Thursday, February 3, 2022

CFP Inter/Dis-connections (2/5/22; online/U Mass Amherst 4/30/22)

Inter/Dis-connections


deadline for submissions: February 5, 2022

full name / name of organization: English Graduate Organization at University of Massachusetts Amherst

contact email: englishconference@umass.edu

source: https://call-for-papers.sas.upenn.edu/cfp/2021/12/07/interdis-connections



The UMass Amherst English Graduate Organization is happy to present their 2022 conference, titled Inter/Dis-connections with Keynote Speaker Professor Wai Chee Dimock (English Department, Yale University, and Center for the Environment, Harvard University). The conference will take place on April 30th, 2022.

The 2022 English Graduate Organization Conference interrogates aspects of interconnectivity and disconnection that manifest themselves either implicitly or explicitly throughout the planet. As much as COVID-19 seemed to have created a ‘new normal,’ the pandemic only served to normalize what we already know: we are simultaneously connected to and disconnected from each other in a myriad of ways. The plurality of socio-political, ideological, environmental, and public health conditions that we exist within, and has been accentuated by the Covid-19 pandemic, intersects with disparities in race, gender, and sexual politics. Moreover, the liminal nature of borders, islands, oceans, and maps already contextualizes our existence through considerations of non-human agents. As we are situated by materials that continuously alter and dictate our approaches from the global context, issues such as displacement, migration, nationalism, transnationalism, inter-imperiality, and competing internationalism (s) trigger other versions of how we are simultaneously inter-and dis-connected.

Following these concerns, this conference looks for diverse connections, interpretations, perspectives, and possible solutions regarding the various manifestations of interconnections and dis-connections. Through these perspectives, we raise questions such as: How can we rethink our identities in relation to those whose identities are erased or distorted, or ignored? How can we reimagine the racialized and gendered global infrastructure? How can we visualize the impact of a global pandemic on archives that will be compiled? How do we remap our spatial and conceptual borders? Most importantly, how do we think nationally, internationally, or globally?

In addition to these questions, the scope of this present call is purposely broad so as to welcome a wide range of approaches, particularly those of an interdisciplinary orientation. Possible topics may include (but are not limited to):

  • (Re)-imagining locality, globality, and planetarity
  • Migration, Dispossession, and Assimilation
  • Medieval Worldbuilding
  • American (un)exceptionalism
  • World Deconstruction and Reconstruction through SF (science fiction, speculative fiction, fantasy, and folklore)
  • Ruins and Revolts
  • Memory and Archives
  • Alternative Narratives and Futurities
  • Race, Ethnicity, and Empire
  • Rhetoric, Digital Media, and Social Justice
  • Pollution, Pandemic, and Politics in a pre-and post-COVID world

We invite contributors to submit their proposals through this google form link by 5th February 2022. Please feel free to direct any questions, suggestions, and concerns to the conference email address: ​​englishconference@umass.edu. We are looking forward to an online event.




Last updated February 3, 2022

Wednesday, February 2, 2022

CFP Constructing Fantastical Worlds from Antiquity to the Present (3/15/22; Amsterdam 6/30-7/1/22)

Constructing Fantastical Worlds from Antiquity to the Present

deadline for submissions: March 15, 2022

full name / name of organization: University of Amsterdam

contact email: constructingfantasticalworlds@gmail.com

source: https://call-for-papers.sas.upenn.edu/cfp/2022/01/21/constructing-fantastical-worlds-from-antiquity-to-the-present


Constructing Fantastical Worlds: from Antiquity to the Present


University of Amsterdam, Thursday 30th June– Friday 1st July 2022

Keynote Speakers: Dr Benjamin Stevens (Trinity University) and Dr Rutger Allan (Vrije Universiteit Amsterdam)

This interdisciplinary two-day workshop is devoted to the construction of fantastical worlds across various narrative media from antiquity to the present.

In recent years, media and literary studies have drawn attention to the process of constructing ‘imaginary’ or ‘secondary’ worlds. We define these fantastical universes as fictional worlds that involve creatures and/or events whose existence and/or occurrence is impossible in our actual world. Being often heterotopic and heterochronic and endowed with their own geographies, populations, histories, governments, etc., fantastical worlds may in complex ways reflect, contrast, and/or transcend ordinary reality.

