Thursday, June 27, 2024

CFP J.R.R. Tolkien & Children’s Literature (9/15/2924; Special Issue of Children’s Literature Association Quarterly)

J.R.R. Tolkien & Children’s Literature


deadline for submissions: September 15, 2024

full name / name of organization: Children's Literature Association Quarterly

contact email: jtthomas@sdsu.edu

source: https://call-for-papers.sas.upenn.edu/cfp/2024/06/20/jrr-tolkien-children%E2%80%99s-literature


CFP: J.R.R. Tolkien & Children’s Lit


A Special Issue of Children’s Literature Association Quarterly

Joseph T. Thomas, Jr., Guest Editor

San Diego State University



The deadline for submissions to this special issue is September 13, 2024.

J.R.R. Tolkien is best known for his seminal fantasy novel The Lord of the Rings. Even his renowned children’s book, The Hobbit, is primarily considered an “Enchanting Prelude to The Lord of the Rings” (a sentiment often rehearsed on the covers of most paperback editions of the work). This special issue of the Children’s Literature Association Quarterly, however, asks us to put aside The Lord of the Rings and focus instead on those works that might be called “minor”—and specifically those works made for minors: Tolkien’s unfortunately neglected children’s books (including The Hobbit, Letters from Father Christmas, Mr. Bliss, and Roverandom) as well as his playful visual art and many children’s poems (a good number of the latter eventually published in The Adventures of Tom Bombadil). Of course, we’re especially interested in scholarship and criticism exploring the first edition of The Hobbit, a novel that, while borrowing some names from Tolkien’s inchoate Silmarillion and Lost Tales, was originally conceived and published as a children’s story set outside of the mythos that he would eventually fold into the revised second edition and its influential sequel. Additionally, we’re hoping for scholarship and criticism treating Tolkien’s folk and fairy tales (such as “Leaf by Niggle” and Smith of Wootton Major, Farmer Giles of Ham and “The Sellic Spell”), those marginal texts resting on the borders between children’s literature and faerie.

Finally, we are curious to see scholarship examining Tolkien’s conception(s) of childhood and the influence children’s literature and “the rhetoric of childhood” have had on Tolkien’s writings (see Lois Kuznets’ “Tolkien and the Rhetoric of Childhood”). What a wonder to receive a piece placing Edward Wyke-Smith’s The Marvellous Land of Snergs in conversation with Roverandom and/or Mr. Bliss. That is, we encourage submissions investigating the question of influence—especially on Tolkien’s conception of children’s literature (including his thoughts on illustration and book design, both practical and theoretical). One can imagine critical reappraisals of the first edition of The Hobbit in relation to the work of Lewis Carroll, Jacob and Wilhelm Grimm, Andrew Lang, George MacDonald, William Morris, Edith Nesbit, or even Snorri Sturluson (among many others).

Which is to say, we are not looking for work that engages The Lord of the Rings, The Silmarillion (as published), or the wider Legendarium informing both (including, for the most part, Christopher Tolkien’s magisterial twelve-volume The History of Middle-earth).

All theoretical approaches are welcomed, as are works that challenge the conventions of the scholarly essay: collaborative pieces; works that blur the line between the personal essay and academic paper; performance works; interviews; comics; short plays; essays in verse; short papers (notes and queries) or micro essays; really, the sky’s the limit. However, we do suggest that formally innovative and unconventional submissions make clear—perhaps in a short preface—how their form informs or illuminates the arguments being made.

That said, traditional academic articles submitted for publication should shoot for approximately 20-30 pages and conform to MLA style. We follow the bibliographical format specified in the eighth edition of the MLA Handbook, omitting the designations “Print” and “Web,” but including URLs when appropriate. Please send completed essays by e-mail attachment in Microsoft Word or Rich Text Format to chlaquarterly@cmich.edu & jtthomas@sdsu.edu. In your subject line, flag your message with Tolkien Special Issue. Submissions should follow the ChLAQ submission guidelines found at https://www.childlitassn.org/chla-quarterly. (Note: please anonymize the essay itself—that is, remove words and phrases that clearly identify the author[s]—so we can immediately send the work to peer reviewers.)

