Showing posts with label International Pearl-Poet Society. Show all posts
Showing posts with label International Pearl-Poet Society. Show all posts

Wednesday, September 10, 2025

CFP Session Sponsored by the International Peal-Poet Society (9/15/2025; Kalamazoo 2026)

Posted on behalf of the International Pearl-Poet Society:

I apologize for the lateness of this email, but as the deadline for paper proposals for ICMS 2026 approaches (Monday September 15), I want to make everyone aware that the International Pearl-Poet Society is sponsoring/co-sponsoring THREE paper sessions. You can view them on ICMS’s official “Call for Papers,” which is open for proposal submission. IPPS sessions can be accessed directly at: https://icms.confex.com/icms/2026/prelim.cgi/Index/SponsorList~International%20Pearl-Poet%20Society.



The titles of the sessions as well as information about delivery modes are as follows.

From Here to Eternity: Perspectives on Time in the Works of the Pearl-Poet [Virtual]

Time as an existential concept flows consistently through the poems of the Pearl-Poet. From the conversations of the Pearl Maiden and the Dreamer contrasting human existence and the bliss of eternal life in Heaven in Pearl to the relentless passing of (liturgical) time in Sir Gawain and the Green Knight, these poems audaciously juxtapose time and eternity, life and death, vigor and decline in its various narratives. Our session invites readers to explore some of the many facets of time pertinent to a late-medieval English poet and his audiences.

Geographies of the Pearl-Poet: Spaces and Places in the Corpus [Virtual]

The Pearl poems take place in strategically-chosen geographic locations and visionary landscapes. The biblical poems offer detailed descriptions of ancient world cities like Babylon and Nineveh, and the romance-world poems introduce conventional settings (eg. the court of King Arthur) as well as more esoteric spaces like the Wirral forest in SGGK or the visionary garden in Pearl. This session invites readers of the collected poems to engage the broader literary critical conversations around place, to acknowledge poetic setting as crucial to a deeper understanding of both poem(s) and poet in their medieval context.


Medieval Roots and Modern Branches: Medieval Texts and Tolkien's Works [Virtual]

This session is co-sponsored by the Pearl-Poet Society and Tolkien at Kalamazoo. We have offered virtual sessions together during the past four years. Members are currently working on a special issue of the journal Enarratio on ecological themes in the works of the Pearl-Poet and J.R.R. Tolkien. We would benefit from the opportunity to gather and present new ideas in a paper session. The focus on “Medieval Roots and Modern Branches” is particularly timely in light of the work being done on this special issue and on the reception of the theme represented in the “The Rings of Power” series on Prime and the recent release of the animated film set in Middle-earth, “The Ride of the Rohirrim.”



All paper proposals must be submitted through the ICMS website no later than 15 September 2025. While proposals must be submitted through the website to be considered, please feel free to reach out to me with any questions about sponsored sessions, the proposal submission process, session delivery modes, and so on.


Cordially,

Jonathan Juilfs

Vice President, International Pearl-Poet Society


Friday, May 9, 2025

Kalamazoo Report - More than The Green Knight: Exploring the Ongoing Tradition of Adapting and Appropriating Sir Gawain and the Green Knight (Hybrid)

We co-sponsored another great session today at Kalamazoo. My thanks to our chair, my fellow presenters, and our audience (both on-site and in Zoom).


More than The Green Knight: Exploring the Ongoing Tradition of Adapting and Appropriating Sir Gawain and the Green Knight (Hybrid)



60th International Congress on Medieval Studies

Western Michigan University (Kalamazoo, MI)


Session 247 (Sangren Hall 1320): Friday, 9 May, from 3:30-5:00 PM EDT

Principal Sponsoring Organization:

Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture

Co-Sponsoring Organization(s):

International Arthurian Society, North American Branch (IAS/NAB), International Pearl-Poet Society


Organizers: Michael A. Torregrossa, Bristol Community College; Joseph M. Sullivan, Univ. of Oklahoma; Amber Dunai, Texas A&M Univ.–Central Texas

Presider: Amber Dunai, Texas A&M Univ.–Central Texas



There Are Many Ways to the Green Chapel: Creating a Resource Guide to Adaptations of Sir Gawain and the Green Knight (Virtual)