Yet while this phenomenon is generally considered to originate in Tolkien, fantastical worldbuilding can be recognised in antiquity as well. Recent studies in classical literature and receptions have emphasised the fantasy-like quality of classics like Homer’s Odyssey, Ovid’s Metamorphoses, and Plato’s eschatological myths, while linguists and narratologists have brought to light literary devices that might be used by ancient authors to construct fantastical worlds and mediate the audience’s experience of them. Rarely, however, has the connection been made between the classical and contemporary construction of fantastical worlds, let alone between classics and modern media studies. The overarching aim of the workshop is to launch such an interdisciplinary discussion in search of a comparative, diachronic perspective on fantastical worldbuilding.

Principally, the workshop will focus on the how of fantastical worldbuilding, i.e., on the devices and techniques used in different times and media to create a fantastical world, as well as the ways in which this world is presented as different from yet somehow anchored in reality.

We invite papers that address one (or more) of the following research questions:
  • What devices do authors or artists use to construct fantastical worlds? (E.g., common ground management, deixis, the general rendering of time and space)
  • How are these fantastical worlds anchored to the audience’s actual world, and what devices are used to express this relationship? (E.g., metalepsis, immersive/enactive devices, shifts in the deictic centre)
  • How do fantastical worlds encourage the audience to reflect on the actual world? (E.g., metaphor, metonymy, contrast)
  • What differences and similarities exist between the construction of fantastical worlds in different periods and different media?
  • How are the devices used by ancient authors to construct fantastical worlds reused (consciously or unconsciously) in later times?

We are interested in contributions from a variety of disciplinary backgrounds that discuss the construction of fantastical worlds in or across different media (e.g., written narratives, drama, film, television, video games). Papers may focus on single narratives, authors, and periods, or discuss fantastical worldbuilding techniques more broadly, e.g., from a theoretical, comparative or reception point of view.

The workshop will take place in Amsterdam on the 30th of June and the 1st of July 2022. Should the state of the pandemic require it, the workshop will be held on the same days as either a hybrid or a virtual event.

We invite submissions for 25-minute presentations. To register your interest, please submit an anonymous abstract of max. 400 words (excluding references and bibliography) to constructingfantasticalworlds@gmail.com by the 15th of March 2022. Your name and affiliation should be included in the body of your email. We aim to respond no later than the 15th of April.

This workshop is generously funded by OIKOS, the National Research School in Classical Studies in the Netherlands, and the gravitation project Anchoring Innovation.

Please do not hesitate to contact us with any questions.

The organizing team: Caterina Fossi (c.fossi@uva.nl), Merlijn Breunesse (m.r.e.breunesse@uva.nl) and Koen Vacano (k.vacano@uva.nl)



Last updated January 21, 2022

CFP 2022 Wooden O Symposium (5/13/22; Southern Utah University/Online 8/8-10/22)

CFP: Wooden O Symposium

deadline for submissions: May 13, 2022

full name / name of organization: Southern Utah University/Utah Shakespeare Festival

contact email: education@bard.org

source: https://call-for-papers.sas.upenn.edu/cfp/2022/01/25/cfp-wooden-o-symposium


Wooden O Symposium

August 8-10, 2022
Southern Utah University - Utah Shakespeare Festival


Cedar City, Utah, USA The 2022 Wooden O Symposium invites panel and paper proposals on any topic related to the history, text and performance of Shakespeare’s plays. This year’s meeting will be a hybrid with both face-to-face and virtual presentations addressing the 2022 theme: Weathering the Storm: Survival, Hope and Redemption. We also encourage papers and presentations that speak to the Utah Shakespeare Festival’s 2022 summer season: All’s Well That Ends Well, King Lear, and The Tempest along with Sweeney Todd, The Sound of Music, and Trouble in Mind. Abstracts for consideration, both panels and individual presentations, should be sent to education@bard.org.

The deadline for proposals is May 13, 2022. Session chairs and individual authors will be informed of acceptance no later than June 1. Please include a 250-word abstracts or session proposal (including individual abstracts) and the following information:

• name of presenter(s)
• participant category (faculty, graduate student, undergraduate, or independent scholar)
• college/university affiliation
• mailing address
• email address
• audio/visual requirements and any other special requests.