Last updated June 24, 2024

CFP Robin Hood: The Legend in Social-Cultural and Political Contexts (7/7/2024; SEMA Augusta, GA 10/10-12/2024)

Sharing on behalf of the organizers:

Robin Hood: The Legend in Social-Cultural and Political Contexts

International Association for Robin Hood Studies
Call for Papers
2024 Conference of the Southeastern Medieval Association
10-12 October, Augusta College, Augusta, Georgia

The Robin Hood/Greenwood legend has endured for over 500 years, largely because of its mutability. As social-cultural and political climates change, Robin and Marian and the legend shift accordingly, sometimes in seemingly extreme directions. From the late 15th-early 16th-century Gest of Robyn Hood to the Late Medieval and Early Modern ballads and plays; to the folklore enthusiasts and the plays, poems, and episodic 19th-century novels; to the 20th-century’s plethora of novels, children’s books, movies, television programs, comics, and games; to the 21st-century’s novels, films, and streaming video: Robin and Company have been yeoman outlaws, aristocratic outlaws, outlaws who help the poor and oppressed, outlaws who seek to help restore traditional government, outlaws who seek to help create a more equality-based government, outlaws who protest foreign wars, outlaws who participate in foreign wars. They can be congenial, aloof, intense, detached. Their Greenwood homes range from forest floor to treehouse community. Their numbers include men, women, and even children of an increasingly wide variety of races, ethnicities, and religions. They may appear medieval, somewhat medieval, early modern, modern, or a bewildering mix of times and places. They inhabit not only England, but Scotland, Wales, and the United States, among other places.
What social-cultural or political climate changes might influence one or more of these expressions of the Greenwood legend?

In keeping with the 2024 conference theme of the Southeastern Medieval Association (SEMA), “Climate,” the International Association for Robin Hood Studies invites paper proposals for a session titled “Robin Hood: The Legend in Social-Cultural and Political Contexts.” SEMA 2024 will be in-person in Augusta, Georgia, 10-12 October. 

Please send a 150- to 250-word abstract or proposal on any aspect of social-cultural and/or political climate and the Greenwood legend or various aspects thereof to Sherron Lux at sherron_lux@yahoo.com by Sunday 7 July 2024, with any technology requests.

Friday, June 21, 2024

CFP Studies in Medievalism 35: Medievalism in Theory (6/1/2025)

Sharing on behalf of the editor:

CALL FOR PAPERS

STUDIES IN MEDIEVALISM XXXV: MEDIEVALISM IN THEORY


At one time or another, Jacques Derrida, Michel Foucault, and many other stars of late twentieth- or early twenty-first-century theory built at least a portion of their approach on medieval examples. Indeed, quite a few of those scholars, such as Umberto Eco and Hans Jauss, began their career as students of the Middle Ages. We are therefore invited to ask why medievalism played such a prominent role in these developments. Of all the possible past and/or imaginary milieux on which these approaches could have been built, why the Middle Ages? And to the degree that these scholars have referenced specific aspects of that era, why did they do so? What did those particular references bring to theory and how have they impacted its development? Moreover, how has that development commented on those references and perhaps on the Middle Ages as a whole, not to mention Medieval Studies and Medievalism Studies? How has it informed our understanding of what we study and what we do? 

Studies in Medievalism, a peer-reviewed print and on-line publication, is seeking not only feature articles of 6,000-12,000 words (including notes) on any postmedieval responses to the Middle Ages, but also 3,000-word essays that respond to one or more of these questions. Applicants are encouraged to give particular examples, but submissions, which should be sent in English and Word to Karl Fugelso at kfugelso@towson.edu by 1 June 2025, should also address the implications of those examples for the discipline as a whole. 

(Note that priority will be given to papers in the order they are received and submissions that have not been translated into fluent English will not be considered.)

Tuesday, June 18, 2024

New Book - Medievalisms in a Global Age

Just released. Looks like a great resource.

Medievalisms in a Global Age

Edited by Angela Jane Weisl and Robert Squillace


Full details, preview, and ordering information at https://boydellandbrewer.com/9781843847038/medievalisms-in-a-global-age/.


TITLE DETAILS

282 Pages

23.4 x 15.6 cm

3 graphs and 3 b/w illus.

Series: Medievalism

Series Vol. Number: 27

Imprint: D.S.Brewer

July 2024


DESCRIPTION

Discusses contemporary medievalism in studies ranging from Brazil to West Africa, from Manila to New York.


