Tuesday, September 27, 2022

CFP En(Gender)ing Medievalism: Studies in Medievalism 33 (6/1/2023)

From the International Society for the Study of Medievalism blog:

CFP: Studies in Medievalism XXXIII—EN(GENDER)ING MEDIEVALISM
Posted on September 3, 2022 by postmedievalist


From Sir Walter Scott’s chivalrous knights and damsels in distress, through George R. R. Martin’s bestial lords and serpentine queens, medievalism is often quite sexist. Sometimes these biases are defended as originating in the Middle Ages themselves, or at least being true to what is known about them. But do these prejudices actually represent medieval practices and/or perceptions? To what degree is that knowable and does it matter? What about inevitable (albeit perhaps small) differences in those approaches, in their application, and among the contexts in which they are deployed? How, if at all, might medievalism have initiated or at least shaped broader perceptions of gender? How have perceptions about gender shaped medievalism? What role, if any, has been played by ambiguities in the definitions of gender and of medievalism, particularly as the latter relates to the Middle Ages? Studies in Medievalism, a peer-reviewed print and on-line publication, is seeking not only feature articles of 6,000-12,000 words (including notes) on any postmedieval responses to the Middle Ages, but also 3,000-word essays that respond to one or more of these questions. Applicants are encouraged to give particular examples, but submissions, which should be sent to Karl Fugelso at kfugelso@towson.edu in English and Word by 1 June 2023, should also address the implications of those examples for the discipline as a whole. (Note that priority will be given to papers in the order they are received and submissions that have not been translated into fluent English will not be considered.)

Tuesday, September 13, 2022

Last Call CFP: IARHS Robin Hood/Outlaw Sessions for Kalamazoo 2023 (deadline 9/15/2022)

From the IARHS listserv:

(Note that the listserv stripped the emails from the message. Refer to the Congress site for that information,)


We are approaching the deadline of 15 September 2022 to submit paper proposals for the ICMS in Kalamazoo, 11-13 May 2023. The IARHS has a formal paper session and a roundtable approved, and both will be held virtually. Please see below for their descriptions. All proposals must be submitted to the ICMS's Confex system.



Best wishes,
Alex Kaufman




(1) The Mutable Ideologies of the Robin Hood Tradition (Session of Papers)


Contact: Anna Czarnowus

Modality: Virtual

Robin Hood narratives, whether literary or other media (cf. film), have always contained embedded ideologies. From social hierarchies of the later Middle Ages and the Renaissance, 18th-century nostalgic Anglo-Saxonism (taken up again in Romanticism, Victorianism, and Modernism) to contemporary American designations, the Robin Hood tradition hosts conflicting ideological perspectives. These conflicts ensure the tradition is diverse, and interpretations of the story reproduce that diversity. Exploring the origins and implications of these perspectives is key to scholarly analysis of the trans-temporal and increasingly global Robin Hood tradition.

The Robin Hood tradition has never been objective or ideologically naïve: alongside their undeniable entertainment value, the narratives served to bolster, create, or attack ideological perspectives. Yet diverse interpretations of the story coexist with each other, and apparently mutually exclusive interpretations of the tradition can enhance its popularity. This panel seeks papers that explore these ideological perspectives across media, whether the traditional late medieval / early modern ballads, novels, performances, art, music, and modern film. How are ideologies of the past still relevant within medieval and post-medieval Robin Hood texts? How do post-medieval ideologies contribute to or problematize the tradition?

Please send a 250-word abstract by 15 September 2022 to the email and simultaneously submit it to the Confex system for the ICMS: https://icms.confex.com/icms/2023/cfp.cgi. Proposals must be uploaded to the Confex system for consideration.



(2) Robin Hood Fantasies: Beyond Realism and Verisimilitude (A Roundtable)


Contact: Alexander L. Kaufman
Modality: Virtual
For audiences of Robin Hood texts, there is a tendency to describe the tradition as grounded in realism. This roundtable seeks papers that explore how the medieval and post-medieval Robin Hood tradition negotiates the reality of outlawry and the historical contexts associated with the outlaw, alongside tropes that belong to genres such as speculative fiction, fantasy, science fiction, fairy tales, and contemporary romance in literature and media. Have we fully moved toward an un-real Robin Hood, and if so, what are the implications? In focusing on the fantastical, this panel seeks to interrogate the value of fiction as fiction.

The Robin Hood tradition has been connected in some manner with a historical reality, and some scholars continue to seek the “real” that is within literary texts or historical records. This panel further seeks to underscore how the histories that are a part of Robin Hood texts are themselves fictive, literary representations of a history, historical event, or figure. We should begin to consider how Robin Hood literary and media texts belong to the broad genre of fantasy and its numerous sub- and adjacent-genres.

Please send a 250-word abstract by 15 September 2022 to  and simultaneously submit it to the Confex system for the ICMS: https://icms.confex.com/icms/2023/cfp.cgi. Proposals must be uploaded to the Confex system for consideration.


Friday, September 9, 2022

CFP Medieval Women from the Middle Ages to Modern Mass Mediævalisms (9/15/2022; Kalamazoom 2023)

Call for Papers for Virtual Session of the 58th International Congress on Medieval Studies to be in a hybrid format Thursday, 11 May, through Saturday, 13 May 2023

Medieval Women from the Middle Ages to Modern Mass Mediævalisms


Sponsored by the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture

Contact: Michael A. Torregrossa
 
Modality: Virtual

Popular culture offers both positive and negative representations of medieval women in medievalist and medievalesque works from Arthuriana and depictions of Joan of Arc and Hildegard von Bingen to Disney’s Princesses, films like The Lord of the Rings, Snow White and the Huntress and The Duel, and streaming series like House of the Dragon and Rings of Power. There has been an increasing focus on these figures in both the popular press and academic discourse; however, much work remains to be done to more fully assess how these texts adapt, adopt, and/or appropriate medieval characters and tropes.

