CFP Time and the Outlaw (Hybrid) (9/26/2025; Leeds IMC 2026)

Sharing on behalf of the International Association for Robin Hood Studies.


Leeds International Medieval Congress 2026

6th-9th July 2026, University of Leeds, UK

Call for Papers



The theme of Leeds International Medieval Congress will be ‘Temporalities’

On the official ‘Call for Papers’ webpage, this is described as follows:

‘Diverse notions of the passage of time affected medieval people’s political decisions, economic exchanges, and production of objects and artefacts. Medieval people manipulated time to reflect their gender roles, narrative strategies, views on human ageing, shifts in ethnic or social groups, or changes in public and private spaces.

Modern concepts of medieval time are bound up with our own understanding and (ab)use of medieval temporalities. Whether we construct images of a ‘Dark Age’, or imagine a romantic time of chivalry and knighthood, these projections into the past reflect our own temporal outlooks and how today we organise ‘medieval time’ in a variety of ways that address modern diverse political or cultural agendas, which lie at the heart of our debate on medievalism.’



IARHS session proposal is ‘Time and the Outlaw’


Outlaw stories are like time travellers: they exist in their own time and seemingly outside time. Some of their elements remain fixed and unchanging whilst others are a product of negotiation between the tellers and their audiences, according to the needs of their present situations and ideological perspectives. They exist in a variety of media and in many different genres.

This session, therefore, examines outlaws and their stories through time: what they have been, what they are now, and what they may become. How have they been presented and how has that presentation changed, how might they be presented in the future – and why? Are outlaw stories simply ephemeral wish fulfilment, or do they really matter? What was their function in the past, what is it now, and what might it be in the future?

Outlaw heroes are not necessarily ‘different’ from other people – they frequently begin their stories living unremarkable lives in an everyday world – but their qualities are super-charged by their natural empathy and ability reacting to adverse circumstances created by (‘evil’) others. Their subsequent actions become the subject of myth, legend and popular culture. They speak truth to and about power in every age.

Medieval commentators regarded stories (such as those of Robin Hood) as either mindless diversions that did neither harm nor good, or as carriers of important socio-cultural messages that could be either supportive or subversive of hegemonic practices and beliefs. The outlaw’s relevance in and through time, to whom and why, is still a major subject of academic study and of interest to wider audiences.



We invite proposals for 20-minute papers on this topic. Some suitable Congress suggestions are: Medieval perceptions of time, temporality, and their modern interpretations; People in time; Time as an agent of change; Temporality in political, economic, and socio-cultural relations; Time, memory, and commemoration; Time, nature, and the environment; Medieval temporalities in film, media, digital technology, and Artificial Intelligence; Artistic representations of time and temporality; Medieval temporalities in literature, music, performing arts, and folklore; Medievalism and medieval temporalities; The future of the Middle Ages.

This is a limited list, but proposals on any aspect of time and outlaws/outlaw stories, in any or many media, medieval, post-medieval, modern or future are welcomed.

The session/s will be hybrid, so distance need not be a limitation.



To submit before the Congress deadline, proposals need to be made by midnight on Friday 26th September. There will be a waiting list in operation after that weekend.

Please send your proposal to the session organiser, Dr Lesley Coote, at coote081@gmail.com

Proposals need to be accompanied by a working title, speaker name and designation, and a contact address.

CFP Beyond Commemoration: Interrogating Modern Statues of Medieval Figures (Panel) (Hybrid) (9/30/2025; NeMLA)

Beyond Commemoration: Interrogating Modern Statues of Medieval Figures (Panel)

Submit proposals at https://cfplist.com/nemla/Home/S/21759

Primary Area / Secondary Area
Cultural Studies and Media Studies / Interdisciplinary Humanities

Modality
Hybrid: The session will be held in-person but a few remote presentations may be included.

