Tuesday, July 27, 2021

CFP Disney and the Middle Ages (9/15/21; Kalmazoo 5/9-14/2022)

Posted on behalf of the organizer:


Call for Papers 

57th International Congress on Medieval Studies 

May 9–14, 2022, online 

Disney and the Middle Ages




Description 

The Walt Disney Company's films, theme parks, and other media are full of people and places coded as medieval, from the Magic Kingdom's castles and fairies to the kingdom of  Arendelle in the Frozen films. This session invites papers that examine medievalism in Disney entertainment from a variety of disciplinary and critical perspectives. Papers about Disney’s recently acquired franchises (such as Star Wars, Pixar, and the Marvel Cinematic Universe)  are also encouraged. 

Organizer 

Joshua T. Parks, Princeton Theological Seminary (joshua.t.parks@gmail.com

Please submit a 250–word abstract at the ICMS website (https://wmich.edu/medievalcongress/call/) by September 15, 2021. 



CFP Public Medievalism and Academic Activism in the Face of White Nationalist (Mis)appropriations (9/15/21; Kalamazoo 5/9-14/2022)

 CFP: Public Medievalism and Academic Activism in the Face of White Nationalist (Mis)appropriations


Sponsored by the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture.

Chair: Richard Fahey

For the 57th International Congress on Medieval Studies hosted by Western Michigan University in Kalamazoo, Michigan.

Online Conference: 9-14 May 2022.

Proposals:

The process for proposing papers for the 57th Congress (live on the internet May 9-14, 2022) uses an online submission system powered by Confex. The deadline for proposals is Wednesday, Sept. 15.

Paper proposals comprise the proposed paper's title; the answers to questions about social media and live recording; name, affiliation, and contact information for the author(s); an abstract (300 words) for consideration by session organizer(s); and a short abstract (50 words) for public view on the meeting site, should the proposal be accepted.


Session Description:

As medievalists in an era of rising white nationalism in both the United States and Europe, we have become increasingly aware of the many ways medieval studies and medievalism has been and is actively being appropriated by organizations who espouse and uphold fallacious and ahistorical white supremacist narratives. It is our job as specialists in the field to act swiftly and decisively in our roles as public medievalists and educators to help combat the nefarious spread of misinformation about the medieval period especially online and via social media. Medieval symbolism and subject matter, especially relating to “Anglo-Saxon” England, the Viking Age, and the Crusades, have been recast as symbols of whiteness and mobilized for their erroneous presentations of medieval Europe as fiercely and intentionally homogenous. Some of the most horrific and egregious examples of misappropriating medieval studies were displayed at the “Unite the Right” rally in Charlottesville, VA (8/12/2016) and during the insurrection at the Capitol Building in Washington, DC (1/6/2021).

This raises a related but similarly important question: how have medievalism (whether in fantasy or historical fiction) and modern adaptations of medieval literature and history contributed to these problematic narratives? Helen Young has observed “habits of whiteness” within fantasy literature and modern medievalism, which correspond to current trends in white nationalist rhetoric. This session intends to call attention to the ways in which medievalism reproduces and reinforces, often unwittingly, noxious white supremacist rhetoric in these fictive representations of an imaginary “pure white” medieval period that never existed.

We invite papers that either call attention and critique medievalism and fantasy literature which fall into this category or papers which highlight (often lesser-known works of) medievalism and fantasy literature which problematize these narratives by including, incorporating, or otherwise depicting more historically attuned representations of what scholars rightly describe as the global Middle Ages. We also hope that a collection of essays will result from this session.


Please submit proposals for this session through the Confex system for approval, and send any questions related to the session to the organizer, Richard Fahey, at rfahey@nd.edu

More information about the conference can be found at https://wmich.edu/medievalcongress.

Further information about the session sponsors may be found at https://medievalinpopularculture.blogspot.com/.

Saturday, July 24, 2021

CFP Modern Iberian (Neo)Medievalisms in Postcolonial Contexts and Diaspora (9/15/21; ICoMS 5/9-14/2022)

 From the ISSM listserv:


CFP: Modern Iberian (Neo)Medievalisms in Postcolonial Contexts and Diaspora


57th International Congress on Medieval Studies

Western Michigan University, Kalamazoo

May 9-14, 2022 (Virtual)


Sponsored by La corónica: A Journal of Medieval Hispanic Languages, Literatures & Cultures


This panel welcomes papers from scholars working on the use and transformation of the medieval past in a variety of contexts in the Hispano- and Lusophone worlds beyond Iberia, from Latin America and the Philippines to the Sephardic and morisco diasporas in the Mediterranean and beyond.