Please submit paper proposal into the Congress’s Confex system accessible at the Call for Papers page for the event (at https://wmich.edu/medievalcongress/call). Scroll down to select “Make a Proposal,” and, once on that page, select our session under the list of “Sponsored and Special Sessions of Papers”.

Submission must be made no later than 15 September 2022.

More information about the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture can be found at our blog at https://medievalinpopularculture.blogspot.com/.

Tuesday, September 6, 2022

CFP Sponsored sessions at Kalamazoom 2023 (deadline 9/15/2022)

Sorry for being so late sharing this.


Please submit a proposal into Confex (from this link) , if you're interested in presenting. 

Alliance for the Promotion of Research on the Matter of Britain

Accessing Avalon Today: Best Practices for Connecting Contemporary Readers to Arthurian Texts Online

Contact: Michael A Torregrossa
Modality: Virtual
The Matter of Britain is a living tradition with new texts produced each year in a variety of media and genres. The vastness, vitality, and adaptability of the corpus, from medieval to modern, allow for an incredibly rich potential for scholarship and teaching. However, the availability and cost of many items greatly restrict what can actually be accessed by ourselves and our students. In this session, we’d like to start a conversation related to the digital humanities about Arthurian works that are open-access materials or open-educational resources and how they can best be used in the classroom and research.


Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture

Medieval Women from the Middle Ages to Modern Mass Medievalisms

Contact: Michael A. Torregrossa
Modality: Virtual
Popular culture offers both positive and negative representations of medieval women in medievalist and medievalesque works from Arthuriana and depictions of Joan of Arc and Hildegard von Bingen to Disney’s Princesses, films like The Lord of the Rings, Snow White and the Huntress and The Duel, and streaming series like House of the Dragon and Rings of Power. There has been an increasing focus on these figures in both the popular press and academic discourse; however, much work remains to be done to more fully assess how these texts adapt, adopt, and/or appropriate medieval characters and tropes.


Michael

--
Michael A. Torregrossa (he/his/him), M.A.

*Founder, The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture:https://medievalinpopularculture.blogspot.com/

*Founder, The Alliance for the Promotion of Research on the Matter of Britain: https://kingarthurforever.blogspot.com/

Sunday, September 4, 2022

CFP Subcreation: Blessed are the Legend-Makers (10/22/2022; SoCal Moot 11/5/2022)

SoCal Moot 2022

Main site: https://signumuniversity.org/event/socal-moot-2022/

Date & Time

Start: November 5, 2022,

End: November 5, 2022,


Address: Carlsbad Library, Gowland Room. 1775 Dove Lane, Carlsbad, CA 92011

Subcreation: Blessed are the Legend-Makers

The theme for SoCalMoot 2022 will be “Sub-Creation”, a topic which J.R.R. Tolkien explored both in his writings on Middle Earth (where the layers of creation stretch from Iluvatar to the Valar, to the mortal and immortal races), in the essay “On Fairy Stories”, and in his poem “Mythopoeia”, in which he describes mankind as created beings who become little makers or sub-creators themselves.

Our theme considers questions such as:
  • How do we as human beings interact with creation, and how does it impact what we create ourselves?
  • What is best practice when interacting with the sub-creation of others (i.e. intellectual property)?
  • When Tolkien says “blessed are the legend-makers” what does he mean?
  • What is the difference between sub-creation and folklore/culture?
  • Which types of sub-creation stir us most deeply, and why?
  • Are different types of sub-creation better suited for different results/outcomes than others?
  • How does the will of the maker affect that which is made, both in Tolkien’s works and in the real world?
  • Does that which is created have agency (e.g. the sword Gurthang or the free will of humanity)?
  • How do we see long-term sub-creations iterate and change over time?
  • In Tolkien’s works, why were some sub-creators unsuccessful (e.g. Melkor), or only able to create certain works once (e.g. Yavanna with the two trees and Feanor with the Silmarilli)?
  • Do we find this true of sub-creating in our own world?

This theme invites participants to explore how the theme of “Sub-Creation” is reflected in Tolkien’s writing, other imaginative fiction, and other forms of sub-creation like films, painting, poetry, or music. We also invite creative works which explore this theme to be presented or performed.

Register to Attend In Person or Online

Call for Presentations
We invite both on-site and online attendees to submit proposals engaging with our theme. Send your paper/panel/presentation/creative work proposal of under 200 words to our Call for Proposals form. This call will be open until October 22nd.
  • Panel Presentations (typically 60-90 minutes), with multiple presenters (with or without a host). Please include the names of each participant in your proposal.
  • Oral Presentations (15-20 minutes)
  • Performance of creative works (please indicate the time required in your proposal). This could include original creative writing (poetry, short fiction, or short creative nonfiction), performances of original musical compositions, display and discussion of original works of visual art, etc.
  • Discussion Groups (60-90 minutes), with prepared discussion questions for group/small groups.

Presenters will have access to audio/visual, but they must bring their own devices and connection cables.

Call for Presentations

Health and Safety requirements: At this time, the venue does not require masks. We will update the event page with any policy changes as the event approaches.

CFP Immersed in... (10/1/2022; New England Moot 10/15/2022)

New England Moot 2022


Main site: https://signumuniversity.org/event/new-england-moot-2022/

Date & Time

Start: October 15, 2022, 9:00 am

End: October 15, 2022, 5:00 pm


Address: Studio Labs, 11 A St, Derry, NH 03038

Immersed in…

We invite attendees and presenters to consider the many immersive experiences we encounter in art, literature, the study of language, and life. When a character in a book is brought into a fully encompassing experience, how are they changed? How can a work of art succeed or fail to wash over the participant? Are all immersions good, or is there a risk associated with being swept away?

Whether immersed in song, in simple pleasures, in possibilities, in enchantment, or in history, we hope to reemerge from our day spent in thought and discussion better for it, and we’re so excited for you to be part of it.