Chair(s)
Afrodesia McCannon (New York University)

Abstract

This paper session examines how medieval individuals are memorialized and reinterpreted through contemporary statuary across the globe. Moving beyond simple historical commemoration, these modern depictions serve as potent symbols, reflecting and shaping modern identities, national narratives, and artistic expressions. This session seeks to explore the multifaceted significance of these statues and the diverse contexts in which they are erected and understood.
I invite papers that critically examine the motivations, ideologies, processes, and impacts of creating and displaying statues of medieval figures in the modern world. Potential topics include, but are not limited to: the role of these statues in constructing or reinforcing nationalisms and regional identities; the ways in which medieval figures are adapted or reimagined to serve contemporary political agendas; the intersection of medievalism and modern artistic practices in sculptural representations; the impact of these statues on public memory and historical understanding; and the controversies or debates surrounding their creation, placement, and interpretation.
I particularly encourage submissions that explore a geographically diverse range of examples, including statues representing European, Islamic, East Asian, African, and other medieval traditions. By bringing together sculpture from various cultural contexts, this session aims to foster a comparative understanding of how the medieval past is invoked and visualized in the present, and to interrogate the broader significance of these tangible links to the premodern era.

Description

This session explores how contemporary statues of medieval figures across the globe reinterpret the past to shape modern identities, political narratives, and artistic expression. The session invites critical engagement with the global uses of medievalism in public sculpture today.

CFP Off of the Printed Prose Page: Multimodal Medievalisms (9/15/2025; ICMS Kalamazoo)

Off of the Printed Prose Page: Multimodal Medievalisms (A Paper Session)

deadline for submissions:
September 15, 2025

full name / name of organization:
Tales after Tolkien Society

contact email:
talesaftertolkien@gmail.com

source: https://call-for-papers.sas.upenn.edu/cfp/2025/07/09/off-of-the-printed-prose-page-multimodal-medievalisms-a-paper-session

ICMS 2026, Session 7569

While the pop culture landscape of books and films often borrow from and are inspired by "the medieval period"–as well as frequently disseminated, propagated, and influenced by neo-medievalist works such as those by Martin, Jordan, Sanderson, and Hobb–relatively little discourse focuses on how other types of contemporary works pull from the same and/or similar influences. With the increasing popularity of medievalism in games, music, etc., this paper panel seeks to prompt, deepen, and explore the study and discussion of the less commonly talked about–yet no less consumed–works and how they look to and use popular mis/understandings of the medieval.

Abstracts are due 15 September 2025 via Confex, https://icms.confex.com/icms/2026/prelim.cgi/Home/0


Last updated July 17, 2025

CFP Uncharted Medievalisms: Medieval Borrowings in Games (NeMLA Session 21633) (Hybrid) (9/30/2025; Pittsburgh 3/5-8/2026)

Uncharted Medievalisms: Medieval Borrowings in Games (NeMLA Session 21633)

deadline for submissions:

September 30, 2025


full name / name of organization:

57th Northeast Modern Language Association Conference


contact email:

cscarlsell@gmail.com


source: https://call-for-papers.sas.upenn.edu/cfp/2025/06/27/uncharted-medievalisms-medieval-borrowings-in-games-nemla-session-21633

Games have long used medievalist or medieval-adjacent settings to engage with audiences. Scholars have noted the various connections to be made between popular perceptions of the medieval in games and historical and textual realities of the medieval world. While games may not always make it a priority to accurately portray medieval (or pseudo-medieval) life, there are still important parallels and intertextual references that games use to harken back to the medieval world—whatever version of that that reality they choose to use as a basis, at least. Just like games construct a faux reality for their players, so too have the popular conceptions of the medieval world been carefully constructed through literature and popular culture. Games, as a result, often use borrowed or shared narrative references and storylines to shape this perception and the connection between these texts. For example, in Larian’s incredibly popular game Baldur’s Gate 3, players enter the Underdark and are presented with a sword in a stone that only the correct rolls or actions can release. The blade itself, Phalar Aluve, is a magic weapon from which certain classes and races can achieve great benefits, and this only serves to link it in imagination with the famous sword of King Arthur. This session seeks to explore these constructs and medieval allusions in popular gaming worlds, showcasing their importance to the culturally constructed medieval world and their connections to medieval texts that have shaped our understanding of the past. Possible textual topics include Warhammer, World of Warcraft, Dungeons & Dragons, Baldur’s Gate 3, Assassin’s Creed, Pendragon, Kingdom Come: Deliverance, Mount & Blade, Final Fantasy, and other medievalist games. Abstracts that explore explicit connections between games and medieval texts/narratives will be given preference, but all explorations of gaming and the medieval world are welcome.



