Showing posts with label Youth Culture. Show all posts
Showing posts with label Youth Culture. Show all posts

Tuesday, June 18, 2024

New Book - Medievalisms in a Global Age

Just released. Looks like a great resource.

Medievalisms in a Global Age

Edited by Angela Jane Weisl and Robert Squillace


Full details, preview, and ordering information at https://boydellandbrewer.com/9781843847038/medievalisms-in-a-global-age/.


TITLE DETAILS

282 Pages

23.4 x 15.6 cm

3 graphs and 3 b/w illus.

Series: Medievalism

Series Vol. Number: 27

Imprint: D.S.Brewer

July 2024


DESCRIPTION

Discusses contemporary medievalism in studies ranging from Brazil to West Africa, from Manila to New York.


Across the world, revivals of medieval practices, images, and tales flourish as never before. The essays collected here, informed by approaches from Global Studies and the critical discourse on the concept of a "Global Middle Ages", explore the many facets of contemporary medievalism: post-colonial responses to the enforced dissemination of Western medievalisms, attempts to retrieve pre-modern cultural traditions that were interrupted by colonialism, the tentative forging of a global "medieval" imaginary from the world's repository of magical tales and figures, and the deployment across borders of medieval imagery for political purposes. The volume is divided into two sections, dealing with "Local Spaces" and "Global Geographies". The contributions in the first consider a variety of medievalisms tied to particular places across a broad geography, but as part of a larger transnational medievalist dynamic. Those in the second focus on explicitly globalist medievalist phenomena whether concerning the projection of a particular medievalist trope across borders or the integration of "medieval" pasts from different parts of the globe in a contemporary incarnation of medievalism. A wide range of topics are addressed, from Japanese manga and Arthurian tales to The O-Trilogy of Maurice Gee, Camus, and Dungeons and Dragons.


CONTENTS

Introduction: Medievalisms: Local Spaces and Global Geographies

Part I: Local Spaces

1. Metamorphosis Metamorphosed: Fox Daemon, (Anti-)Colonialism, and Global Medievalism in Ken Liu's 'Good Hunting' - Minjie Su

2. The Medievalist Simulacra of Kafka's The Castle in Graphic Adaptations - Elizabeth Allyn Woock

3. Mangaesque Knights: Japan's Path to Global Medievalism - Maxime Danesin & Manuel Hernández-Pérez

4. The Good, the Bad, and the Ugly in Maurice Gee's The O Trilogy - Anna Czarnowus

5. Trading a Bow for a Machine Gun: Robin Hoods, Nationalism and the Personas of Philippine Politics - Stefanie Matabang

6. Tropical Templars? Medievalism and Pseudohistory in Brazil's Largest City - Luiz Guerra

7. Plague Temporality and Chronicle in Camus's La peste - Sara Torres

8. The Griot in Sunjata: A Paradigmatic Herald of an Afrofuturistic Messianic Age - Joseph Osei-Bonsu

9. Toward a Place-Based, North Pacific Medieval Studies: Medievalism, Pedagogy, Indigeneity - Daniel T. Kline

Part II: Global Geographies

10. Revolt: "Peasants" and Protest in the Twenty-First Century - Matthias D. Berger

11. "Taking a Step Back into the Thirteenth Century": Reading the Globe through a Medieval Lens: In the Footsteps of Marco Polo - Kara L. McShane

12. A Pinch of Flour, a Cup of Tall Tales, and one Khaleesi: Getting Medieval Across Time and Space - Meriem Pagès

13. The Boys Are Back in Town: Capital One's Propagandic Commercials for Alt-Right Nostalgic Imperialism - Carol Robinson

14. Memes, Covid-19, and Global Medievalism - Andrew B.R. Elliott

15. Dichotomies of Arthurian Medievalism: Dismantling and Reinforcing the Status Quo - Rachael Warmington

16. Thor versus Juracán: Premodern Storm Gods and Goddesses in Popular Culture - Marian E. Polhill

17. Geo-mapping the In-Betweens: Medieval Daoist Correlatives in Pokémon Go - Anne Giblin Gedacht

18. Worldbuilding Dungeons and Befriending Dragons: How the Global TTRPG Community Combats Western Hegemony - Miranda Hajduk

19. Marrying Medievalism, Post-Apocalypse, and the Global in Digital Games - Emily Price

List of Contributors

Index


ABOUT THE EDITORS

ANGELA JANE WEISL is Professor of English and Chair of the English Department at Seton Hall University.

