Saturday, August 10, 2024

Sponsored Session Medieval Monsters as Modern Monsters (virtual) (9/15/2024; ICMS Kalamazoo 5/8-10/2025)

 

Medieval Monsters as Modern Monsters: Exploring Continuums of the Monstrous (virtual)


Sponsored by Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture and Monsters & the Monstrous Area of the Northeast Popular Culture Association

Organized by Michael A. Torregrossa


60th International Congress on Medieval Studies

Western Michigan University (Kalamazoo, Michigan)

Hybrid event: Thursday, 8 May, through Saturday, 10 May, 2025

Please Submit Proposals by 15 September 2024




CFP NVSA 2025: The Twentieth Century (10/15/2024; Boston 4/4-6/2025)

NVSA 2025: The Twentieth Century – 50th Anniversary Conference


deadline for submissions:
October 15, 2024

full name / name of organization:
Northeast Victorian Studies

contact email:
seckert@wesleyan.edu

source: https://call-for-papers.sas.upenn.edu/cfp/2024/08/07/nvsa-2025-the-twentieth-century-%E2%80%93-50th-anniversary-conference


The Northeast Victorian Studies Association 2025

50th Anniversary Conference

April 4-6, 2025

Keynote panel with Kristin Mahoney, Nasser Mufti, and John Plotz



View the full call here >> https://nvsa.org/wp-content/uploads/2024/08/call-for-papers-nvsa-2025-1.pdf



The Northeast Victorian Studies Association seeks proposals on the theme “The Twentieth Century” for its annual conference at Boston University. A product of the twentieth century, NVSA held its first official meeting on “The Victorian Family” at Assumption University in 1975. Fifty years later, we invite you to join us in celebrating an organization that has been a pillar of the field across the decades.



There is a paradox in a Victorianist conference organized around the twentieth century. How did the desires and needs of the twentieth century lead to the invention of our field of study? What got dragged, kicking and screaming, into twentieth century from the nineteenth? We welcome submissions that probe such contradictions and anachronisms: the lingering presence of one era in another, as well as more conceptual approaches to the idea of the literary period as such. Where do scholarly commitments to periodization stand now?



From work in reception history, adaptation studies, intellectual history, and disciplinary history, what versions of the Victorian have been mobilized, returned to, or remade in its wake? What supposedly “Victorian” ideas, concepts, and genres owe their origin to their close descendants? Does the line between the nineteenth and twentieth centuries feel harder or softer than it did for previous generations? And why do so many scholars of the Victorian period extend their interests forward rather than backward in time?



Submissions are also encouraged that consider both the afterlives and immediate adjacencies of the Victorian period. We invite papers that explore specific forms, authors, genres, media, movements, and ideas of modernity that emerge across and between the nineteenth and twentieth centuries: late Victorian realism and genre fiction, aestheticism, fin-de-siècle media (especially film and photography), imperial networks of circulation, and shifts in the conceptualization of national, ecological, aesthetic, colonial and biopolitical categories at the century’s turn.



Our hope is that scholars who have joined us before (in this century or the last) will return by one of two traditional paths: submitting an anonymous abstract for the consideration of the programming committee, or attending simply to enjoy.



Proposals (no more than 300 words) are due by Oct. 15, 2024(email only, in Word format). Submit them to Sierra Eckert, Chair, Program Committee: seckert@wesleyan.edu. Please note: all submissions to NVSA are evaluated anonymously. Successful proposals will stay within the 300-word limit and make a compelling case for the talk and its relation to the conference topic. Please do not send complete papers, and do not include your name on the proposal. Include your name, institution, email address, and proposal title in the body of the email. Papers should be 15 minutes long.



For more information on recommended topics, travel grants, and essay prizes please see: https://nvsa.org/wp-content/uploads/2024/08/call-for-papers-nvsa-2025-1.pdf



Last updated August 8, 2024



Thursday, August 8, 2024

CFP Teaching the Middle Ages at the K-12 Level (10/1/2024; Symposium IMA 11/22/2024)

Teaching the Middle Ages at the K-12 Level


deadline for submissions:
October 1, 2024

full name / name of organization:
Illinois Medieval Association

contact email:
mwgeorge.51@gmail.com

source: https://call-for-papers.sas.upenn.edu/cfp/2024/08/02/teaching-the-middle-ages-at-the-k-12-level


Deadline for Proposals: October 1
Session: 2:00 pm (Central) November 22, online via Zoom

Medieval topics tend to intrigue elementary, middle-school, and high-school students. In a teaching environment where time is precious, how do teachers approach the Middle Ages? This session seeks papers addressing issues, opportunities, and innovations in the K-12 classroom to inform the larger community of K-12 teachers and post-secondary educators about how the topic is approached at the K-12 level.

Submit full session proposals or paper proposals (no more than 300 words) to mwgeorge.51@gmail.com no later than October 1, 2024.