Register Here for On-Site or Remote Attendance

Call for proposals closes on October 1st.

Our amazing new venue, Studio Labs, is a big ol’ video and sound production lab and we may use the toys. Our host writes “For reference, the resolution of the video wall is 5376×1344. We can put up just about any sort of media, but of course the closer to the full resolution of the wall the better things will look. Let me know as proposals come in if there are any really wild ones and I would be glad to brainstorm possibilities.” Both on-site and online attendees are invited to reach for the stars with their ideas and submit a proposal for a presentation or performance to our Call for Proposals, which can be found here:

Call For Proposals

Health and Safety:
At this time, the venue and region do not require masks. We will update all attendees with the latest information as the event approaches so we can make informed and conscientious choices.


CFP Love and Understanding: Growing Wiser by Finding Unexpected Common Ground (8/29/2022; Middle Moot 10/8/2022)

MiddleMoot 2022

Main site: https://signumuniversity.org/event/middlemoot-2022/

Date & Time

Start: October 8, 2022,

End: October 8, 2022,


Address: Metropolitan Community College Maplewood Campus, 2601 NE Barry Road, Kansas City, MO


Love and Understanding: Growing Wiser by Finding Unexpected Common Ground

Welcome to MiddleMoot in Kansas City, Missouri! We will meet at Metropolitan Community College- Maplewood Campus. The event runs from 8:30 am to 4:30 pm.


Register for MiddleMoot

Health and Safety: At this time, the venue does not require masks. We will update the event page with any policy changes as the event approaches.

Both on-site and online attendees are invited to submit a proposal for a presentation or performance to our Call for Proposals, which closes on August 29th and can be found here:

Call for Proposals

This year our theme is “Love and Understanding: Growing Wiser by Finding Unexpected Common Ground”, and we invite attendees to submit proposals for presentations that consider questions such as
  • What does it look like to ‘look into the heart of an enemy’ and see what is truly there, not just what we assume to be?
  • How can we look on others who are vastly different to us with ‘ love and understanding?
  • In what ways can we seek to understand what others are saying to us, from their point of view, and not just our own?
  • How can we grow wiser by listening to and seeking to understand others?”

Our theme is based on the following passages:


“She looked upon Gimli, who sat glowering and sad, and she smiled. And the Dwarf, hearing the names given in his own ancient tongue, looked up and met her eyes; and it seemed to him that he looked suddenly into the heart of an enemy and saw there love and understanding. Wonder came into his face, and then he smiled in answer.” – FOTR


“Wisdom was in the words of the Elven-king, and the hearts grew wiser that hearkened to him; for the things of which he sang, of the making of Arda, and the bliss of Aman beyond the shadows of the Sea, came as clear visions before their eyes, and his Elvish speech was interpreted in each mind according to its measure.” – The Silmarillion, Quenta Silmarillion, Ch 17, Of the Coming of Men into the West

Our MiddleMoot artwork, “Arrival as Caras Galadhon,” is the work and vision of Ted Naismith.

CFP Mind of a Maker: Story Tellers and Secondary Worlds (9/10/2022; Mountain Moot 9/24/2022)

Mountain Moot 2022

Main site: https://signumuniversity.org/event/mountain-moot/

Date & Time

Start: September 24, 2022,

End: September 24, 2022,


Address: Denver Public Library, Bob Ragland Branch, Suite A, 1900 35th Street, Suite A, Denver, CO 80216


The Mind of a Maker: Story Tellers and Secondary Worlds

“What really happens is that the story-maker proves a successful ‘sub-creator’. He makes a Secondary World which your mind can enter. Inside it, what he relates is ‘true’: it accords with the laws of that world. You therefore believe it, while you are, as it were, inside.” – J.R.R. Tolkien

Mountain Moot takes up the theme of Makers, pondering both the wonders and the consequences of our role as ‘sub-creator’, as Tolkien puts it. What makes one a Maker, and what are the responsibilities and perils of that position? Are our sub-creations inherently good or evil, or do they only become so by the intent of their makers or users? Is the making of art different from the creation of technology? What power do our creations hold over us? All of these issues and more are on the table for our Mountain Moot discussions of literature, television, film, and all other media. Our venue is in the vibrant RiNo Art District next to the South Platte River. Street and paid parking are available in the area, as are some of Denver’s best new restaurants.

Register for Mountain Moot

Health and Safety: At this time, the venue does not require masks. We will update the event page with any policy changes as the event approaches.

Both on-site and online attendees are invited to submit a proposal for a presentation or performance to our Call for Proposals which closes on September 10th, and which can be found here:

Call For Proposals


Saturday, September 3, 2022

EVENT: Mythical Pasts, Fantasy Futures: The Middle Ages in Modern Visual Culture Symposium (9/8-9/2022)

Mythical Pasts, Fantasy Futures: The Middle Ages in Modern Visual Culture Symposium


ONLINE EVENTS: TALKS


Thursday, Friday, September 8 - September 9

ONLINE ONLY


Free


To attend the Day 1: September 8 keynote panel, register here.

To attend the Day 2: September 9 symposium, register here.

The visual and conceptual relationships between modern fantasy, popular culture, and the medieval era are a lively area of inquiry in a variety of cultural studies disciplines. They are also the focus of two current or upcoming exhibitions: The Fantasy of the Middle Ages (Getty Museum) and J. R. R. Tolkien: The Art of the Manuscript (Haggerty Museum of Art). This online symposium brings together an interdisciplinary group of academics and museum professionals to examine how the Middle Ages appear in the contemporary imagination, and how its aesthetics have inspired a wide variety of media.

Co-organized by the J. Paul Getty Museum, Los Angeles and the Haggerty Museum of Art, Milwaukee.