Michael A. Torregrossa, Bristol Community College

Michael A. Torregrossa (he/him/his) is a graduate of the Medieval Studies program at the University of Connecticut (Storrs) and works as an adjunct instructor of writing and literature courses in both Rhode Island and Massachusetts. His research focuses on popular culture’s adaptation, appropriation, and transformation of literary classics, including the Arthurian legends. In addition to these pursuits, Michael is the founder of The Alliance for the Promotion of Research on the Matter of Britain (2000-) and The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture (2004-). He also serves as editor for these organizations' various blogs and as moderator of their discussion lists and leads the development of their conference activities. Besides this work, Michael is active in the Northeast Popular Culture/American Culture Association (a.k.a. NEPCA) and organizes sessions for their annual conference in the fall. Since 2019, Michael has been NEPCA’s Monsters and the Monstrous Area Chair, but he previously served as its Fantastic (Fantasy, Science Fiction, and Horror) Area Chair, a position he held from 2009-2018.


Not a Knight, but a Turtle: Looking at Children’s Media and Medievalism through Franklin and the Green Knight (Virtual)

Sam Lehman, Memorial University of Newfoundland

Sam Lehman is a PhD Candidate who studies Arthurian literature and popular culture on the Avalon Peninsula in Newfoundland, Canada; her thesis project looks at women and trauma in The Mists of Avalon and Le Morte Darthur.


“Finn is totally getting played:” Carnival Games and Imbalanced Knowledge in Adventure Time’s Adaptation of Sir Gawain and the Green Knight

Prudence J. Ross, Brown Univ

Prudence Ross is a PhD candidate at Brown University in the Department of English. Their work is focused on considering the ways in which poetry, affect, and memory relate to and produce one another in early modern and medieval texts. Prudence’s dissertation project, entitled Poetic Joinery: Remembering the Passion in Early Modern Poetry, examines how the image of the joint in its various contexts – bodily, architectural, and mechanical - are employed in devotional poetry towards establishing a deeply felt readerly memory of the Crucifixion.


In His Own Time, On His Own Terms: Neuroqueer Medievalisms in Jes Battis’s The Winter Knight (Virtual)

Miles Smith, Fordham University

Miles Smith is a PhD candidate in English at Fordham University. Their dissertation project focuses on rhetoric and nonnormative bodyminds in late medieval literature, with a particular emphasis on gender, animality, and disability. They use they/them pronouns.



Wednesday, August 21, 2019

Pearl-poet: Modern Connections, Adaptations, and Evolutions (9/1/19; Kalamazoo 5/7-10/2020)

The Pearl-poet: Modern Connections, Adaptations, and Evolutions @ ICMS 2020
https://call-for-papers.sas.upenn.edu/cfp/2019/07/15/the-pearl-poet-modern-connections-adaptations-and-evolutions-icms-2020

deadline for submissions:
September 1, 2019
full name / name of organization:
Ashley E. Bartelt / International Pearl-poet Society
contact email:
abartelt1@niu.edu

International Pearl-Poet Society

Call for Papers — ICMS 2020

The International Pearl-Poet Society is sponsoring five sessions and one co-sponsored session with the Medieval Association of the Midwest (MAM) at the 55th International Congress on Medieval Studies (May 7-10, 2020) at Western Michigan University, Kalamazoo, MI. One session is:



The Pearl-poet: Modern Connections, Adaptations, and Evolutions

As one of the more prominent poets from the fourteenth century, the Pearl-poet continues to captivate audiences with his nuanced and timeless narratives, inspiring centuries of writers and artists. This session will explore the resonances and continued relevance of this prominent poet’s work in modern renderings, films, stage productions, and other media.



We invite abstracts from scholars of all levels. Papers may deal with one or all poems by the Pearl- or Gawain-poet. Paper sessions will consist of either three 20-minute or four 15-minute presentations; all paper sessions will afford at least 30 minutes for discussion.

Please send your abstract (max. 300 words) and the completed Participant Information Form by 1 September 2019 to

Ashley E. Bartelt

Northern Illinois University

Dept. of English, Reavis Hall, Room 215

1425 W. Lincoln Hwy.

DeKalb, IL 60116

abartelt1@niu.edu



The other International Pearl-poet Society sessions for ICMS 2020 include:


  • The Final Frontier: Embodied Space in the Works of the Pearl-poet
  • Acceptance and Resistance: Emotional Tension in the Pearl-poet
  • In aventure þer mervayles meven: The Mystical Tradition in the Pearl-poet and Analogues
  • Form and Structure in MS Cotton Nero A.x. (A Roundtable)
  • Ain’t Misbehaving: Medieval English Women Who Do Good Work by Nefarious Means (co-sponsored with MAM)


For more information, see their individual CFPs on the University of Pennsylvania CFP site.