Saturday, April 1, 2023

CFP Reading Tolkien in the 21st Century Conference (4/15/2023; 9/7-8/2023)


Reading Tolkien in the 21st Century


deadline for submissions:
April 15, 2023

full name / name of organization:
University of Bonn

contact email:
middle-earth@uni-bonn.de

source: https://call-for-papers.sas.upenn.edu/cfp/2023/02/28/reading-tolkien-in-the-21st-century


CALL FOR PAPERS

Reading Tolkien in the 21st Century

(7–8 September, 2023 – University of Bonn, Germany)


On 2 September 1973, one of the most famous and beloved authors of fantasy literature passed away. Fifty years after J.R.R. Tolkien’s death, his works continue to resonate with readers and scholars alike and to be debated from all sorts of angles. Especially the portrayal of gender and concepts of race have been discussed increasingly critically, while scholars interested in ecocriticism are intrigued by Tolkien’s tributes to trees and nature in general. His novels The Hobbit (1937) and The Lord of the Rings (1954-55) are considered milestones in the history of the genre and have given rise to very popular filmic adaptations. Middle-earth and its denizens are still ubiquitous in today’s popular culture, be it in fan fiction, role playing games or memes. The recent Amazon production The Rings of Power (2022) seeks to expand the fictional world created by Tolkien. Even though Tolkien’s works have already been examined from many different angles and theoretical vantage points, we believe that there is more to explore and to discuss. Thus, to commemorate Tolkien and to foster the ongoing discussion of his literary legacy, we invite proposals for 20-minute papers for a conference dedicated to the author’s works. The conference will take place at the University of Bonn (Germany) on 7 and 8 September, 2023. Papers may address any aspect of Tolkien’s works or his legacy, but we invite especially contributions that

• explore new facets of his literary texts, including lesser-known writings such as Farmer Giles of Ham, Smith of Wooton Major, or Roverandom, or

• compare Tolkien’s works with those of other (earlier, contemporary or later) fantasy authors and thus contribute to clarifying the role played by Tolkien in the history of fantasy as a genre.

Please, send proposals of approx. 250 words (including your full name and affiliation) by 15 April, 2023 to middle-earth@uni-bonn.de. Selected papers will be published in an edited volume.

Organisers:
Prof. Dr. Marion Gymnich, Dr. Klaus Scheunemann, Denise Burkhard, M.A., Franziska Rakebrandt, M.A., and Constanze Wessel, M.A. (Department of English, American and Celtic Studies, University of Bonn)



Last updated March 2, 2023

CFC/ To Play the Queen: Historical Royal Women on Stage and Screen (6/5/2023)

CFC/ To Play the Queen: Historical Royal Women on Stage and Screen


deadline for submissions:
June 5, 2023

full name / name of organization:
N/A

contact email:
toplaythequeen@gmail.com

source: https://call-for-papers.sas.upenn.edu/cfp/2023/03/08/cfc-to-play-the-queen-historical-royal-women-on-stage-and-screen


I am seeking proposals for essays to be included in a proposed volume exploring conceptualizations and representations of Queenship as a dramatic role or performance. In bringing together essays from different disciplinary perspectives, that focus on particular Queen or a group of them, on particular actors or other aspects of performance the volume aims to create a clearer picture of what it has meant to ‘play the part’ of Queen at different times, in different places, and across different media and contexts to shed light on the ways in which the office of Queenship in practice in real historical situations has been culturally understood, interpreted and re-interpreted. Please note that the definition of ‘Stage’ and ‘Screen’ can be broad encompassing amateur and professional performances, formal and informal spaces of performance including but also beyond theatre, film and tv. Although the interpretation of ‘Queen’ could include broader definitions such as princesses, duchesses, or other female political leaders, the ‘Queen’ portrayed must be an historical rather than purely fantastical figure. Topics might include, but are not necessarily limited to,
  • Portrayal of a particular Queen/pair/group of Queens in drama from the point of view of the written part or of particular performances
  • Censorship and portrayal of a Queen
  • Different portrayals of the same Queen
  • Comparison of a single actor’s performances as multiple different Queens
  • A Queen as a ‘signature’ part
  • A Queen as a rite-of-passage role/career-defining/award-winning part
  • The use of ‘star-power’ in portraying Queens
  • Queens who are missing from significant portrayals of historical events
  • Why some Queens are very popular whilst others are underrepresented
  • Particular characteristics portrayed in performances of Queens
  • Popular creation of Queens – Queens in civic or community pageantry/ as role-play part in Reenactment or LARP or historically set computer games/ as characters of fanfictions
  • Casting decisions and controversies
  • Dimensions of age/race/gender etc in casting and portrayals
  • Dressing up as historical queens, amateur/professional, modelling for still portrayals on canvas or film, advertising, fashion displays or tableaux vivantes etc.
  • The use of costume to further or enhance a representation
  • International performances and audiences of particular nations histories
  • Streaming services such as Netflix’s introducing ‘new’ historical Queens to new audiences
  • Adaptations of literary portrayals of Queens
  • Different Queens written by the same author/dramatist
  • Queens as parts in amateur performance
  • Costumed interpretation of Queens at historical or educational sites