Hybrid Session.


Please use the NeMLA Abstract Submission Portal at https://cfplist.com/nemla/Home/CFP and submit to session 21633


NeMLA's deadline is September 30, 2026.

CFP Twainian Regeneration: Adaptations of the Works, Life, and Legacy of Mark Twain (NeMLA Session 21918) (Hybrid) (9/30/2025; Pittsburgh 3/5-8/2026)

Twainian Regeneration: Adaptations of the Works, Life, and Legacy of Mark Twain (NeMLA Session 21918)

deadline for submissions:

September 30, 2025


full name / name of organization:

57th Northeast Modern Language Association Conference


contact email:

cscarlsell@gmail.com


source: https://call-for-papers.sas.upenn.edu/cfp/2025/06/27/twainian-regeneration-adaptations-of-the-works-life-and-legacy-of-mark-twain-nemla

This session is sponsored by the Mark Twain Circle of America.



American author Samuel Langhorne Clemens (1935-1910) achieved lasting fame as Mark Twain, an identity that served as both his pen name and the persona he cultivated for the public. Twain’s writings and his distinctive character have dispersed across time and space, and the resulting Twainian tradition incorporates these elements in many ways.


Importantly, his works and iconography have long been the focus of adaptation. This process begins with the illustrations commissioned for the initial publication of his texts, Twain’s own attempts to rework and expand his stories, and contemporary caricatures of his person, and it continues with retellings of Twain’s stories, linked texts (such as prequels, midquels, and sequels) connected to his work, recastings and restagings of his tales, and new adventures for Twain himself. These adaptations, appropriations, and transformations of Twain appear in diverse forms and formats including anime series, artworks, cartoons, comics, films, games, historical fiction texts, home video releases, graphic novels, illustrations, memorials, musical theater productions, mysteries, performances, plays, radio broadcasts, science fiction works, sculptures, song lyrics, stamps, television programming, theme park attractions, and tourist sites.


Each adaptation regenerates aspects of Twain for new audiences revealing fresh insights into the reception of his works, life, and legacy. They also highlight both the timelessness of Twain as well as his timeliness for the present of each new text that his writings and his person have inspired.


Resource Guide: https://tinyurl.com/TwainianRegenerationRG.


Hybrid Session.


Please use the NeMLA submission portal at https://cfplist.com/nemla/Home/CFP and look for session 21918.


NeMLA's submission deadline is September 30, 2025.

Recent Book - Fantasy Aesthetics - Open-Access

transcript Verlag has recently published the open-access collection Fantasy Aesthetics: Visualizing Myth and Middle Ages, 1880-2020. Full details and access link at https://www.transcript-publishing.com/978-3-8376-7058-5/fantasy-aesthetics/.

Fantasy Aesthetics: Visualizing Myth and Middle Ages, 1880-2020

Hans Rudolf Velten / Joseph Imorde (Eds.)

4 July 2024, 264 pages

ISBN: 978-3-8376-7058-5

Fantasy novels are products of popular culture. They owe their popularity also to the visualization of medievalist artifacts on book covers and designs, illustrations, maps, and marketing: Castles on towering cliffs, cathedral-like architecture, armored heroes and enchanting fairies, fierce dragons and mages follow mythical archetypes and develop pictorial aesthetics of fantasy, completed by gothic fonts, maps and page layout that refer to medieval manuscripts and chronicles. The contributors to this volume explore the patterns and paradigms of a specific medievalist iconography and book design of fantasy which can be traced from the 19th century to the present.