Across the world, revivals of medieval practices, images, and tales flourish as never before. The essays collected here, informed by approaches from Global Studies and the critical discourse on the concept of a "Global Middle Ages", explore the many facets of contemporary medievalism: post-colonial responses to the enforced dissemination of Western medievalisms, attempts to retrieve pre-modern cultural traditions that were interrupted by colonialism, the tentative forging of a global "medieval" imaginary from the world's repository of magical tales and figures, and the deployment across borders of medieval imagery for political purposes. The volume is divided into two sections, dealing with "Local Spaces" and "Global Geographies". The contributions in the first consider a variety of medievalisms tied to particular places across a broad geography, but as part of a larger transnational medievalist dynamic. Those in the second focus on explicitly globalist medievalist phenomena whether concerning the projection of a particular medievalist trope across borders or the integration of "medieval" pasts from different parts of the globe in a contemporary incarnation of medievalism. A wide range of topics are addressed, from Japanese manga and Arthurian tales to The O-Trilogy of Maurice Gee, Camus, and Dungeons and Dragons.


CONTENTS

Introduction: Medievalisms: Local Spaces and Global Geographies

Part I: Local Spaces

1. Metamorphosis Metamorphosed: Fox Daemon, (Anti-)Colonialism, and Global Medievalism in Ken Liu's 'Good Hunting' - Minjie Su

2. The Medievalist Simulacra of Kafka's The Castle in Graphic Adaptations - Elizabeth Allyn Woock

3. Mangaesque Knights: Japan's Path to Global Medievalism - Maxime Danesin & Manuel Hernández-Pérez

4. The Good, the Bad, and the Ugly in Maurice Gee's The O Trilogy - Anna Czarnowus

5. Trading a Bow for a Machine Gun: Robin Hoods, Nationalism and the Personas of Philippine Politics - Stefanie Matabang

6. Tropical Templars? Medievalism and Pseudohistory in Brazil's Largest City - Luiz Guerra

7. Plague Temporality and Chronicle in Camus's La peste - Sara Torres

8. The Griot in Sunjata: A Paradigmatic Herald of an Afrofuturistic Messianic Age - Joseph Osei-Bonsu

9. Toward a Place-Based, North Pacific Medieval Studies: Medievalism, Pedagogy, Indigeneity - Daniel T. Kline

Part II: Global Geographies

10. Revolt: "Peasants" and Protest in the Twenty-First Century - Matthias D. Berger

11. "Taking a Step Back into the Thirteenth Century": Reading the Globe through a Medieval Lens: In the Footsteps of Marco Polo - Kara L. McShane

12. A Pinch of Flour, a Cup of Tall Tales, and one Khaleesi: Getting Medieval Across Time and Space - Meriem Pagès

13. The Boys Are Back in Town: Capital One's Propagandic Commercials for Alt-Right Nostalgic Imperialism - Carol Robinson

14. Memes, Covid-19, and Global Medievalism - Andrew B.R. Elliott

15. Dichotomies of Arthurian Medievalism: Dismantling and Reinforcing the Status Quo - Rachael Warmington

16. Thor versus Juracán: Premodern Storm Gods and Goddesses in Popular Culture - Marian E. Polhill

17. Geo-mapping the In-Betweens: Medieval Daoist Correlatives in Pokémon Go - Anne Giblin Gedacht

18. Worldbuilding Dungeons and Befriending Dragons: How the Global TTRPG Community Combats Western Hegemony - Miranda Hajduk

19. Marrying Medievalism, Post-Apocalypse, and the Global in Digital Games - Emily Price

List of Contributors

Index


ABOUT THE EDITORS

ANGELA JANE WEISL is Professor of English and Chair of the English Department at Seton Hall University.

ROBERT SQUILLACE is a Clinical Professor in Arts, Text, and Media and Educational Technology Liaison at New York University's School of Liberal Studies.

Studies in Medievalism 33 Out Now

Released earlier this season:

Studies in Medievalism XXXIII: (En)gendering Medievalism

Edited by Karl Fugelso


Full details, preview, and ordering information at https://boydellandbrewer.com/9781843847175/studies-in-medievalism-xxxiii/.


TITLE DETAILS

270 Pages

23.4 x 15.6 cm

6 b/w illus.

Series: Studies in Medievalism

Series Vol. Number: 33

Imprint: D.S.Brewer

April 2024


DESCRIPTION

Essays on the post-modern reception and interpretation of the Middle Ages.