For more information go to https://www.bard.org/wooden-o-symposium


Last updated February 1, 2022


CFP Many Ghosts of Hamlet (3/15/2022; Spec Issue of Theory and Practice in English Studies Journal )

Many Ghosts of Hamlet

deadline for submissions: March 15, 2022

full name / name of organization: Department of English and American Studies, Masaryk University

contact email: thepes@phil.muni.cz

source: https://call-for-papers.sas.upenn.edu/cfp/2022/01/26/many-ghosts-of-hamlet



Many Ghosts of Hamlet

Special Issue of Theory and Practice in English Studies Journal 11/1 (Spring 2022)

Issue Editor: Anna Mikyšková (Masaryk University)


Shakespeare’s Hamlet is a play with unprecedented cultural currency and has influenced generations of people from all walks of life. Oceans of ink have been spilled in analyses of Hamlet and its story has been redefined, reshaped and reconceptualized in all ways and languages imaginable. Since new meanings are constantly being assigned to the play, the aim of this issue is to collect recent diverse perspectives on Hamlet’s afterlives, reimaginations and cultural experiences shaped by the story of the Danish prince. We hope to show the variability and relevance of Shakespeare’s most famous tragedy and the scope of the cultural influence of the many ghosts of Hamlet.

We welcome articles which address (but are not limited to) the following topics:

  • Hamlet in performance,
  • Hamlet in translation,
  • adaptations and appropriations of Hamlet,
  • echoes of Hamlet in works of art and popular culture,
  • reception of Hamlet in non-Anglophone cultures,
  • experiences of theatre professionals with Hamlet,
  • Hamlet in modern society and its relevance for current social phenomena,
  • Hamlet in education curricula.

Please submit paper proposals of no more than 300 words by 15th March 2022. The deadline for article submission is 30th April 2022, the expected length being between 3,000 and 6,000 words. See our publication guidelines for more information. We also welcome contributions by postgraduate students and early-career researchers.

The proposals are to be sent to thepes@phil.muni.cz.


Last updated February 1, 2022

Call for MAA Session Proposals 2023 AHA Annual Meeting (2/15/22; Philadelphia 1/5-8/2023)

Call for Papers: MAA@AHA 2023

Posted on January 28, 2022 by Chris

Source: http://www.themedievalacademyblog.org/call-for-papers-maaaha-2023/


Call for MAA Session Proposals
2023 AHA Annual Meeting, Philadelphia


Proposals due 15 February

The Medieval Academy of America invites proposals for sessions at the upcoming annual meeting of the American Historical Association in Philadelphia, January 5-8, 2023.

Each year the Medieval Academy co-sponsors sessions at the AHA’s annual meeting. This year, we aim to sponsor sessions that address an overarching theme of interest both to MAA members and broader audiences:

“(Re)Constructing the Middle Ages through Migrations, Mobilities, Mediations.” We offer this theme in encompassing terms. We imagine that panels might address a range of topics that include: indigenous and global perspectives that extend and challenge previous conceptions of the period; considerations of the field from historical scales that reveal temporal, geographic, or conceptual incongruities, from microhistories to civilizational studies; new narrations of the medieval past from unexpected or previously de-centered locales, objects, or persons; configurations of the field that blur or eradicate geographic, temporal, conceptual, or linguistic boundaries; reckonings of the medieval that jettison or expose its medievalist, nationalist, and colonialist legacies. How does your work invite reconsiderations of what is medieval? We’d love to hear from you!

We invite all manner of session programming, and strongly encourage MAA members to think beyond traditional paper panels. Roundtables, lightning talks, interviews, field conversations, pedagogical workshops, digital labs, performances, working sessions, and any other experimental and inclusive forms of knowledge-sharing you might propose will be received with enthusiasm.

We especially encourage session proposals from scholars representing a variety of identity positions and academic ranks and affiliations, including graduate students and independent scholars. We also encourage session proposals from scholars whose work features sources, geographies, and populations that are under-represented in traditional reckonings of “the medieval.”

The committee is happy to provide feedback on draft session proposals; please reach out to us at ahacommittee@themedievalacademy.org. In addition, MAA members may receive feedback on proposals as part of the review process.

How to submit a session proposal

There is a two-stage process for submitting a session proposal for MAA and AHA co-sponsorship.

1) Members of the Medieval Academy submit session proposals to the MAA’s AHA Program Committee through the online submission form by 11:59 p.m., February 1, 2022.

2) If the session proposal is approved by the MAA’s AHA Committee, the session organizer will be informed by February 11 and will then be responsible for submitting the proposal directly to the AHA before the deadline of 11:59 p.m., February 15, 2022, indicating that the session has the sponsorship of the Medieval Academy of America.

For more information, please see FAQ: Organizing MAA/AHA Sessions.


Tuesday, February 1, 2022

Kalamazoo 2022 Sneak Preview

The Medieval Institute at Western Michigan University has just released its "Sneak Preview" of this year's International Congress on Medieval Studies. 

The preview can be accessed from the Congress home page.