preliminary inquiries and expressions of interest are more than welcome.


Last updated July 12, 2019
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