Showing posts with label 19th Century. Show all posts
Showing posts with label 19th Century. Show all posts

Saturday, August 10, 2024

CFP NVSA 2025: The Twentieth Century (10/15/2024; Boston 4/4-6/2025)

NVSA 2025: The Twentieth Century – 50th Anniversary Conference


deadline for submissions:
October 15, 2024

full name / name of organization:
Northeast Victorian Studies

contact email:
seckert@wesleyan.edu

source: https://call-for-papers.sas.upenn.edu/cfp/2024/08/07/nvsa-2025-the-twentieth-century-%E2%80%93-50th-anniversary-conference


The Northeast Victorian Studies Association 2025

50th Anniversary Conference

April 4-6, 2025

Keynote panel with Kristin Mahoney, Nasser Mufti, and John Plotz



View the full call here >> https://nvsa.org/wp-content/uploads/2024/08/call-for-papers-nvsa-2025-1.pdf



The Northeast Victorian Studies Association seeks proposals on the theme “The Twentieth Century” for its annual conference at Boston University. A product of the twentieth century, NVSA held its first official meeting on “The Victorian Family” at Assumption University in 1975. Fifty years later, we invite you to join us in celebrating an organization that has been a pillar of the field across the decades.



There is a paradox in a Victorianist conference organized around the twentieth century. How did the desires and needs of the twentieth century lead to the invention of our field of study? What got dragged, kicking and screaming, into twentieth century from the nineteenth? We welcome submissions that probe such contradictions and anachronisms: the lingering presence of one era in another, as well as more conceptual approaches to the idea of the literary period as such. Where do scholarly commitments to periodization stand now?



From work in reception history, adaptation studies, intellectual history, and disciplinary history, what versions of the Victorian have been mobilized, returned to, or remade in its wake? What supposedly “Victorian” ideas, concepts, and genres owe their origin to their close descendants? Does the line between the nineteenth and twentieth centuries feel harder or softer than it did for previous generations? And why do so many scholars of the Victorian period extend their interests forward rather than backward in time?



Submissions are also encouraged that consider both the afterlives and immediate adjacencies of the Victorian period. We invite papers that explore specific forms, authors, genres, media, movements, and ideas of modernity that emerge across and between the nineteenth and twentieth centuries: late Victorian realism and genre fiction, aestheticism, fin-de-siècle media (especially film and photography), imperial networks of circulation, and shifts in the conceptualization of national, ecological, aesthetic, colonial and biopolitical categories at the century’s turn.



Our hope is that scholars who have joined us before (in this century or the last) will return by one of two traditional paths: submitting an anonymous abstract for the consideration of the programming committee, or attending simply to enjoy.



Proposals (no more than 300 words) are due by Oct. 15, 2024(email only, in Word format). Submit them to Sierra Eckert, Chair, Program Committee: seckert@wesleyan.edu. Please note: all submissions to NVSA are evaluated anonymously. Successful proposals will stay within the 300-word limit and make a compelling case for the talk and its relation to the conference topic. Please do not send complete papers, and do not include your name on the proposal. Include your name, institution, email address, and proposal title in the body of the email. Papers should be 15 minutes long.



For more information on recommended topics, travel grants, and essay prizes please see: https://nvsa.org/wp-content/uploads/2024/08/call-for-papers-nvsa-2025-1.pdf



Last updated August 8, 2024



Tuesday, June 18, 2024

Studies in Medievalism 33 Out Now

Released earlier this season:

Studies in Medievalism XXXIII: (En)gendering Medievalism

Edited by Karl Fugelso


Full details, preview, and ordering information at https://boydellandbrewer.com/9781843847175/studies-in-medievalism-xxxiii/.


TITLE DETAILS

270 Pages

23.4 x 15.6 cm

6 b/w illus.

Series: Studies in Medievalism

Series Vol. Number: 33

Imprint: D.S.Brewer

April 2024


DESCRIPTION

Essays on the post-modern reception and interpretation of the Middle Ages.


Though Studies in Medievalism has hosted many essays on gender, this is the first volume devoted specifically to that theme.


The first part features four short essays that directly address manifestations of sexism in postmedieval responses to the Middle Ages: gender substitutions in a Grail Quest episode of the 2023 television series Mrs. Davis, repurposed misogyny in the last two episodes of Game of Thrones (2011-19), traditional gender stereotypes in Capital One's credit card commercials from 2000 to 2013, and "shaggy" medievalism in Robert Eggers' 2022 film The Northman.


