Queer Movie Medievalisms
Edited by Kathleen Coyne Kelly, Northeastern University, USA and Tison Pugh, University of Central Florida, USA
Imprint: Ashgate
Series : Queer Interventions
Illustrations: Includes 3 figures
Published: July 2009
Format: 234 x 156 mm
Extent: 258 pages
Binding: Hardback
ISBN: 978-0-7546-7592-1
Price : $99.95 » Online: $89.96
BL Reference: 791.4'36358207-dc22
LoC Control No: 2009003421
How is history even possible, since it involves recapturing a past already lost? It is through this urge to understand, feel and experience, that films based on medieval history are made. They attempt to re-create the past, but can only do so through a queer re-visioning that inevitably replicates modernity. In these mediations between past and present, history becomes misty, and so, too, do constructions of gender and sexuality leading to the impossibility of heterosexuality, or of any sexuality, predicated upon cinematic medievalism. Queer Movie Medievalisms is the first book of its kind to grapple with the ways in which mediations between past and present, as registered on the silver screen, queerly undercut assumptions about sexuality throughout time. It will be of great interest to scholars of Gender and Sexuality, Cultural and Media Studies, Film Studies and Medieval History.
Contents:
Introduction: queer history, cinematic medievalism, and the impossibility of sexuality, Kathleen Coyne Kelly and Tison Pugh
The law of the daughter: queer family politics in Bertrand Tavernier's La Passion Béatrice, Lisa Manter
Queering the Lionheart: Richard I in The Lion in Winter on stage and screen, R. Barton Palmer
'He's not a ardent suitor, is he, brother?': Richard the Lionheart's ambiguous sexuality in Cecil B. DeMille's 1935 The Crusades, Lorraine Kochanske Stock
'In the company of orcs': Peter Jackson's queer Tolkein, Jane Chance
The Eastern Western: camp as a response to cultural failure in The Conqueror, Anna Klosowska
'In my own idiom': social critique, campy gender, and queer performance in Monty Python and the Holy Grail, Susan Aronstein
Performance, camp, and queering history in Luc Besson's Jeanne d'Arc, Susan Hayward
Sean Connery's star persona and the queer Middle Ages, Tison Pugh
Will Rogers' pink spot: A Connecticut Yankee, Kathleen Coyne Kelly
Danny Kaye and the 'fairy tale' of queerness in The Court Jester, Martha Bayless
Mourning and sexual difference in Hans-Jürgen Syberbergs's Parsifal, Michelle Bolduc
Superficial medievalism and the queer futures of film, Cary Howie
Afterword, Glenn Burger and Steven F. Kruger
Index
About the Editor: Kathleen Coyne Kelly is Professor of English at Northeastern University, USA
Tison Pugh is Associate Professor of English at the University of Central Florida, USA
Reviews:
'Through readings of films familiar and obscure, foreign and domestic, recent and classic, Queer Movie Medievalisms challenges us to think deeply about how heterosexuality works and how it inevitably fails, about how a film offers not just multiple points of audience identification but multiple cohabitating times. A superb collection of essays, with an especially provocative afterword by Glenn Burger and Steve Kruger. I commend Tison Pugh and Kathleen Coyne Kelly for producing so valuable and timely a volume.'
Jeffrey Jerome Cohen, George Washington University, USA
'Queer Movie Medievalisms stands alone in the intense and far-ranging (pink) spotlight it deploys to examine cinematic encounters with the so-called "Dark Ages." Combining impeccable scholarship and enthusiastic engagement, the essays in this volume consider how "the medieval" becomes a destabilizing queer space for a range of American and European stars and films.'
Alex Doty, Indiana University, USA
Source: Ashgate website; WorldCat