Thursday, September 8, 2022
3:00 p.m.–5:00 p.m. PT / 5:00 p.m.–7:00 p.m. CT

Keynote Panel: This keynote panel features scholars of medieval and modern fantasy visual cultures and will explore current issues and debates in this growing field of research.

Panelists:
Roland Betancourt is professor of art history at the University of California, Irvine. In the 2016-2017 academic year, he was the Elizabeth and J. Richardson Dilworth Fellow at the Institute for Advanced Study in Princeton.

Betancourt's work has looked at the role of Byzantine art in modern and contemporary art and popular culture, as in his edited volume Byzantium/Modernism: The Byzantine as Method in Modernity (Leiden: Brill, 2015). His first monograph Sight, Touch, and Imagination in Byzantium (Cambridge: Cambridge University Press, 2018) proposes a new understanding of theories of vision in the ancient Greek and Byzantine worlds by distancing sight from touch and placing a central focus on the workings of the imagination. He is also the author of a forthcoming book Byzantine Intersectionality on the intersection of race, sexuality, and gender identity in the medieval world, and another book on the recitation and performance of the Gospel in the Divine Liturgy, looking at relationships between words and images in manuscripts and in the space of the Byzantine church.

His research also covers contemporary concerns, including an interest in new media, online culture, and fandom (i.e. YouTube and YouTubers) as well as an ongoing book project on simulacral spaces and theme parks (i.e. Las Vegas and Disneyland).

Andrea Wolk Rager is a specialist in 19th-century British and European art, with a particular focus on the work of painter and decorative artist Edward Burne-Jones. Her research interests include Pre-Raphaelitism and Aestheticism in 19th-century Britain, the history of photography from the 19th century to the present, art and imperialism in the long 19th century, and the relationship between art, the environment, and eco-criticism from the 19th century to the present.

Dr. Wolk Rager’s publications include “‘Smite this Sleeping World Awake’: Edward Burne-Jones and The Legend of the Briar Rose,” which appeared in the Spring 2009 issue of the journal Victorian Studies, and the essay, “Purchasing Paradise: Nostalgic Longing and the Painter of Light™,” which appeared in the volume Thomas Kinkade: The Artist in the Mall (2011), edited by Alexis Boylan for Duke University Press. She has also published several reviews of recent publications on artists such as G. F. Watts and Walter Crane, as well as an extended consideration of the recent exhibition The Pre-Raphaelite Lens: British Photography and Painting, 1848–1875 (National Gallery of Art, Washington, DC) that will appear in the forthcoming issue of Victorian Literature and Culture.

Bryan C. Keene (Moderator) is an assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in Italian manuscript illumination and codex cultures of the global Middle Ages.


Friday, September 9, 2022
Symposium

9:00 a.m. PT / 11:00 a.m. CT
Introduction

9:30 a.m.–11:00 a.m. PT / 11:30–1:00 p.m. CT
Panel 1: The Stuff of Fantasy
  • Alexandra Alvis, “The Idea of the ‘Medieval’ Book in Magic: The Gathering”
  • Francesco Bernuzzi, “Heraldry and Fantasy Fiction”
  • Kristine M. Larsen, “Images of the Alchemical Laboratorium in the Medievalist World of The Witcher”

Break (30 minutes)

11:30 a.m.–12:30 p.m. PT / 1:30 p.m.–2:30 p.m. CT
Lightning Talks
  • Angelica Verduci, “Frank Dicksee, La Belle Dame Sans Merci, 1902”
  • Nadège Le Lan, “Stage set of Le Chevalier de Neige, opera by Georges Delerue and Boris Vian, 1957”
  • Ryan Linkof, “Gone Berserk: Frank Frazetta and the Pulp Fantasy of the Super Barbarian”
  • Susana Montañés-Lleras, “The Loom and the Fountain: Reading Edward Burne-Jones's The Garden Court”
  • Dayanna Knight, “The Binding of Fenrir, Lokasenna stanza 38"

Break (30 minutes)

1:00 p.m.–2:30 p.m. PT / 3 p.m.–4:30 p.m. CT
Panel 2: Illuminating Identities
  • Blair Agpar, “The Folly of the ‘Great Man Theory’ in Modern Medieval Media: Crusader Kings III”
  • Elisabeth Buzay, "An Illuminated Bande Dessinée?: The Sumptuous (Neo)medievalist Art of Cyril Pedrosa and Roxanne Moreil’s L'âge d’or"
  • Baylee E. Woodley, “What a Knight: Exploring the possibilities of anachronistic fantasy and cross-temporal drag"

Break (15 minutes)

2:45 p.m.–3:30 p.m. PT / 4:45 p.m.–5:30 p.m. CT
Concluding Discussion

Thursday, September 1, 2022

CFPs Tolkien at Kalamazoo (proposals by 9/15/2022)

From the Mythopoeic Society Listserv:


Proposals of papers and contributions to roundtables are due Sept. 15, 2022.

Tolkien at Kalamazoo is sponsoring three sessions:


Medieval Elements in Amazon’s The Lord of the Rings: The Rings of Power (Roundtable): In-Person Session


The upcoming Amazon Prime series The Lord of the Rings: The Rings of Power, due to premiere in September 2022, explores the Second Age of Middle-earth. The announcement of the series, followed by the release of images and a trailer, has suggested that the world constructed by the show contains a number of elements that appear to draw on the Middle Ages. This roundtable invites contributions that consider the medieval elements in the series, both elements of design and narrative, and including structures of society, government, and relations among societies.



Christopher Tolkien: Medievalist Editor of J. R. R. Tolkien’s Legendarium (Paper Session): In-Person Session


The publication of The Great Tales Never End: Essays in Memory of Christopher Tolkien in September 2022 affords us an opportunity to investigate the work of Christopher Tolkien as editor. Edited by the Bodleian’s librarian Richard Ovenden and Tolkien Archivist Catherine McIlwaine and published by the Bodleian Library at the University of Oxford, this volume is well concerned with the work of reading and editing manuscripts. A medievalist by training, working in Old Norse texts, Christopher is best known as the editor of his father’s legendarium. This paper session invites contributions that consider the role of his background in medieval texts as editor of J. R. R. Tolkien’s manuscripts and that engage with the memorial volume The Great Tales Never End.