Submissions due by September 15th:

https://wmich.edu/medievalcongress/call 


Contact: Rebecca De Souza, University of Oxford

rebecca.desouza@hertford.ox.ac.uk  



Best wishes,


Rebecca


___


Rebecca De Souza

DPhil Candidate in Spanish

Hertford College, the University of Oxford

rebecca.desouza@hertford.ox.ac.uk


Friday, July 23, 2021

CFP Ninth Annual Symposium on Medieval and Renaissance Studies (12/31/21; St Louis 6/20-22/2022)

 CALL FOR PAPERS

Ninth Annual Symposium on Medieval and Renaissance Studies

June 20-22, 2022

Saint Louis University

Saint Louis, Missouri

Source: http://www.themedievalacademyblog.org/call-for-papers-ninth-annual-symposium-on-medieval-and-renaissance-studies-2/.


The Ninth Annual Symposium on Medieval and Renaissance Studies (June 20-22, 2022) will be held in person in beautiful Saint Louis, Missouri. This summer venue in North America provides scholars the opportunity to present papers, organize sessions, participate in roundtables, and engage in interdisciplinary discussion. The goal of the Symposium is to promote serious scholarly investigation into all topics and in all disciplines of medieval and early modern studies.


The plenary speakers for this year will be David Abulafia, of Cambridge University, and Barbara Rosenwein, of Loyola University, Chicago.


The Symposium is held annually on the beautiful midtown campus of Saint Louis University. On campus housing options include affordable, air-conditioned apartments as well as a luxurious boutique hotel. Inexpensive meal plans are also available, although there is a wealth of restaurants, bars, and cultural venues within easy walking distance of campus.


While attending the Symposium, participants are free to use the Vatican Film Library, the Rare Book and Manuscripts Collection, and the general collection at Saint Louis University’s Pius XII Memorial Library.


The Ninth Annual Symposium on Medieval and Renaissance Studies invites proposals for papers, complete sessions, and roundtables. Any topics regarding the scholarly investigation of the medieval and early modern world are welcome. Papers are normally twenty minutes each and sessions are scheduled for ninety minutes. Scholarly organizations are especially encouraged to sponsor proposals for complete sessions.


The deadline for all submissions is December 31, 2021. Late submissions will be considered if space is available. Decisions will be made in January and the final program will be published in February.


For more information or to submit your proposal online go to: https://www.smrs-slu.org/.


Wednesday, July 14, 2021

CFP Playing Robin Hood: Theatricality in the Robin Hood Tradition (9/1/21; ICoM 5/9-14/2022)

On behalf of Dr. Lorraine K. Stock:


CFP: 57th International Congress on Medieval Studies at Kalamazoo, MI, USA, which will take place FULLY VIRTUALLY from 9th May to 14th May 2022.


PLAYING ROBIN HOOD: THEATRICALITY IN THE ROBIN HOOD TRADITION


This session is sponsored by the International Association for Robin Hood Studies.

From its inception, the Robin Hood tradition has incorporated aspects of the theatrical, including: early plays about Robin Hood performed at May games, Whitsun ales, and Robin Hood Revels; Early Modern drama about the outlaw; 18th-19th-century sung broadside ballads, Christmas plays, and operas; modern dramatic pieces; staged depictions of the outlaw in 19th-20th-century operas, pantomimes, burlesques; even 20th-21st-century films (watched in theaters) that employ elements of music and stagecraft. This session seeks 3-4 papers that explore any aspect(s) of how the theatrical has been employed to deliver the Robin Hood tradition to audiences.

The abstract should be 250 words. Indicate whether there will be supporting visuals.



Please send the abstract for your proposed paper by 1st September 2021 to

Lorraine K. Stock

University of Houston

lstock@uh.edu



CFP Neomedievalist Images and the Robin Hood Tradition (9/1/21; ICoM 5/9-14/2022)

 On behalf of Dr. Anna Czarnowus:


CFP: 57th International Congress on Medieval Studies at Kalamazoo, MI, USA, which will take place FULLY VIRTUALLY from 9th May to 14th May 2022.


NEOMEDIEVALIST IMAGES AND THE ROBIN HOOD TRADITION


This is a session sponsored by the International Association for Robin Hood Studies.


Neomedievalism is understood as ideas or concepts that are detached from the historical Middle Ages, but are nonetheless seen as of medieval origin. The Robin Hood tradition has long inspired neomedievalist imagery: for example, the idea that medieval outlaws protected women and children. Such images are not confirmed by history or the literary Robin Hood texts. Neomedievalist ideas inspired by the Robin Hood tradition can be found in film, children’s literature, and other media. We seek paper proposals that address the question of how the medieval is reworked in such imagery and images.


The abstract should be in 250 words.


Please send the abstract for your paper proposal by 1st September 2021 to Dr. Anna Czarnowus at: annaczarnowus@tlen.pl


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