The second part contains ten longer essays, which collectively continue to demonstrate the ubiquity of gender issues and the extraordinary flexibility of approaches to them. The authors discuss the misogynistic sexualization of Grendel's mother in Parke Godwin's 1995 fantasy novel The Tower of Beowulf, in Graham Baker's 1999 film Beowulf, in three episodes from the television series Xena: Warrior Princess, and in Robert Zemeckis's 2007 film Beowulf; gender substitution in David Lowery's 2021 film The Green Knight and in Kinoku Nasu's and Takashi Takeuchi's anime series Fate (2004-); female authorship of three early-nineteenth-century plays about court ladies' medieval empowerment; extraordinary violence in medievalist video games; nationalism in fake nineteenth-century medievalist documents and in contemporary online fora; racial discrimination in video gaming and in Jim Crow literature; and the condemnation of racism in Maria Dahvana Headley's 2018 novel The Mere Wife.


CONTENTS

Preface - Karl Fugelso

I: (En)gendering Medievalism

The Peacock Television Network's Mrs. Davis, Sister Simone, and Messing Up the Quest for the Holy Grail - Kevin J. Harty

Bitches Be Crazy: Patriarchal Weaponization of Mental Distress in Game of Thrones - Lauryn Mayer

Capital One's Condemnation, Conversion, and Eventual Celebration of Mythical Medieval Northern European Males through Allegorical Commercials - Carol L. Robinson

The Northman and the Link between Past and Present Masculinities - H. Peter Johnsson

II: Other Responses to Medievalism

Maternal Games in The Green Knight: Launching Gawain - Carol Jamison

Seaxy Beast: Grendel's Mother and Responses to Third-Wave Feminism in Beowulf Adaptations - Alison Elizabeth Killilea

Artoria Pendragon: Anachronism, Gender and Self-Acceptance in the Fate Anime Series of Kinoko Nasu and Takashi Takeuchi - Lisa Myers

Exalted by Honour: Women's Medievalist History Plays in the Late-Eighteenth Century - Kirsten Ogilby

A Violent Medium for a Violent Era: Brutal Medievalist Combat in Dragon Age: Origins and Kingdom Come: Deliverance - Robert Houghton

The "Old Frisian" Tescklaow as Invented Tradition: Forging Friesland's Rural Past in the Early Nineteenth Century - Rolf H. Bremmer, Jr. and Philippus Breuker

Neither Brutes, Nor Sissies: Re-imagining the Vikings on a Swedish Online Forum - Christine Ekholst

Avatar Creation and White Masculinity in Wolfram van Eschenbach's Parzival and Ernest Cline's Ready Player One - Chelsea Keane

Intersectionality in Maria Dahvana Headley's The Mere Wife - Mareike Huber

The Smith, the Devil, and Jim Crow: Medieval Hagiography, Victorian Popular Culture, and the Legacy of Slavery in Edward G. Flight's The Horse Shoe: The True Legend of St. Dunstan and the Devil - Christina M. Heckman


Thursday, March 18, 2021

CFP Reflections/Refractions: Victorian(ist) Ways of Seeing Conference (5/15/21; Charlotte 10/22-23/21)

Of related interest:

2021 Victorians Institute Conference: Reflections/Refractions: Victorian(ist) Ways of Seeing

Source: https://call-for-papers.sas.upenn.edu/cfp/2021/03/13/2021-victorians-institute-conference-reflectionsrefractions-victorianist-ways-of

deadline for submissions:
May 15, 2021

full name / name of organization:
Victorians Institute

contact email:
thevictoriansinstitute@gmail.com



The Victorians Institute is excited to welcome you to Charlotte, NC on
October 22-23rd 2021 for our rebooted annual conference:
 
“Reflections/Refractions: Victorian(ist) Ways of Seeing." This conference seeks essays that explore how Victorians saw their world, how they depicted what they saw, and the ways that modern scholars, in turn, see the Victorians. Papers or panels on poetry, prose, nonfiction, biography, digital humanities, or visual art are welcome, as are presentations on the pedagogy and ethics of teaching Victorian literature (either during or not during a global pandemic).

For a full CFP, see
http://victoriansinstitute.org/cfp-for-vi-2020-in-charlotte-nc/



Deadline for Submissions: May 15th, 2021. Please send a 300-word abstract and 1-page c.v. to conference organizers Bonnie Shishko and Casey Cothran at thevictoriansinstitute@gmail.com (Word or PDF format). Individual proposals should include contact information. Panel proposals should include contact information for all participants, a synopsis of the panel, and abstracts for all papers.

Confirmed Keynote Speaker: Dr. Amy M. King, St. John's University

Covid-19 Update: The Omni Hotel and the Victorians Institute are working hard to follow Covid-19 precautions as outlined by the CDC and the NC State Governor. While we are confident we can provide a safe in-person conference experience, should you have a personal circumstance that requires you to participate virtually, opportunities will be available. Please feel free to communicate directly with the conference organizers if you have a concern.



Last updated March 16, 2021