Though Studies in Medievalism has hosted many essays on gender, this is the first volume devoted specifically to that theme.


The first part features four short essays that directly address manifestations of sexism in postmedieval responses to the Middle Ages: gender substitutions in a Grail Quest episode of the 2023 television series Mrs. Davis, repurposed misogyny in the last two episodes of Game of Thrones (2011-19), traditional gender stereotypes in Capital One's credit card commercials from 2000 to 2013, and "shaggy" medievalism in Robert Eggers' 2022 film The Northman.


The second part contains ten longer essays, which collectively continue to demonstrate the ubiquity of gender issues and the extraordinary flexibility of approaches to them. The authors discuss the misogynistic sexualization of Grendel's mother in Parke Godwin's 1995 fantasy novel The Tower of Beowulf, in Graham Baker's 1999 film Beowulf, in three episodes from the television series Xena: Warrior Princess, and in Robert Zemeckis's 2007 film Beowulf; gender substitution in David Lowery's 2021 film The Green Knight and in Kinoku Nasu's and Takashi Takeuchi's anime series Fate (2004-); female authorship of three early-nineteenth-century plays about court ladies' medieval empowerment; extraordinary violence in medievalist video games; nationalism in fake nineteenth-century medievalist documents and in contemporary online fora; racial discrimination in video gaming and in Jim Crow literature; and the condemnation of racism in Maria Dahvana Headley's 2018 novel The Mere Wife.


CONTENTS

Preface - Karl Fugelso

I: (En)gendering Medievalism

The Peacock Television Network's Mrs. Davis, Sister Simone, and Messing Up the Quest for the Holy Grail - Kevin J. Harty

Bitches Be Crazy: Patriarchal Weaponization of Mental Distress in Game of Thrones - Lauryn Mayer

Capital One's Condemnation, Conversion, and Eventual Celebration of Mythical Medieval Northern European Males through Allegorical Commercials - Carol L. Robinson

The Northman and the Link between Past and Present Masculinities - H. Peter Johnsson

II: Other Responses to Medievalism

Maternal Games in The Green Knight: Launching Gawain - Carol Jamison

Seaxy Beast: Grendel's Mother and Responses to Third-Wave Feminism in Beowulf Adaptations - Alison Elizabeth Killilea

Artoria Pendragon: Anachronism, Gender and Self-Acceptance in the Fate Anime Series of Kinoko Nasu and Takashi Takeuchi - Lisa Myers

Exalted by Honour: Women's Medievalist History Plays in the Late-Eighteenth Century - Kirsten Ogilby

A Violent Medium for a Violent Era: Brutal Medievalist Combat in Dragon Age: Origins and Kingdom Come: Deliverance - Robert Houghton

The "Old Frisian" Tescklaow as Invented Tradition: Forging Friesland's Rural Past in the Early Nineteenth Century - Rolf H. Bremmer, Jr. and Philippus Breuker

Neither Brutes, Nor Sissies: Re-imagining the Vikings on a Swedish Online Forum - Christine Ekholst

Avatar Creation and White Masculinity in Wolfram van Eschenbach's Parzival and Ernest Cline's Ready Player One - Chelsea Keane

Intersectionality in Maria Dahvana Headley's The Mere Wife - Mareike Huber

The Smith, the Devil, and Jim Crow: Medieval Hagiography, Victorian Popular Culture, and the Legacy of Slavery in Edward G. Flight's The Horse Shoe: The True Legend of St. Dunstan and the Devil - Christina M. Heckman


Recently Published - Studies in Medievalism 31

Catching up on these:

Studies in Medievalism XXXI: Politics and Medievalism (Studies) III

Edited by Karl Fugelso


Full details, preview, and ordering information at https://boydellandbrewer.com/9781843846253/studies-in-medievalism-xxxi/.


TITLE DETAILS

242 Pages

23.4 x 15.6 cm

7 b/w illus.

Series: Studies in Medievalism

Series Vol. Number: 31

Imprint: D.S.Brewer

March 2023


Description

Essays on the use, and misuse, of the Middle Ages for political aims.


