Showing posts with label Open-Access. Show all posts
Showing posts with label Open-Access. Show all posts

Tuesday, February 10, 2026

CFP Sports Medievalism - TSW Special Issue (3/31/2026)

Sports Medievalism - TSW Special Issue


deadline for submissions:
March 31, 2026

full name / name of organization:
The So What/Arthuriana

contact email:
thesowhatpub@gmail.com

source: https://call-for-papers.sas.upenn.edu/cfp/2026/02/07/sports-medievalism-tsw-special-issue


In athletics, athletes are often described as ‘throwing down the gauntlet’ when they record a particularly impressive jump, race, throw, indicating a raise in the competition stakes, a nod to their fellow competitors that they are the champion to beat. In the 2001 movie A Knight’s Tale, jousting enthusiasts are depicted like modern day sports fans, with Ulrich’s friends even singing a football chant in the pub.



The So What welcomes proposals for short (1500-3000 words), public-facing pieces engaging with sport and the medieval, with a planned online publication of early 2027. We welcome pieces that are critical, creative, or pedagogical and topics that engage with the relationship between sporting culture and medieval aesthetic, whether that’s through the use of the medieval in modern sports or sporting teams, the medieval history of a sport, or reenactment of medieval sporting competitions, and so on. We welcome a wide variety of topics, including but not limited to:

  • The use of medieval imagery in sporting culture/teams;
  • The revival of medieval sports or activities in the modern era;
  • The development/history of medieval sports and sporting competitions;
  • Depictions of medieval sport in media and popular culture;
  • The use of ‘medieval’ phrases and language in sport commentary and discourse.


Please send us your proposals by March 31, 2026. Style and submission guides are available on our site. Proposals and questions can be emailed to issue editor, Mairi Stirling Hill, at: mairi.hill@unimelb.edu.au



You can also view the CFP online here: https://docs.google.com/document/d/1N3ajj-fN02ozhR4eRXZzDz2ma-cfPqSB/edit?usp=sharing&ouid=111283483144674200251&rtpof=true&sd=true%C2%A0.



Last updated February 7, 2026


Sunday, August 3, 2025

Recent Book - Fantasy Aesthetics - Open-Access

transcript Verlag has recently published the open-access collection Fantasy Aesthetics: Visualizing Myth and Middle Ages, 1880-2020. Full details and access link at https://www.transcript-publishing.com/978-3-8376-7058-5/fantasy-aesthetics/.


Fantasy Aesthetics: Visualizing Myth and Middle Ages, 1880-2020

Hans Rudolf Velten / Joseph Imorde (Eds.)

4 July 2024, 264 pages

ISBN: 978-3-8376-7058-5

Fantasy novels are products of popular culture. They owe their popularity also to the visualization of medievalist artifacts on book covers and designs, illustrations, maps, and marketing: Castles on towering cliffs, cathedral-like architecture, armored heroes and enchanting fairies, fierce dragons and mages follow mythical archetypes and develop pictorial aesthetics of fantasy, completed by gothic fonts, maps and page layout that refer to medieval manuscripts and chronicles. The contributors to this volume explore the patterns and paradigms of a specific medievalist iconography and book design of fantasy which can be traced from the 19th century to the present.



Thursday, January 16, 2025

CFP Social Media and the Medieval - TSW Special Issue (2/28/2025)

Social Media and the Medieval - TSW Special Issue


deadline for submissions:
February 28, 2025

full name / name of organization:
The So What (Arthuriana's Public Humanities Project)

contact email:
thesowhatpub@gmail.com

source: https://call-for-papers.sas.upenn.edu/cfp/2024/12/02/social-media-and-the-medieval-tsw-special-issue


The So What welcomes proposals for short, public-facing pieces — whether critical, pedagogical, or creative — on social media accounts that engage with the medieval period for a special issue of TSW planned for on-line publication in 2025 or early 2026.



Whether it’s Instagram, Twitter (currently known as X), YouTube, TikTok, or other social media platforms, we’re interested in social media that engages with, or remediates, the medieval period on various subjects, including history, literature, manuscripts, animals, physical objects, etc. Some accounts may take a more straight forward, literal approach while others may utilize humor and parody. We are interested in pieces on any medieval-focused social media, with potential topics included, but not limited to:



- Intersections of social media and public humanities

- The role of social media within the digital humanities

- Social media and humor (obscure jokes, parody accounts, medieval camp, and more!)

- Social media’s role in academia

- Using social media in the classroom

- How social media does or does not expand the idea of the medieval beyond western Europe

- How social media reinforces and/or subverts periodization

- Intersection of social media and modern meme culture

- Critical readings of specific accounts and using medievalism to include or exclude

- Fama in the Internet Age

- Medieval (and Medievalist) Influencers



Full CFP also available here: https://docs.google.com/document/d/1i-E14ByShGSq2TQYRLWa4-695xsHo8H5/edi...