ROBERT SQUILLACE is a Clinical Professor in Arts, Text, and Media and Educational Technology Liaison at New York University's School of Liberal Studies.

Friday, August 18, 2023

CFP Vikingism: Viking-Age Scandinavians in Modern British and North American Media (9/15/2023)

Vikingism: Viking-Age Scandinavians in Modern British and North American Media


deadline for submissions:
September 15, 2023

full name / name of organization:
Johanna Hoorenman & Tom Grant, Utrecht University

contact email:
j.e.m.hoorenman@uu.nl



CFP: Edited volume on Vikingism: Viking-Age Scandinavians in Modern British and North American Media

Vikings — their history, traditions, mythology and material culture — have taken contemporary media by storm. Popular culture is awash with Viking tropes and themes which have generated explosive interest in cinema, television, video games, music, literature, genre fiction and comics. This volume aims to provide a ground-breaking and innovative understanding of twentieth- and twenty-first century Vikingism. We are inviting scholars with relevant expertise to contribute essays which address any of the following questions:
  • What contemporary culture wars are being fought on Viking battlefields?
  • What are the main trends in the recent depictions of Vikings on screen, in video games and in literature, and what do these cultural products communicate to their audiences?
  • How have Vikings been used as a trope for British and American narratives of cultural heritage, social values, nationalism and/or Christianity? How have Viking tropes developed across popular and artistic genres and media?
  • What socio-cultural developments in Britain and North American are driving the recent surge of interest in the Viking Age?

We are interested in all media genres aimed at the British and American markets, popular and literary, including but not limited to
  • British historical fiction, including Bernard Cornwell’s The Saxon Stories and their Netflix adaptation The Last Kingdom
  • American historical (pulp) novels including Edison Marshall’s The Viking (1951) and West with the Vikings (1962)
  • AS Byatt’s Ragnarök, Joanne M Harris’ Gospel of Loki and Runemarks series
  • Children’s / YA literature, including John Flanagan’s Brotherband Chronicles and Cressida Cowell’s How to Train your Dragon series
  • Comic books: Marvel’s Thor and their screen adaptations
  • Games, including: Skyrim, Assassin’s Creed: Valhalla
  • History Channel’s Vikings and Vikings: Valhalla
  • Feature films including The Vikings (1958), Erik the Viking (1989), The Northman (2022)
  • Fantasy fiction, including Neil Gaiman’s Sandman, American Gods, Norse Mythology
  • Popular romance fiction, including queer romance and trans identities
  • Music

Please submit an abstract (max. 300 words) and a short biography (max. 150 words)to both of the editors, Johanna Hoorenman (j.e.m.hoorenman@uu.nl) and Tom Grant (t.o.grant@uu.nl) by 15 September 2023.



Last updated July 28, 2023

Monday, April 23, 2012

Rebecca Barnhouse’s Novels

The Medieval News blog has a post on Rebecca Barnhouse’s new novel Peaceweaver, which is inspired by episodes from Beowulf

An interview with Barnhouse on the novel appears at Suvudu, and an earlier interview at The Enchanted Inkpot looks at her earlier book, The Coming of the Dragon, which is also based on material in Beowulf

Barnhouse has published further material set in the Middle Ages for young readers as well as two academic studies of similar works. Her website is: http://www.rebeccabarnhouse.com/

Monday, September 19, 2011

Beowulf by James Rumford

I recently picked up James Rumford's Beowulf: A Hero's Tale Retold (2007) and found it an interesting read. The book--both written and illustrated by Rumford--offers young readers a simplified and non-gory version of Beowulf that makes several attempts for a more "authentic" version of the story. The costumes, arms and armor, architecture and decoration are suitably early medieval in appearance, and the text itself both uses keenings and employs a lexicon of words primarily derived from Old English. Rumford details his approach to the book in an author's note that concludes the work and on his website. This is definitely something to consider for the young medievalists on your holiday shopping lists.