“Climate Change” II: Social, Ecological, Political, and Spiritual Shifts in J.R.R. Tolkien and Medieval Poets: Blended Session (co-sponsored with the Pearl-Poet Society; organized by Jane Beal)


J. R. R. Tolkien was a reader, translator, and teacher of medieval poetry in Old and Middle English as well as Old Norse, showing particular devotion to Beowulf and the works of the Pearl-Poet. Tolkien’s interpretations of medieval poetry deserve further investigation in terms of the theme of “climate change,” which can be explored in social, ecological, political, and spiritual terms by interested scholars submitting papers for our session. This session is the second in a two-part series, “Climate Change” I sponsored exclusively by the Pearl-Poet Society and this session sponsored jointly by the PPS and Tolkien at Kalamazoo.



Additional Tolkien Sessions:


Tolkien and Medieval Constructions of Race (A Roundtable): Virtual Session (sponsored by the Centre for Fantasy and the Fantastic, Univ. of Glasgow; Contact: Mariana Rios Maldonado)


Tolkien and the Middle Ages: Tolkien and the Scholastics: In Person Session (sponsored by the D. B. Reinhart Institute for Ethics in Leadership, Viterbo Univ.; Contact: Michael A. Wodzak)



All proposals must be made through the Congress’s Confex system. Please follow the instructions on the Congress’s Call for Papers carefully (https://wmich.edu/medievalcongress/call).





Friday, August 26, 2022

CFP 2023 Wooden O Symposium (proposals by 5/5/2023)

2023 CALL FOR PAPERS

The Wooden O Symposium invites panel and paper proposals on any topic related to the text and performance of Shakespeare’s plays. Next year’s symposium encourages papers and panels that speak to the Utah Shakespeare Festival’s 2023 season: A Midsummer’s Night Dream, West Side Story, Jane Austen’s Emma, A Raisin in the Sun, The Play that Goes Wrong, Coriolanus, and Timon of Athens.

Abstracts for consideration for the Wooden O sessions and individual presentations should be sent to usfeducation@bard.org.

The deadline for proposals is May 5, 2023. Session chairs and individual presenters will be informed of acceptance no later than June 2. Please include 250-word abstracts or session proposals (including individual abstracts) and the following information:

  • Name of presenter(s)
  • Participant category (faculty, graduate student, undergraduate, or independent scholar)
  • College/university affiliation
  • Mailing address
  • Email address
  • Audio/visual requirements and any other special requests



Sunday, August 7, 2022

CFP: Nineteenth Century Studies Association (NCSA) 2023 Conference, “Remaking the Past,” Sacramento CA (proposals by 9/30/2022)

From H-Albion:

CFP: Call for Papers, Nineteenth Century Studies Association (NCSA) 2023 Conference, “Remaking the Past,” Sacramento CA

source: https://networks.h-net.org/node/16749/discussions/10601554/cfp-call-papers-nineteenth-century-studies-association-ncsa-2023

Discussion published by Elizabeth Sheckler on Saturday, August 6, 2022


Sacramento, host city for NCSA’s 2023 conference, lends itself to exploring issues of revivals and re-creations of the past. Sacramento’s nineteenth-century history encompassed California’s Gold Rush, the genocide and displacement of Indigenous populations, the construction of the Transcontinental Railroad, and the building of a capital city that became a stage for the reinventions–productive and problematic–of the past so central to the nineteenth century. Appropriately, Sacramento’s conference will explore the nineteenth century’s almost constant desire to re-envision and measure itself against the past, as well as our own responsibility as scholars to reassess the histories we tell about this era, using current critical approaches, concerns, and theories.

________________________________________

We seek perspectives into the wide range of nineteenth-century reinterpretations of the past and their consequences. We invite papers and panels covering and uncovering political history, social history, history of science, literature, visual and performing arts, and popular culture. We welcome interdisciplinary and inclusive approaches that revisit and broaden ways of looking at the nineteenth century, including those that interrogate constructions of gender, race, settler-colonialism, and ethnicity as seen in, or that were created about, that era. We also invite papers that examine communities, artifacts, or epistemologies that resist remaking the past, including those that explore cultures for which preserving the past unaltered was/is a form of survival and resistance.

In addition, we welcome papers that scrutinize historical consciousness during the nineteenth century. These could assess the varied tendencies to rewrite history, to revive or bury the past, and to appeal to the past as a legitimizing force, as a spur to the imagination, and as a field for questions and contradictions. Such papers could consider the past as a force in political discourses, in education and science, and in debates on the value of studying it at all.

Topics may include:

• stylistic revivals in nineteenth-century art, architecture, and design

• traumatic or “buried” histories of displacement, forced migration, genocide

• recovering Indigenous and African-American nineteenth-century cultures of resistance

• antiquarianism and issues of historical preservation and interpretation of nineteenth-century material culture

• California history including Chinatowns, Spanish historical sites, settler-colonial sites of mourning, the preservation and interpretation of California’s Indigenous, Hispanic, and Asian communities

• uses of historical fiction and revivals of past authors, playwrights, and composers

• imagery of the past in nineteenth-century popular culture and advertising

• Neo-Victorianism, adaptations (both book and film), and digital/data-driven re-imaginings of the nineteenth century

• the use of real or imagined pasts in literature and the performing arts, the notion of revival as a trope, or of retrospection as a creative device

• remaking or “differencing” 19th-century canons, critical pedagogy, and banned books

• utopian golden ages of the past and future

• invented pasts/invented traditions, fakes, lies, and forgeries



Abstracts with one-page CVs are kindly requested by submission via a Google form found at https://bit.ly/3QkApzm by September 30, 2022. Abstracts should include the author’s name, institutional affiliation, and paper title in the heading. We welcome individual proposals, panel proposals with four presenters and a moderator, or larger roundtable sessions. You are welcome to share calls for panels and roundtable discussions on our social media channels. You may post your call to our Facebook page and we will share it, or tag us on Twitter and we will gladly retweet.