Last updated August 8, 2024

CFP Teaching the Middle Ages: Issues, Opportunities, and Innovations (9/11/2024; Symposium IMA 10/18/2024)

Teaching the Middle Ages: Issues, Opportunities, and Innovations


deadline for submissions:
September 11, 2024

full name / name of organization:
Illinois Medieval Association

contact email:
mwgeorge.51@gmail.com

source: https://call-for-papers.sas.upenn.edu/cfp/2024/08/02/teaching-the-middle-ages-issues-opportunities-and-innovations


Deadline for Proposals: September 11
Session: 2:00 pm (Central) October 18

In the last few decades, courses on the Middle Ages and medieval studies programs have been either cut or severely restricted in the United States. In fact, recently a variety of humanities programs have been on the chopping block, forcing and providing an opportunity for specialists in medieval studies to integrate our specialties into other courses. This year’s Illinois Medieval Association Symposium seeks to explore issues incorporating medieval studies into our curricula. We seek papers that deal with problems/solutions, opportunities, and innovations. Single papers (20-minute length) and, especially, full sessions are encouraged.

The 2023-24 IMA Symposium is distributed throughout the academic year, with sessions occurring on specific Fridays beginning at 2:00 pm Central time. All sessions are online via Zoom, and presenters can share their screens.

This session a general session on the topic. Papers and full sessions that don’t fit with the later topics are welcome.

Submit full session proposals or paper proposals (no more than 300 words) to mwgeorge.51@gmail.com no later than September 11, 2024.


Last updated August 8, 2024

Monday, August 5, 2024

CFP Fantasy and the Middle Ages (Special Issue of Messengers from the Stars; 2/2/2025)

Messengers from the Stars: On Science Fiction and Fantasy No. 8, 2025


deadline for submissions:
February 3, 2025

full name / name of organization:
Messengers from the Stars

contact email:
mfts.journal@gmail.com

source: https://call-for-papers.sas.upenn.edu/cfp/2024/07/22/messengers-from-the-stars-on-science-fiction-and-fantasy-no-8-2025.

Messengers from the Stars is an international, peer-reviewed, open-access journal, offering academic articles, reviews, and providing an outlet for a wide range of creative work inspired by Science fiction and Fantasy. The 2025 issue will be dedicated to the following theme:

‘Getting Medieval’: Fantasy and the Middle Ages


Traditionally distinguished by the presence of supernatural or magical elements, otherworldly settings, epic quests and archetypal characters, Fantasy fiction has been an incredibly popular genre since its inception. Indeed, as highlighted by scholars like John Clute, much of world fiction “has been described, at one time or another, as fantasy” (337). Although Fantasy is sometimes perceived as a form of escapism and at other times as a legitimate fictional realm with its own internal logic, the influence of the Middle Ages has remained a constant element in the construction of Fantasy worlds. From the use of folklore, myths, medieval legends and sagas, different contemporary authors look to the past as a source of inspiration, adapting, transforming and rewriting narratives to not only suit contemporary tastes and ideals but also to mirror present-day anxieties and fears. The works of J. R. R. Tolkien, George R. R. Martin, Robin Hobb, Joe Abercrombie, Marion Zimmer Bradley or Juliet Marillier, among others, are good examples of how the Middle Ages have served to fire the imagination.

Bearing this in mind and acknowledging that Fantasy continues to expand and develop, offering a diverse array of narratives as well as endless possibilities for storytelling and creative exploration, in this number we are especially interested in how Fantasy fiction uses the medieval past to create storylines that resonate with contemporary audiences across geographic, linguistic, cultural and political boundaries. We consider Fantasy in broader terms, including literature, cinema, television, comics/graphic novels, video games, music, etc., and are especially interested in submissions that expand the fields of knowledge and landscapes represented in the journal.

Possible topics may include, but are not limited to:
  • Arthuriana in Fantasy;
  • Female Agency in Medieval Fantasy;
  • Fantasy and the Global Middle Ages;
  • Heroism and Monstrosity in Fantasy;
  • Medieval Emotions in the Fantasy Genre;
  • Medieval Spaces and Places in Fantasy;
  • Medievalism, Neomedievalism and Fantasy;
  • (Mis)Perceptions of the “Medieval” and the “Middle Ages” in Works of Fantasy;
  • Which Middle Ages is it? – Identity in Fantasy.

Submissions, between 4000 and 6000 words in English, must be sent to mfts.journal@gmail.com by February 3, 2025. The authors will be notified by the end of March, 2025.

In addition, you can propose a book or film review. We welcome book and film reviews on current science fiction and fantasy research and PhD dissertations. Reviews should be between 500 to 1,000 words. Longer reviews, e.g. dealing with more than one book, must be agreed upon with the Editorial Board.

Books available for review:Carroll, Jordan S. Speculative Whiteness: Science Fiction and the Alt-Right. University of Minnesota Press, 2024. ISBN 978-1-5179-1708-1.
Lapoujade, David. Worlds Built to Fall Apart: Versions of Philip K. Dick. Trans. by Erik Beranek. University of Minnesota Press, 2024. ISBN 978-1-5179-1461-5.

If you wish to review a title which is not in the list, then please email the Editors directly with your suggestion, as we do consider all requests for recent and forthcoming titles, especially from publishers already listed. If the book or film you wish to review is more than 3 years old, then you would need to demonstrate its significance to its field for it to be considered.

All submissions must follow the journal’s guidelines available here: https://messengersfromthestars.letras.ulisboa.pt/journal/submission-guidelines.


Last updated July 22, 2024