Last updated December 5, 2024

CFP ‘Getting Medieval’: Fantasy and the Middle Ages (2/3/2025; Spec Issue Messengers from the Stars)

Messengers from the Stars: On Science Fiction and Fantasy No. 8, 2025 [updated]


deadline for submissions:
February 3, 2025

full name / name of organization:
Messengers from the Stars

contact email:
mfts.journal@gmail.com

source: https://call-for-papers.sas.upenn.edu/cfp/2024/07/22/messengers-from-the-stars-on-science-fiction-and-fantasy-no-8-2025-updated

Messengers from the Stars is an international, peer-reviewed, open-access journal, offering academic articles, reviews, and providing an outlet for a wide range of creative work inspired by Science fiction and Fantasy. The 2025 issue will be dedicated to the following theme:

‘Getting Medieval’: Fantasy and the Middle Ages

Traditionally distinguished by the presence of supernatural or magical elements, otherworldly settings, epic quests and archetypal characters, Fantasy fiction has been an incredibly popular genre since its inception. Indeed, as highlighted by scholars like John Clute, much of world fiction “has been described, at one time or another, as fantasy” (337). Although Fantasy is sometimes perceived as a form of escapism and at other times as a legitimate fictional realm with its own internal logic, the influence of the Middle Ages has remained a constant element in the construction of Fantasy worlds. From the use of folklore, myths, medieval legends and sagas, different contemporary authors look to the past as a source of inspiration, adapting, transforming and rewriting narratives to not only suit contemporary tastes and ideals but also to mirror present-day anxieties and fears. The works of J. R. R. Tolkien, George R. R. Martin, Robin Hobb, Joe Abercrombie, Marion Zimmer Bradley or Juliet Marillier, among others, are good examples of how the Middle Ages have served to fire the imagination.

Bearing this in mind and acknowledging that Fantasy continues to expand and develop, offering a diverse array of narratives as well as endless possibilities for storytelling and creative exploration, in this number we are especially interested in how Fantasy fiction uses the medieval past to create storylines that resonate with contemporary audiences across geographic, linguistic, cultural and political boundaries. We consider Fantasy in broader terms, including literature, cinema, television, comics/graphic novels, video games, music, etc., and are especially interested in submissions that expand the fields of knowledge and landscapes represented in the journal.

Possible topics may include, but are not limited to:
  • Arthuriana in Fantasy;
  • Female Agency in Medieval Fantasy;
  • Fantasy and the Global Middle Ages;
  • Heroism and Monstrosity in Fantasy;
  • Medieval Emotions in the Fantasy Genre;
  • Medieval Spaces and Places in Fantasy;
  • Medievalism, Neomedievalism and Fantasy;
  • (Mis)Perceptions of the “Medieval” and the “Middle Ages” in Works of Fantasy;
  • Which Middle Ages is it? – Identity in Fantasy.

Submissions, between 4000 and 6000 words in English, must be sent to mfts.journal@gmail.com by February 3, 2025. The authors will be notified by the end of March, 2025.

In addition, you can propose a book or film review. We welcome book and film reviews on current science fiction and fantasy research and PhD dissertations. Reviews should be between 500 to 1,000 words. Longer reviews, e.g. dealing with more than one book, must be agreed upon with the Editorial Board.

Books available for review:

Kotsko, Adam. LATE STAR TREK: The Final Frontier in the Franchise Era. University of Minnesota Press, 2025. ISBN 978-1-5179-1910-8
Lapoujade, David. Worlds Built to Fall Apart: Versions of Philip K. Dick. Trans. by Erik Beranek. University of Minnesota Press, 2024. ISBN 978-1-5179-1461-5.

If you wish to review a title which is not in the list, then please email the Editors directly with your suggestion, as we do consider all requests for recent and forthcoming titles, especially from publishers already listed. If the book or film you wish to review is more than 3 years old, then you would need to demonstrate its significance to its field for it to be considered.

All submissions must follow the journal’s guidelines available here: https://messengersfromthestars.letras.ulisboa.pt/journal/submission-guid....


Last updated January 14, 2025

Tuesday, August 8, 2023

New Scholarship - The Year’s Work in Medievalism 35-36

Issues 35 and 36 of YWIM are out!

Posted on July 27, 2023 by lhaught

source: https://medievalisms.org/issues-35-and-36-of-ywim-are-out/.

The editors of The Year’s Work in Medievalism are delighted to announce the publication of volume 35.36 (2020-2021), a double issue. YWiM is the ISSM’s own peer-reviewed open access scholarly journal. The new volume represents work completed during the COVID-19 lockdown years, and so YWiM 35.36 contains: a pedagogy cluster; articles that discuss form, media, and medievalism; and a posthumous article by Alicia McKenzie (1976-2022), which we hope serves as a lasting memorial to her life and work. We encourage you to visit https://ywim.net/ to read and enjoy innovative medievalism scholarship.