Note that submission of a proposal constitutes a commitment to attend if accepted. Presenters will be notified in November 2022. We encourage submissions from graduate students, and those whose proposals have been accepted may submit complete papers to apply for a travel grant to help cover transportation and lodging expenses. For questions, please contact us at 2023ncsa@gmail.com .

Related date:
August 1, 2022 to September 30, 2022


Wednesday, August 3, 2022

CFP: Tolkien’s Medievalism in Ruins: The Function of Relics and Ruins in Middle-earth at NeMLA

 

Tolkien’s Medievalism in Ruins: The Function of Relics and Ruins in Middle-earth at NeMLA

deadline for submissions: 
September 30, 2022
full name / name of organization: 
Nick Katsiadas and Carl Sell / Slippery Rock University and University of Pittsburgh

This call for papers is for the NeMLA conference which is scheduled to take place in person in Niagara Falls, NY between March 23-26, 2023.

 

Many notable scholars have probed the motif of ruins in ancient and medieval texts: Alain Schnapp, Alan Lupack, Geoffrey Ashe, and Richard Barber read the poetics of ruins in Latin poetry, the Exeter Book, and Arthuriana. Scholars working outside of the Classical and Middle ages have also examined how this topos persists in literary periods up through the Renaissance, Romanticism, and to today. In short, the structural and symbolic purposes of ruins in literary texts have a long history, and the literary-critical history of engaging these poetics influences our interests in presentations grounded in reading the relationships between ruins and Tolkien’s legendarium. It is time for a formal study on the topic, and we are pleased to welcome proposals from a variety of theoretical approaches for a special session at the 54th Annual Northeast Modern Language Association Convention, with possible inclusion in a special issue of The Journal of Tolkien Research.

 

Throughout J. R. R. Tolkien’s history of Middle-earth, ruins appear as images that capture the mood, personality, and disposition of the characters. From the ruins of Erebor in The Hobbit to the various images of Amon Sûl, Moria, and Osgiliath in The Lord of the Rings, Tolkien captures each character’s awareness of the glories of the past and their desire to emulate them. This panel seeks to deepen the awareness and importance of ruins in Middle-earth while simultaneously focusing on how Tolkien’s vision of history functions within and outside of the Middle Ages.  

 

Topics and texts about Tolkien’s legendarium may include, but are certainly not limited to, the following:

 

  • Ruins and trauma and/or war
  • Ruins and nostalgia and/or melancholy
  • Ruins and loss
  • Ruins and memory
  • Ruins and travel
  • Ruins and Medievalism
  • Ruins and Classicism
  • Ruins and Romanticism
  • Golden Ages
  • Literary History
  • Abandoned cities

 

We seek 300-word abstracts for critical essays across periods and nations that address topics related to ruins and Tolkien’s Middle-earth. Abstracts should clearly delineate the essay’s argument in relation to this theme. Once abstracts have been collected, the organizers will send out acceptance and rejection letters after the due date (30 September 2022). We ask that abstract submissions follow MLA format.

 

Please submit abstract proposals to Nick Katsiadas and Carl Sell through the NeMLA portal here: https://www.cfplist.com/nemla/Home/S/19804

Sunday, June 19, 2022

CFP V International Congress of the John Gower Society: “Gower in Contexts: His Words, His Books, His Heritage” (9/1/2022; St Andrews, Scotland 7/7-10/2023)

V International Congress of the John Gower Society: “Gower in Contexts: His Words, His Books, His Heritage”


source: https://call-for-papers.sas.upenn.edu/cfp/2022/06/03/v-international-congress-of-the-john-gower-society-%E2%80%9Cgower-in-contexts-his-words-his

deadline for submissions:
September 1, 2022

full name / name of organization:
John Gower Society

contact email:
bgastle@wcu.edu



The John Gower Society invites proposals for presentations at the V International Congress of the Society, July 7- 10, with an optional excursion 11 July, 2023, on the campus of the University of St. Andrews, Scotland. The Congress theme, “Gower in Contexts: His Words, His Books, His Heritage,” is broadly understood, to encompass: 

- interpretative, linguistic, and/or stylistic discussions of his poetry;
- books behind the books he wrote—his sources;
- published forms his work has taken, both in manuscript and print;
- his poetic legacy, including the nature and extent of his influence on his contemporaries and later writers;
- Gower in the classroom.

In addition to proposals for individual papers consonant with the Congress theme, full paper sessions and/or roundtables organized around a relevant topic are also encouraged.

Proposals of all types should be no more than 250 words in length, and sent to R. F. Yeager, President of the Society, via email at rfyeager@hotmail.com or alternatively to Brian Gastle, by either email bgastle@email.wcu.edu or by post, Department of English, 305 Coulter Hall, Western Carolina University, Cullowhee, NC 28723.

The deadline for receipt of proposals is 1 September, 2022.

N.B. Presenters originally scheduled for the cancelled 2020 Congress at Notre Dame may be included automatically in the 2023 program. If your paper was accepted for the 2020 Congress, and you wish to present at the 2023 Congress, please email R. F. Yeager (rfyeager@hotmail.com) with your updated title and a brief (a few sentences would be fine) precis if your focus has changed or developed significantly.




