Saturday, July 27, 2024

CFP (Re)Animating the Middle Ages: Adapting the Medieval in Animated Media (9/30/2024; NeMLA Philadelphia 3/6-9/2025)

(Re)Animating the Middle Ages: Adapting the Medieval in Animated Media

Co-organizers Michael A. Torregrossa, Karen Casey Casebier, and Carl B. Sell

Sponsored by Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture

Call for Papers - Please Submit Proposals by 30 September 2024

56th Annual Convention of Northeast Modern Language Association (NeMLA)

Philadelphia Marriott Downtown (Philadelphia, PA)

On-site event: 6-9 March 2025


Rationale

Our conception of the Middle Ages is usually formed by the versions of the medieval past we experienced as children, and, because they are considered suitable for young viewers, animated depictions of this world often represent our earliest exposure to the events, personages, and stories of this era. Consequently, the animated creations of the Walt Disney Company have played a huge part in shaping our collective image of the Middle Ages, but the corpus of medieval-themed animation is truly vast. It has been expanded greatly by the output of many other content producers across the globe through anime, cartoons, films, games, streaming videos, and theatrical shorts. (See our list of representative texts–at https://tinyurl.com/ReAnimatingtheMiddleAgesCFP–for examples.)


Despite animation's important role in shaping how we perceive and receive the medieval past, the field of Medieval Animation Studies remains limited, especially compared to the fluorescence of Medieval Film Studies and Medieval Television Studies over the past four decades. In this panel, we seek in particular to build upon the pioneering work of medieval-animation scholar Michael N. Salda and provide additional insights into the ways medieval-themed animation has impacted our contemporary world. Presenters might explore anime, cartoons, films, games, shorts, and videos produced through traditional ink-and-paint, stop-motion, claymation, or computer-generated imagery. Selections should represent and/or engage with some aspect of the medieval, such as artifacts, characters, settings, themes, etc. These might be central to the narrative, tangential, or appearing solely as cameos. (For ideas and support, we have created a list of representative texts and a resource guide devoted to studies of medieval-themed animation. It can be accessed at https://tinyurl.com/ReAnimatingtheMiddleAgesCFP.) 



Submission Instructions

In this panel, we seek in particular to build upon the pioneering work of medieval-animation scholar Michael N. Salda and provide additional insights into the ways medieval-themed animation has impacted our contemporary world. Presenters might explore anime, cartoons, films, games, shorts, and videos produced through traditional ink-and-paint, stop-motion, claymation, or computer-generated imagery. Selections should represent and/or engage with some aspect of the medieval, such as artifacts, characters, settings, themes, etc., presented as central to the narrative, tangential, or appearing solely as cameos.  

For ideas and support, please see our list of representative texts and resource guide devoted to studies of medieval-themed animation at https://tinyurl.com/ReAnimatingtheMiddleAgesCFP


All proposals must be submitted into the CFPList system at https://cfplist.com/nemla/Home/S/21105 by 30 September 2024. You will be prompted to create an account with NeMLA (if you do not already have one) and, then, to complete sections on Title, Abstract, and Media Needs. 


Notification on the status of your submission will be made by 16 October 2024. If accepted, NeMLA asks you to confirm your participation with the session chairs by accepting their invitations and by registering for the event. The deadline for Registration/Membership is 9 December 2024.


Be advised of the following policies of the Convention: All participants must be members of NeMLA for the year of the conference. Participants may present on up to two sessions of different types (panels/seminars are considered of the same type). Submitters to the CFP site cannot upload the same abstract twice.(See the NeMLA Presenter Policies page, at https://www.nemla.org/convention/policies.html, for further details,)


NeMLA offers limited funding for travel to graduate students and to contingent faculty, adjunct instructors, independent scholars, and two-year college faculty. Details can be found at the NeMLA Travel Awards page at https://www.nemla.org/awards/travel.html.  



Thank you for your interest in our session. Please address questions and/or concerns to the organizers at MedievalinPopularCulture@gmail.com


For more information on the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture, please visit our website at https://MedievalinPopularCulture.blogspot.com/.  




Tuesday, July 23, 2024

Recent Release - Fantasies of Music in Nostalgic Medievalism

Recently published:

Fantasies of music in nostalgic medievalism

By Helen Dell

Full details and ordering information at https://manchesteruniversitypress.co.uk/9781526173959/fantasies-of-music-in-nostalgic-medievalism/.

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ISBN: 978-1-5261-7395-9

Pages: 264

PRICE: £85.00

ISBN: 9781526173959

PUBLISH DATE: January 2024

PUBLISHER: MANCHESTER UNIVERSITY PRESS

Series: Manchester Medieval Literature and Culture

Also availble as a eBook,


DESCRIPTION

In the period between the Second World War and the present, there has been an extraordinary rise in the production of medievalist fantasy literature and film. This has been accompanied by the revival, performance and invention of medieval music. In this enterprise modern fantasies of the Middle Ages have exercised great influence.