Proposals of c350-500 words should be sent to Sarah Betts at toplaythequeen@gmail.com by 5th June 2023. I am also happy to answer any enquiries or discuss ideas about the project in advance of this date.


Last updated March 8, 2023

CFP Medievalisms Area at SWPACA Summer Salon (4/15/2023; online 6/8-9/2023)

We hate to discourage new and exciting opportunities (especially virtual events), but I am posting this with the suggestion that potential presenters review the registration rates before submitting a proposal. Rates are over $100 for a 2-day, online event. Full details at the SWPACA site are at this link



Medievalisms Area at SWPACA Summer Salon


deadline for submissions:
April 15, 2023

full name / name of organization:
Southwest Popular/American Culture Association (SWPACA)

contact email:
adunai@tamuct.edu

source: https://call-for-papers.sas.upenn.edu/cfp/2023/03/19/medievalisms-area-at-swpaca-summer-salon



Call for Papers


Medievalisms Area


Southwest Popular / American Culture Association (SWPACA)


SWPACA Summer Salon




June 8 & 9, 2023

Virtual Conference

http://www.southwestpca.org

Submissions open on March 18, 2023

Proposal submission deadline: April 15, 2023



Proposals for papers are now being accepted for the SWPACA Summer Salon. SWPACA offers nearly 70 subject areas in a variety of categories encompassing the following: Film, Television, Music, & Visual Media; Historic & Contemporary Cultures; Identities & Cultures; Language & Literature; Science Fiction & Fantasy; and Pedagogy & Popular Culture. For a full list of subject areas, area descriptions, and Area Chairs, please visit http://southwestpca.org/conference/call-for-papers/



The Medievalisms area invites paper and session proposals on any and all topics relevant to medievalism, which is described by Tison Pugh and Angela Jane Weisl in Medievalisms: Making the Past in the Present (2013) as “the art, literature, scholarship, avocational pastimes, and sundry forms of entertainment and culture that turn to the Middle Ages for their subject matter or inspiration, and in doing so…comment on the artist’s contemporary sociocultural milieu” (1). Medievalism can be approached in many ways, including in terms of media (e.g., literature, architecture, cinema, music, games), chronology (e.g., Early Modern, Romantic, Victorian), geography, and from any number of disciplinary and interdisciplinary perspectives (e.g., cultural studies, media studies, race and ethnic studies, gender and queer studies). Presentations that engage with current conversations in the field are particularly welcome.



Examples of topics relevant to the Medievalisms area include (but are not limited to): 
  • Literary Medievalisms
  • Cinematic Medievalisms
  • Medievalisms in Art, Architecture, Music, and Performance
  • Medievalisms in Gaming, LARPing, and Role-Playing
  • Medievalisms of Place and Space
  • Gender, Sexuality, Race, Ethnicity, Class, etc. in Medievalisms
  • Global Medievalisms
  • Queer Medievalisms
  • Political Medievalisms
  • Medievalisms in the Classroom



All proposals must be submitted through the conference’s database at http://register.southwestpca.org/southwestpca



For details on using the submission database and on the application process in general, please see the Proposal Submission FAQs and Tips page at http://southwestpca.org/conference/faqs-and-tips/ Registration information for the conference will be available at http://southwestpca.org/conference/conference-registration-information/



Individual proposals for 15-minute papers must include an abstract of approximately 200-500 words. Including a brief bio in the body of the proposal form is encouraged, but not required.



If you have any questions about the Medievalisms area, please contact its Area Chair, Amber Dunai, at adunai@tamuct.edu. If you have general questions about the conference, please contact us at support@southwestpca.org, and a member of the executive team will get back to you.



We look forward to receiving your submissions!


Last updated March 24, 2023