Last updated June 7, 2022

Friday, June 17, 2022

CFP Disney and the Middle Ages (collection) (7/15/2022)

Disney and the Middle Ages

source: https://call-for-papers.sas.upenn.edu/cfp/2022/06/06/disney-and-the-middle-ages

deadline for submissions:
July 15, 2022

full name / name of organization:
Christina M. Carlson, Mariah L. Cooper, and Joshua Parks

contact email:
disneymedievalvolume@gmail.com



Call for Papers

Edited Volume on Disney and the Middle Ages



We invite proposals for an edited collection of essays on medievalism in Disney media for Brepols’ new series Reinterpreting the Middle Ages: From Medieval to Neo. The Walt Disney Company's films, theme parks, and merchandise are full of people, places, and things coded as “medieval,” and because Disney's medievalism is often coded as white and Christian, it is especially relevant to medieval studies' ongoing struggle with white supremacy within and outside the field.



We encourage authors to consider the role of the Walt Disney Company in shaping popular perceptions of the Middle Ages, as well as the function of medievalism in Disney’s ideological projects. How does Disney’s medievalist media represent gender, race, religion, disability, and other features of medieval life? What do those representations reveal about modern life as seen and shaped by Disney?



We welcome submissions from a wide variety of disciplines including literary studies, history, religious studies, gender studies, musicology, art history, and film studies. Critical perspectives such as ecocriticism, animal studies, queer theory, critical race studies, disability studies, material culture, and postcolonial theory are also encouraged. In addition, we welcome submissions from non-medievalist scholars with expertise in twentieth- and twenty-first-century media and culture.



Proposals of 300 to 500 words should be submitted by email to disneymedievalvolume@gmail.com by Friday July 15, 2022. We aim to notify authors about accepted submissions by September 1, 2022. We have been invited to submit this collection for publication in Brepols’ new series Reinterpreting the Middle Ages: From Medieval to Neo.



Please write to the above email address with any questions, or contact Christina M. Carlson (cmcarlson@iona.edu), Mariah Cooper (mlcooper@mun.ca), and/or Joshua Parks (joshua.t.parks@gmail.com).


We look forward to hearing from you.



Last updated June 7, 2022
This CFP has been viewed 19 times.

Thursday, June 16, 2022

CFP Out With the Old, In With the New: Changing Trajectories in David Lowery’s The Green Knight (7/30/2022; SAMLA Jacksonville, FL 11/11-13/2022)

Out With the Old, In With the New: Changing Trajectories in David Lowery’s The Green Knight

source: https://call-for-papers.sas.upenn.edu/cfp/2022/06/06/out-with-the-old-in-with-the-new-changing-trajectories-in-david-lowery%E2%80%99s-the-green

deadline for submissions: July 30, 2022

full name / name of organization:
SAMLA: South Atlantic Modern Language Association

contact email:
mcrofton@fit.edu



For close to seven hundred years, Gawain has been a favorite hero in Arthurian myth, especially when it comes to his legendary accomplishments—and faults—in Gawain and the Green Knight. No matter how much readers may root for him in his quest with the Green Knight, many of us can’t help but wonder…what if? All of that changed with David Lowery’s 2021 film, The Green Knight, which presents viewers with an abundance of scenarios that many of us haven’t even anticipated. In doing so, Lowery has forever altered the way scholars approach the medieval poem. This panel seeks to explore some of the most powerful changes Lowery makes to the base text of Gawain and the Green Knight, and what we can learn about the importance—or dangers—of retelling popular stories in new and inventive ways. Please submit a 250 word abstract, a brief bio, and A/V requirements by July 30th to Melissa Crofton at mcrofton@fit.edu.



Last updated June 7, 2022

CFP 32nd Texas Medieval Association Annual Conference (9/1/2022; remote 10/21-22/2022)

Call for Papers – 32nd Annual Conference of the Texas Medieval Association

Posted on June 10, 2022 by Chris

source: https://www.themedievalacademyblog.org/call-for-papers-32nd-annual-conference-of-the-texas-medieval-association/


32nd Texas Medieval Association Annual Conference
Virtual Meeting
October 21-22, 2022
Hosted by the University of Dallas, Dallas, TX


The 32nd Annual Conference of the Texas Medieval Association will be held virtually, via an online platform, and hosted by The University of Dallas.

The 2022 TEMA program committee is pleased to invite papers and sessions on all topics in medieval studies. We especially invite papers and sessions contributing to the 2022 conference theme of Violent Clerics, Victimized Religious as well as papers and sessions that contribute to the permanent theme of Race and Medieval Studies.

TEMA recognizes diversity as a critical component of medieval studies. Therefore, the organizers of the 2020 TEMA meeting established a permanent strand of linked thematic sessions on Race and Medieval Studies that will be part of all future meetings. Papers, sessions, roundtables, and other events that engage with any aspect of this theme are very welcome.

Papers may be submitted in any language, but if you wish to present in a language other than English, please specify this preference. Send title and abstract of approximately 200 words to Dr. Donald Kagay (donkagay@gmail.com; dkagay@udallas.edu) or Dr. Kelly Gibson (kgibson@udallas.edu) (with TEMA 2022 PROPOSAL in the subject line) no later than September 1, 2022. Early submission is encouraged: rolling acceptance will begin on July 1, 2022. Among proposals for full sessions, those including participants from more than one institution will be given priority. Those wishing to propose a panel should submit a session title, along with the paper titles, abstracts, and speakers.

A prize will be awarded for the best paper by a graduate student. For more information, visit the Texas Medieval Association website [www.texasmedieval.net].