Like its two immediate predecessors, this volume tackles the most pressing and contentious issue in medievalism studies: how the Middle Ages have been subsequently deployed for political ends. The six essays in the first section directly address that concern with regard to Numa Denis Fustel de Coulanges's contemporaneous responses to the 1871 Commune; the hypocrisy of the Robinhood App's invocation of their namesake; misunderstood parallels and differences between the Covid-19 pandemic and medieval plagues; Peter Gill's reworking of a major medieval Mystery play in his 2001 The York Realist; celebrations of medieval monks by the American alt-right; and medieval references in twenty-first-century novels by the American neo-Nazi Harold A. Covington. The approaches and conclusions of those essays are then tested in the second section's seven articles as they examine widely discredited alt-right claims that strong kings ruled medieval Finland; Norse medievalism in WWI British and German propaganda; post-war Black appropriation of white jousting tournaments in the Antebellum South; early American references to the Merovingian Dynasty; Rudyard Kipling's deployment of the Middle Ages to defend his beliefs; the reframing of St. Anthony by Agustina Bessa-Luís's 1973 biography of him; and post-medieval Portuguese reworkings of the Goat-Foot-Lady and other medieval legends.


Contents

I: Politics and Medievalism (Studies)

Public Medievalism: Fustel de Coulanges and the Case for "Diplomatic Negotiations" - Elizabeth Emery

Rob from the Rich: The Neomedievalism of the Robinhood Stock App - Valerie B. Johnson

Pandemic Politics: Deploying the Plague - M. J. Toswell

Peter Gill and the Queering of the York Realist - Kevin J. Harty

To be a Monkish Man: Medievalism, Monasticism, Education, and Gender in the United States' Culture Wars - Jacob Doss

Political Fictions: The "Aryan" Medievalisms of Harold A. Covington - Helen Young

II: Other Responses to Medievalism

The Ancient Finnish Kings and their Swedish Archenemy: Nationalism, Conspiracy Theories, and Alt-Right Memes in Finnish Online Medievalism - Reima Välimäki and Heta Aali

The Politics of Norse Medievalism in the British Press During the First World War - Grace Khuri

A Tournament of Black Knights - Alexandria, Virginia, 1865 - Emancipationists Mobilize the Medieval - Whitney Leeson

"Eternal Legends of the Crimes of Man": The Merovingian Dynasty in Early American Media (1720-1820) - Gregory I. Halfond

Writing, Men, Empire: Kipling's Medievalist Imagination - Richard Utz

Agustina Bessa-Luís's Reinvention of St. António: A Loving Saint without an Altar - Ana Maria Machado

Celtic Imaginary: From Medieval Dama-Pé-de-Cabra to Nineteenth-century Patriotic Versions - Angélica Varandas


Friday, June 14, 2024

CFP: Jubilee! : Sewanee Medieval Colloquium 2025 (11/1/2024; 2/28-3/1/2025)

Jubilee! : Sewanee Medieval Colloquium 2025

deadline for submissions: November 1, 2024

full name / name of organization: Sewanee Medieval Colloquium

contact email: medievalcolloquium@sewanee.edu


posted from: https://call-for-papers.sas.upenn.edu/cfp/2024/05/31/jubilee


It's our 50th birthday, and we're having a party!


Please join us Feb 28th-Mar 1st, 2025 for a very special Sewanee Medieval Colloquium. This year’s conference theme is intended to be as capacious as possible to encourage previous presenters, respondents, and plenaries to return to the Colloquium to celebrate what lies ahead for Medieval Studies. The meeting is intended to celebrate the ways in which the conference has fostered conversations between established scholars and new voices in the field. To this end, we hope to create as many panels as possible that pair former attendees with new, emerging scholars as we think about the future of the discipline.


Papers and panels might consider themes of celebration, exaltation, feasting, and festivals. Presenters also might address other forms of “party,” including what it means to “take part,” to “participate,” and to “partake of.” (Parti-colored clothing is also on the table.) Other options include thinking about anniversaries, processions, and attention to commemoration and historiography. We welcome work that addresses the ways in which the natural world becomes enfolded in human celebrations, how gender roles are at play in acts of memorialization, the way legal language defines participation in a suit, how chronicles and annals encode yearly progress, how celebtrations engage ethics of care or harm, and more. And above all, we encourage work from across all disciplines and geographic areas that speaks how we think about how a marker like this represents a half century of change in the field, with an eye to where we might go next.


For more information about how to participate, see https://www.sewaneemedievalcolloquium.com/


Last updated June 2, 2024