Showing posts with label Historical Fiction. Show all posts
Showing posts with label Historical Fiction. Show all posts

Friday, August 18, 2023

CFP Vikingism: Viking-Age Scandinavians in Modern British and North American Media (9/15/2023)

Vikingism: Viking-Age Scandinavians in Modern British and North American Media


deadline for submissions:
September 15, 2023

full name / name of organization:
Johanna Hoorenman & Tom Grant, Utrecht University

contact email:
j.e.m.hoorenman@uu.nl



CFP: Edited volume on Vikingism: Viking-Age Scandinavians in Modern British and North American Media

Vikings — their history, traditions, mythology and material culture — have taken contemporary media by storm. Popular culture is awash with Viking tropes and themes which have generated explosive interest in cinema, television, video games, music, literature, genre fiction and comics. This volume aims to provide a ground-breaking and innovative understanding of twentieth- and twenty-first century Vikingism. We are inviting scholars with relevant expertise to contribute essays which address any of the following questions:
  • What contemporary culture wars are being fought on Viking battlefields?
  • What are the main trends in the recent depictions of Vikings on screen, in video games and in literature, and what do these cultural products communicate to their audiences?
  • How have Vikings been used as a trope for British and American narratives of cultural heritage, social values, nationalism and/or Christianity? How have Viking tropes developed across popular and artistic genres and media?
  • What socio-cultural developments in Britain and North American are driving the recent surge of interest in the Viking Age?

We are interested in all media genres aimed at the British and American markets, popular and literary, including but not limited to
  • British historical fiction, including Bernard Cornwell’s The Saxon Stories and their Netflix adaptation The Last Kingdom
  • American historical (pulp) novels including Edison Marshall’s The Viking (1951) and West with the Vikings (1962)
  • AS Byatt’s Ragnarök, Joanne M Harris’ Gospel of Loki and Runemarks series
  • Children’s / YA literature, including John Flanagan’s Brotherband Chronicles and Cressida Cowell’s How to Train your Dragon series
  • Comic books: Marvel’s Thor and their screen adaptations
  • Games, including: Skyrim, Assassin’s Creed: Valhalla
  • History Channel’s Vikings and Vikings: Valhalla
  • Feature films including The Vikings (1958), Erik the Viking (1989), The Northman (2022)
  • Fantasy fiction, including Neil Gaiman’s Sandman, American Gods, Norse Mythology
  • Popular romance fiction, including queer romance and trans identities
  • Music

Please submit an abstract (max. 300 words) and a short biography (max. 150 words)to both of the editors, Johanna Hoorenman (j.e.m.hoorenman@uu.nl) and Tom Grant (t.o.grant@uu.nl) by 15 September 2023.



Last updated July 28, 2023

Thursday, August 19, 2021

CFP Medievalism and Genre: Science Fiction, Fantasy, and Historical Fiction (9/15/21; Kalamazoo 2022)

Posted on behalf of the organizers (from the ISSM list):


Session Title: Medievalism and Genre: Science Fiction, Fantasy, and Historical Fiction (Session ID: 2862)

ISSM-sponsored session at ICMS 2022

The “flavor” of many creative medievalisms shifts radically from genre to genre, yet these changes have largely been considered within the home genre and mode of the text in question – for example, a historical romance novel might be explored within the contexts of historical fiction or the romance novel genre, but not as a subset of medievalism. This panel seeks to upend those norms by considering medievalism as the broad umbrella category and exploring texts that play with genre, or texts working within a specific genre, for example the forthcoming film Sir Gawain and the Green Knight (2021). 

We invite proposals that explore the influence of the genres of science fiction, fantasy, and historical fiction upon medievalism, whether the field overall or in specific works (of any medium or mode). For example, how might romances like Sir Gawain and the Green Knight change meaning in a new genre, such as science fiction or fantasy? Proposals might consider specific texts, or ask broader questions including: how do speculative genres influence, restrict, or expand the potential of medievalism, or change the types of stories told? Where does genre cross over with medievalism?

Submissions of 250-300 WORDS should be made via the ICMS Confex system https://icms.confex.com/icms/2022am/cfp.cgi no later than Wednesday 15 September 2021.  If you have questions, please contact vjohnso6@montevallo.edu.