TEMA Values
Founded in 1986 to promote medieval studies in Texas, TEMA invites medieval scholars throughout Texas and the Southwest to gather annually to share ideas, collaborate on publications, and mentor students in a safe, nurturing community in which everyone may participate. In our formal statement of policies, we assert our belief that diversity is crucial to medieval studies. TEMA supports a learning community that embraces our members for their individual differences and offers respect for their unique perspectives. In support of this academic vision, TEMA does not tolerate discrimination based on academic status, gender identity, sexual orientation, political affiliation, religious belief, or racial/ethnic background. Moreover, TEMA has a strong history of collegiality and mentoring. We welcome papers from medievalists at every point of their professional development, from graduate students to emeritus scholars; from K-12 and secondary teachers to those at the collegiate level; from affiliated scholars to those currently unaffiliated. TEMA has built a friendly and non-threatening conference atmosphere that treats everyone as a colleague, no matter their “rank.” The purpose of our annual conference is to help each medievalist further develop their ideas, while benefitting from the feedback of a diverse, encouraging community.

For more information, visit the Texas Medieval Association website [www.texasmedieval.net].

Tuesday, June 7, 2022

CFP Journal of the Wooden O (next issue deadline 10/14/2022)

CFP - Journal of the Wooden O

source: https://call-for-papers.sas.upenn.edu/cfp/2022/05/16/cfp-journal-of-the-wooden-o

deadline for submissions:
October 14, 2022

full name / name of organization:
Dr. Stephanie Chamberlain/Journal of the Wooden O

contact email:
woodeno@suu.edu



The Journal of the Wooden O is a peer-reviewed academic publication focusing on Shakespeare studies. It is published annually by Southern Utah University Press in connection with the Gerald R. Sherratt Library and the Utah Shakespeare Festival.

The editors invite papers on any topic related to Shakespeare, including Shakespearean texts, Shakespeare in performance, the adaptation of Shakespeare works (film, fiction, and visual and performing arts), Elizabethan and Jacobean culture and history, and Shakespeare’s contemporaries.

Articles published in the Journal of the Wooden O are indexed in the MLA International Bibliography, World Shakespeare Bibliography and appear full-text in EBSCO Academic Search Premiere.

Selected papers from the annual Wooden O Symposium are also considered for publication.

SUBMISSIONS: Manuscripts should follow the Chicago Manual of Style, 17th edition. Manuscript submissions should generally be between 3000-7000 words in length. Complete submission guidelines as well as the JWO Style Sheet may be found here. The deadline for submission is October 14, 2022. Authors should include all of the following information on a separate page with their submission:

Author’s name
Manuscript title
Mailing address
Email address
Daytime phone number

Submit electronic copy to: woodeno@suu.edu (Only .doc, .docx or .rtf files will be accepted.)

For more information, contact:

Journal of the Wooden O

c/o Southern Utah University Press

351 W. University Blvd.

Cedar City, UT 84720

435.586.1955

woodeno@suu.edu



Last updated May 17, 2022

CFP Medieval and Renaissance Symposium 2022 (7/31/2022; Poland 9/20/2022)

Medieval and Renaissance Symposium 2022

source: https://call-for-papers.sas.upenn.edu/cfp/2022/05/21/medieval-and-renaissance-symposium-2022

deadline for submissions:
July 31, 2022

full name / name of organization:
University of Lodz, Poland

contact email:
piotr.spyra@uni.lodz.pl



The sixth MARS symposium looks towards a re-consideration of medieval and Renaissance genres of literature, with an emphasis on problematic or borderline cases where a given text belonging to a particular genre is questionable, or where problems are caused by various interpretations or definitions of the genre itself. Those genres can be roughly divided into two groups. One of them would consist of the genres that are often associated with the long period extending approximately between the years 700 and 1700, even though not all of them originate from that epoch, or are limited by it. Here belong such genres as charms and riddles, dream visions, sagas, saint’s lives, chronicles, chansons de gestes, chivalric romances, courtly love romances, allegorical romances, Breton lays, morality plays, mystery (miracle) plays, interludes, chronicle plays, mirrors for princes, exempla, fabliaux, sonnets, ballads, carols, novellas and some others. The other group would include the genres that were widely and successfully practised in the Middle Ages and the Renaissance, without being regarded as those epochs’ trademarks, which of course does not mean that they deserve less attention. Under this heading, one might mention tragedies, comedies, novels, pastoral poems, fables, fairy tales and many others. We would like to revisit and reconsider the familiar, or perhaps not so familiar, terms, categories and stereotypes with the help of which those genres are defined and thought of. This year’s MARS symposium will be an on-site event and is scheduled for September 20, 2022 (with no conference fee). Please submit your abstracts (c. 200 words) by the end of July 2022.



Last updated May 30, 2022

Monday, June 6, 2022

CFP Updated - Medievalism in Play (Spec Issue of Studies in Medievalism) (8/1/2022)

CALL FOR PAPERS EXTENDED: Studies in Medievalism XXXII: Medievalism in Play

Posted on June 4, 2022 by postmedievalist

Reposted from the ISSM site: https://medievalisms.org/call-for-papers-extended-studies-in-medievalism-xxxii-medievalism-in-play/
 

Deadline Extended to August 1, 2022

From Renaissance satires of courtly love, through Victorian jousts, to Arthurian video games, medievalism has often been central to play, and play has often been central to medievalism. Sometimes the Middle Ages serve as mere background or framework for play that would not change in other contexts. But frequently play is refracted through medievalism (and/or vice- versa) in such a way as to comment specifically on the Middle Ages, the interpreter’s circumstances, the purpose of play, and/or on medievalism. Studies in Medievalism, a peer- reviewed print and on-line publication, is therefore seeking essays of approximately 3,000 words (including notes) on the intersection of medievalism and play. How have the Middle Ages been adapted to one or more particular instances of postmedieval play? Why was that context selected above all other possibilities? What does that choice say about the Middle Ages, the interpreter, the interpreter’s circumstances, about play, and/or about medievalism? Where does play fit with the study of medievalism? In responding to these and related questions, contributors are invited to give particular examples, but their submissions, which should be sent to Karl Fugelso at kfugelso@towson.edu in English and Word by August 1, 2022 should also address the implications of those examples for the discipline as a whole. (Note that priority will be given to papers in the order they are received and submissions that have not been translated into fluent English will not be considered.)