Fantasies of music in nostalgic medievalism shows how music, medievalism and nostalgia have been woven together in the fantasies of writers and readers, musicians, musicologists, directors and listeners, film-makers and film-goers. This book studies the ways in which three fields of creative activity inspired by the medieval - musical performance, literature, cinema and their reception - have worked together to produce and sustain, for some, the fantasy of a long-lost, long-mourned paradisal home.


CONTENTS

Introduction: Music, nostalgia and the medieval

1 More real than reality: nostalgia for the medieval in high fantasy fiction

2 'Yearning for the sweet beckoning sound': Musical longings and the unsayable in medievalist fantasy fiction

3 The lost world inside a song: from the book to the record

4 Exotic sexualities: the countertenor voice in the late twentieth-century medieval music revival

5 The call of the mother: music for myth and fantasy in two Arthurian films

Aftermath


AUTHOR

Helen Dell is a research fellow at the University of Melbourne


Thursday, July 18, 2024

CFP Classics x Medieval for NeMLA 2025

Classics x Medieval: Exploring the Past in the Present through Literature, Art, and Popular Culture (Panel)


Submit Abstract

Primary Area / Secondary Area
Comparative Literature / Classics
Chair(s)


Jared Simard (New York University)

Afrodesia McCannon (New York University)
Abstract


Both antiquity and the Middle Ages have been manipulated in the present in creative and destructive ways. The past has been weaponized often with racialization as its barb, but also used to posit alternative, culturally diverse worlds as spaces of creative, generative play. How might the uses of these periods be compared? How can we de-silo the disciplines to enrich the study of their manipulations and expressions in the present? Can we think of “classicism” or “medievalism” as a methodology that can be extended to any period or does each period have its own -ism? The panel hopes to bring classicists and medievalists together (and those who study both) to produce an interdisciplinary discussion about how different pasts intersect with the present.

In our panel, we explore the interplay between the ancient and medieval worlds and their reverberation in contemporary culture. We are especially interested in global and interdisciplinary perspectives on this topic and invite a broad range of topics in literature, art, and popular culture that employ a variety of critical perspectives. We hope to create a space for academics of all levels to enter into conversation with one another and dialogue with scholars from equally interdisciplinary fields. Papers that explore decentering or challenging Eurocentric interpretations of history or that seek to uncover alternative narratives and marginalized voices are especially welcome.

Description
Antiquity and the Middle Ages have been manipulated and at times weaponized in their many reception histories down to the present. This panel invites scholars of all levels, Classicists and Medievalists alike, to explore together how different pasts intersect in the present.

CFP Special Issue on Borders / Crossing in medieval English literature, language, and culture (10/15/2024; Special Issue of Etudes Médiévales Anglaises)

Special Issue on "Borders / Crossing in medieval English literature, language, and culture"


deadline for submissions:
October 15, 2024

full name / name of organization:
ÉTUDES MÉDIÉVALES ANGLAISES

contact email:
colette.stevanovitch@unvi-lorraine.fr

source: https://call-for-papers.sas.upenn.edu/cfp/2024/06/21/special-issue-on-borders-crossing-in-medieval-english-literature-language-and-culture


We are pleased to announce a call for papers for a special issue of EMA (Etudes Médiévales Anglaises) on the theme
"Borders / Crossing in medieval English literature, language, and culture."

The notions of borders and crossing, and the articulation between them, can be conceived in many ways. Borders, whether natural or arbitrary, sealed or porous, fixed or mobile, as limits or confines, spatial or temporal, can be seen as an obstacle or a wall. They are also a challenge to be taken up and overcome (expansion, threshold to a new era), hence the notion of crossing (movement, transfer, transformation). As delimitations, borders help to constitute an identity which refers to the outside as otherness.

The theme "Borders / Crossing" invites scholars to investigate the literal and metaphorical boundaries that shaped the medieval English world. This includes, but is not limited to, the following topics:

• Geopolitical Borders: Examining territorial boundaries and their impact on medieval English society, politics, literature, and language.
• Cultural and Social Crossings: Investigating the interactions and exchanges between different cultures, classes, and communities.
• Linguistic Boundaries: Exploring the evolution of the English language and its dialects, as well as the influence of other languages.
• Literary Crossings: Analyzing themes of travel, pilgrimage, and adventure in medieval English literature.
• Religious and Ideological Borders: Discussing the delineations between different religious beliefs, heresies, and philosophical ideas.
• Temporal Borders: Reflecting on the concept of historical periodization and the transitions between different eras in medieval England.


Submission Guidelines

We welcome submissions of original research articles from scholars at all stages of their careers. Please submit full papers of 5,000-8,000 words, including an abstract of 250-300 words, keywords, and a brief biography. Papers can be written in English or in French. Please ensure that your manuscript adheres to the journal's formatting and style guidelines (Chicago Manual of Style).

Key Dates

• Submission Deadline: October 15, 2024
• Notification of Acceptance: November 1, 2024
• Publication Date: June 15, 2025


Contact Information

For inquiries regarding this special issue, please contact the guest editor at Colette.Stevanovitch@univ-lorraine.fr. Further details about the journal are available on our website https://amaes.fr/en/our-scientific-journal-ema.

Professor Colette Stevanovitch
Universite de Lorraine
Colette.Stevanovitch@univ-lorraine.fr


Last updated June 24, 2024